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Camcorder equal to the 5D quality?
I love my 5D MKII but I hate my Canon XH A1s, it's horrible in low light and very grainy. I shoot a lot of MMA training for UFC and other outlets and I need a good quality camcorder with the image quality of the 5D but Live auto focus. Nearly impossible to film MMA training with manual focus. Anybody have any HD Camcorder suggestions in the same price range as the 5D???
Thanks much. |
Re: Camcorder equal to the 5D quality?
2nd hand EX1
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Re: Camcorder equal to the 5D quality?
The closest I can come up with is the Sony NEX-VG900 at close to $3,200. Next in line I'd name the Canon C100, but that sells for a bit more, around $6,500
Both should have great low-light performance, with the VG900 having a fullframe sensor like the 5D, and the C100 a close to APS-C sensorsize like the 7D (but with fysically bigger pixels, ergo more light-sensitive) ... but the live auto focus might be a bit tricky here, sorry. |
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In my opinion, you can purchase the Canon XF G10 or the XF G20 and get probably better low light performance than what you have on the 5D Mark III. I have both the 5D Mark III and the older XF G10 and I don't have any issues. If the low light shooting wasn't an issue, I would suggest the Canon XLH1. That cam is still a beast and will be for some time. If you go with the Sony (I like the Sony) the colors will be more of a problem to match than the Canon products based on what I have read. Good luck!
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I was just looking at the Sony HXR-NX70, youtube low light tests look pretty good. Thoughs? |
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http://www.bhphotovideo.com/c/product/884602-REG/Sony_PMW_200_XDCAM_HD422_Camcorder.html |
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In the end, if you have the resources to rent all of the cameras mentioned throughout your post, it would probably help you to make the best decision based on your personal needs. Good Luck |
Re: Camcorder equal to the 5D quality?
Danny I guess it might depend how low the lighting is and how you are filming, let me try and explain. Also bear in mind this is just my opinion and is not a scientific evaluation in any way shape or form.
I own the XF300, XF100 and 1Dx DSLR. The 1Dx is the best in very low light by MILES in my opinion. I have tested all the cameras listed in my kitchen at night but with the normal lighting you would expect in a kitchen, in other words not sunlight but certainly not extreme low light. In every test the 1Dx blew the others away for noise. The XF300 is ok(ish) if you keep the gain below about 6db but with the lighting I had 6db ended up being pretty under exposed so not really that usable. The XF100 is worse than the XF300 but not by miles really. Certainly not as much of a difference as there is between the 1Dx and XF300. When I tested it shooting a wide shot of the whole room the noise was there but you could live with it. It's when you zoom right in and get a shallower depth of field that the noise on the XF cameras really shows. It's the out of focus bits that become very noticeable noisy. Based on this I would advise renting,borrowing or just testing in a shop if you think either of the XF cameras might be the one for you. I'm not saying they are rubbish in low light but for ME and MY needs they are too noisy really. I am looking to buy a C300 because it's a bit better than the 1Dx in low light but way more usable than the 1Dx (things like peaking, audio inputs etc etc). Hope that's useful for you and I say once again this is just my own judgement and opinion based purely on my own uses and needs. |
Re: Camcorder equal to the 5D quality?
Andy,
I've been thinking about getting the 1DX for both photography and videography. With that being said, I do have the 5D Mark III. Is there a significance difference on the video side moving up to the 1Dx or should I go for the C100? The C300, for now, is out of my budget, as I am not that big and yet. |
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Thanks for the great info Andy, I guess I probably left out some important details. 1, the gym I shoot in (Jacksons MMA) is very dark, dark grey walls and black ceiling. I Have decent dayflo lights but not nearly enought to light the whole gym up. 2, Since it's MMA Action, I would love to speed my shutter up to at least 1/100 to prevent motion blur, can't do that with my XH A1s with gain set to low, have to shoot at 1/30th becasue of the low light. I never use medium or high gain because of all the noise and grain of course, even with all my custom presets optimized. 3, MUST HAVE LIVE AUTO FOCUS. 4, I am very good at color correcting mediocre footage, the problem is that some of the orginizations I shoot for want the raw un CC'd footage, ugh, so hard to send when it's not perfect. So what I need is most likely not in my budget unfortunately, guess I'll just have to do more spec work and earn enough money to be able to afford what I really need. Thanks again! |
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If video was the main objective I would certainly be looking at the C100/300 because I find shooting video with a DSLR doable but not ideal. Audio needs to be recorded separately, no peaking, zebra, the C300 is much much better to hold in the hand if you are not using a tripod. I guess it really depends what you plan on doing with it. I'd say if you want stills as well as video go for a 5DmkIII and spend the extra on some glass rather than going for a 1Dx but if you do video mainly I'd go for a C100. As always though I'd recommend at least going to a shop and having a play with each of them. |
Re: Camcorder equal to the 5D quality?
