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-   -   Canon EOS E1 Video Plug-In for Final Cut Pro (https://www.dvinfo.net/forum/canon-eos-crop-sensor-hd/472303-canon-eos-e1-video-plug-final-cut-pro.html)

Chuck Spaulding February 14th, 2010 02:36 AM

wouldn't it be nice if we could upgrade the 7D to the new MPEG2 4:2:2 codec...

Liam Hall February 14th, 2010 03:22 AM

RAW would be even better:)

David Chapman February 14th, 2010 06:15 AM

I'd rather have a firmware update to remove the red record dot and have a portable ssd to record 4:2:2 into ProRes LT/HQ from the HDMI out while adding timecode and upscaling to 1080p. Pretty much what the Syndicate is doing without a computer. Sadly, this seems very feasible but I see Canon calling this a "pipe dream" even though we are just talking about the red dot removal from hdmi out.

Andrew Holmes February 15th, 2010 02:13 PM

Quote:

Originally Posted by Chuck Spaulding (Post 1485679)

Andrew, something to keep in mind though, unless your outputting your final project to film you don't need to use ProRes HQ, ProRes LT works great for HD and there is no perceptible difference. There are some exceptions to this for effects but as a general rule if your finishing in HD then ProRes LT is as high up the food chain you need to go.

Chuck - Thanks to you and David for the responses, and for highlighting the major differences between the HQ and LT flavors. I tend to do a lot of compositing in Motion, FCP and some AE. Storage is not a huge issue so I have been playing it safe.

I'm looking forward to comparing MPEG Streamclip to Compressor conversions.

Regarding the 4:2:2 color space and pulling clean keys - so far I have used with great success a Blackmagic Intensity Pro HDMI card and a Sony Z1's HDMI out....but that's off topic, sorry.

Keith Moreau February 15th, 2010 08:30 PM

Quote:

Originally Posted by David Chapman (Post 1484797)
Right now, I batch convert everything before I pick through my footage. Trimming the fat before the ProRes conversion will save a lot of space.

I've done some tests recently and MPEG Streamclip does a much better/faster job at transcoding than compressor.

David, I recently my first large project mixing EX and 7D. I quickly found that I had to transcode the 7D clips to make any headway with the editing. First I tried creating a droplet for Compressor, but either I'm doing something wrong or this method is flakey. If I dropped more than a few clips, it took forever for the droplet to acknowledge I'd done anything and was just unuseably unresponsive in picking the cluster, etc.

I turned to the trusty MPEG streamclip for the conversion to standard Prores 422, which works well for batch conversion.

What I've heard of as a good workflow is to have an "folder action" to automatically batch convert clips. I'd like this for all my 7D clips, to run every night, to know that in the morning I'll have fresh, usable Prores clips to use in my edit. Do you or others have a good workflow for the Mac for this?

Thanks for a great discussion and if I've highjacked this thread, I apologize.

Evan Donn February 15th, 2010 09:32 PM

Quote:

Originally Posted by Chuck Spaulding (Post 1485925)
wouldn't it be nice if we could upgrade the 7D to the new MPEG2 4:2:2 codec...

When Canon presented the new codec at the recent supermeet someone asked specifically about upgrading any of the current DSLRs to it and the response was that the codec in the cameras is hardware based and not something that can be updated via firmware...

Also, during the presentation of the log/capture utility it had several options for transcoding the footage on transfer - including ProRes.

Richard Van Le February 18th, 2010 11:44 AM

Canon's posted more detailed information about the plugin:
Canon Digital Learning Center - Introducing EOS Movie Plugin-E1 for Final Cut Pro

Liam Hall February 19th, 2010 05:30 PM

Looks good. I like the disc image function too. Available "Early March". Cool:)

Alvise Tedesco March 7th, 2010 04:38 PM

"Early march" is now. Anybody got news?

Bryan McCullough March 12th, 2010 02:04 PM

<taps foot...>

Liam Hall March 12th, 2010 03:23 PM

I heard the 15th mentioned somewhere. Can't remember where...

David Chapman March 12th, 2010 04:31 PM

Hahaha. I love the foot tapping. My birthday is the 20th, Canon. Please before then? Also, I would like a 70-200mm 2.8L coffee mug.

Nate Haustein March 15th, 2010 09:52 AM

Hoping for the best regarding the plugin tomorrow. Maybe even a Final Cut Pro update to 7.1 64-bit support.


I can wish, can't I?

Bryan McCullough March 15th, 2010 10:01 AM

Today is the last day of what can be technically called "early March". So that danged plugin better be here by tomorrow! :)

David Chapman March 16th, 2010 09:41 AM

Well, it's not early March anymore. I was thinking they were waiting on the 5DM2 firmware, but that's out now too.


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