It seems to me that we need different tools for particular applications from a video gathering viewpoint nowadays. I use an XF300, Canon 1DMK4, and Canon G1X compact, and I'd hate to be without any one of them. The XF300 gets by far the most use, but the 1DMK4 has much better low light capabilities and can do reasonable DoF, and the G1X is small and light and convenient. I often keep the G1X on my shoulder, while using the XF300 on a tripod, so I can grab b-roll on the fly.
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I have the 5D Mark II and Sony VG20. VG20 with Kit lens has very good autofocus comparable with my FX1. Its an APC size sensor. Very good low light- in my opinion a much nicer grain at higher ISO that even the 5D. . Only bitch I have ever had on the camera is lack of Picture Style settings. It does send clean HDMI out for capture to my Black Magic Shuttle. Some comparisons below.
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Re: Camcorder equal to the 5D quality?
[QUOTE=Chris Barcellos;1780813]I have the 5D Mark II and Sony VG20. VG20 with Kit lens has very good autofocus comparable with my FX1. Its an APC size sensor. Very good low light- in my opinion a much nicer grain at higher ISO that even the 5D. . Only bitch I have ever had on the camera is lack of Picture Style settings. It does send clean HDMI out for capture to my Black Magic Shuttle. Some comparisons below.
Thanks Chris, the VG20 sure looks impressive in low light, but as I said before, Live Auto Focus is a must. Looks like the VG20 is all manual, is that correct? |
Re: Camcorder equal to the 5D quality?
Boy, your low light and live focus requirements are a pretty tough nut to crack. The xf305 has great live focus, but it is marginal in really low light, so I can't vouch that it would nail your gym needs. However, before you give up, take a look at this video, shot by a guy in Italy with the 305. He certainly got better low light performance out of the 305 than I have done, but to be clear, I think the 305 has excellent overall performance. I also own a 5Dmkiii, and they are two different tools. 5D for shallow DOF, 305 for wide angle run and gun, along with shallow DOF when I can move back from the talent a ways, and tele in. They both are fabulous tools, and it's very hard for me to choose which one to take on any given day. I usually throw both in the van and decide later based on the light (G)
In your shoes I would think *very* hard about the C100. It's sort of a grown up 5D. (no knock intended!). The newer Sony might also work well for you, as described above. But the EX1 did not seem to have much more in low light than the 305 (it had some, but not like working with a full frame HDSLR). Don't know that I would recommend the Canon XLH1 unless you prefer tape, or could find this used somewhere. For the price, tape is so hard to justify these days. I personally would never choose to be shooting to tape if I could afford a similar CF card camera. Shot with an XF305... |
Re: Camcorder equal to the 5D quality?
[QUOTE=Al Bergstein;1780869]Boy, your low light and live focus requirements are a pretty tough nut to crack. The xf305 has great live focus, but it is marginal in really low light, so I can't vouch that it would nail your gym needs. However, before you give up, take a look at this video, shot by a guy in Italy with the 305. He certainly got better low light performance out of the 305 than I have done, but to be clear, I think the 305 has excellent overall performance. I also own a 5Dmkiii, and they are two different tools. 5D for shallow DOF, 305 for wide angle run and gun, along with shallow DOF when I can move back from the talent a ways, and tele in. They both are fabulous tools, and it's very hard for me to choose which one to take on any given day. I usually throw both in the van and decide later based on the light (G)
In your shoes I would think *very* hard about the C100. It's sort of a grown up 5D. (no knock intended!). The newer Sony might also work well for you, as described above. But the EX1 did not seem to have much more in low light than the 305 (it had some, but not like working with a full frame HDSLR). Don't know that I would recommend the Canon XLH1 unless you prefer tape, or could find this used somewhere. For the price, tape is so hard to justify these days. I personally would never choose to be shooting to tape if I could afford a similar CF card camera. Shot with an XF305... Thanks much Al, wow that video with the 305 is pretty impressive, would probably do the trick but I doubt I would be able to get a shutter of 1/100 to prevent motion blur. My 5D MKII would work great in the low light condithions but like the C100 it does not have live auto focus either. I'm afraid that the dream cam that I would need is about $3000 out of my budget. Just gonna have to earn more money I guess. Thanks again! |
Re: Camcorder equal to the 5D quality?
Danny,
I don't know what the expectations of your clients are nor do I know how you're compensated for your work but it sounds like you need to explain to your clients that just as without light they cannot see, neither can your cameras. If they want better footage, they might be willing to mount lighting at the top of the cage. I shoot basketball games and martial arts competitions in gymnasiums from time to time and the light is not great but I can make it work. I would imagine with all of the focus being on a small cage, there must be a signifiant light source. Now with that being said, I have never been to an MMA event. Do you have some footage to demonstrate what kind of light you are working with? I am very curious. |
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In most cases I cannot bring a bunch of lighting rigs for these types of shots because theres usually 30 other fighters training all at the same time they get knocked down and in the way, Thanks |
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[quote=Danny Winn;1780865]
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I don't know if the others would agree with me but I'd like to offer a few comments.
First, I can't tell if lighting is an issue. More specifically, if the gym is dark, why not shoot it as it is. You will still get good sharp footage. The only drawback would be that it's not as well lit as if the gym were actually well lit. Second, if you don't have to shoot 60 fps, why not shoot 24 fps. You will get a lot more light into the camera. This will allow you to use less gain or the same and get a brighter image. Third, good workout. Keep it going! If my understanding of shooting is correct, when shooting 60fps, you'll want to shoot at a minimum of 1/120 and if your shooting 24fps, you'll want to shoot at a minimum of 1/48 both of which should minimize or eliminate motion blur. |
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If you've ever seen a UFC Countdown show, they bring their own PRO crews in, they use $90,000 cameras with extremely high shutter speeds that have no problem with the available lighting. Bottom line, there's just no way I can meet my own personal standards with my current XH A1s. If my 5D MKII only had live auto focus I'd be fine. Haha I just need to save more money brother. Thanks |
Re: Camcorder equal to the 5D quality?
[quote=Chris Barcellos;1781164]
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It is live just like the Sony FX1. Continuous autofocus.
This video, though probably graded a bit on dark side by me, was shot entirely with autofocus. |
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As I recall, this one was shot with mostly autofocus ( Nite probably a fixed Nikon lens, no auto focuss)
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Re: Camcorder equal to the 5D quality?
After using my Sony VG30 for the last couple of weeks, the ability to shoot on full auto focus with the beautiful 18-200 mm in manual or servo mode on the fly leaves the old DSLR's for dead.
I took it up in a Jetranger (Helicopter) over the weekend and the results hand held came out pretty good shooting in 50p on auto-focus. Add some more stabilization in post and you can get some great useful footage. Quality of that 28mbps AVCHD is wonderful but of course not as good as a true HD compression rates. For low light its about the same as my Canon 60D with the Tokina 11-16mm on it. |
Re: Camcorder equal to the 5D quality?
Chris and Paul - sadly, Danny wants an XLR input for his Rode NTG-3 and the &
have 3.5mm mic inputs (although there's a way around that with a
:)).
Danny - the big brother to the VG20/30, the Sony FS100, can almost see in the dark, has XLR inputs, full 1080/60 progressive to get rid of interlacing, and solid autofocus with E mount system lenses. It might be what you need. Philip Bloom shot this in the gym with a Sony NEX-FS100, a Rode NTG-3 and manual Zeiss lenses: You can get it new for $4799 with the 18-200 lens and $4199 body only. Or you can pick one up used on eBay for as little as $3535. To save money, I would buy the used body, plus a couple of inexpensive autofocusing f2.8 Sigma lenses, the and the . Here is what the FS100 can do in candlelight with the little Sigma 19mm f2.8 on it: Sadly, the FS100 is not compatible with Sony's new power zoom lenses. You would have to step up to the NEX-FS700 for that - but it costs $7999(!) body only. Hope this is helpful and good luck with your decision! Bill Hybrid Camera Revolution |
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Both JuicedLink and Beachtek have adapters that will provide phantom power for the NTG3 and other powered mics. . Over the years, though purists won't admit it, these adapters have provided great service and added value to lower end camera systems.
If you are going run a mic on camera, though, the on camera mic is a 5.1 surround mic that actually is not bad--- a lot better than I expected. |
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The FS100 is compatible with the new power zoom lens. The lens has a small zoom control on its body. You just need to use that.
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Glen - pretty sure it's the FS700 with the zoom rocker switch on the handle, not the FS100.
Danny - one camera I forgot to mention was the . It has autofocus, a power zoom, great low light capability, a shoulder mount and XLR jacks. Here is what it can do indoors (couldn't find any gym video, so here's a church :)): Cheers, Bill |
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Wow Bill, that boxer video is very impressive! I will definitly look into that set up. You can see the fast shutter they used on it and it seems awesome in the low light. Thanks so much for the lead!
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Have you looked at the new JVC GY-HM600?
I am also looking, and would LOVE the Canon C100 as well, but the JVC looks like best bang for the buck with great lowlight, 23x zoom and really wide angle. Not to mention lots of recording format choices including simultaneous recording. |
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Another vote for the FS100 for the OP--I wouldn't even think twice about it. With the native f/1.8 e-mount native lenses you get superb lowlight and full-time autofocus and great maneuverability. The 35mm and 50mm lenses are even stabilized. |
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Buy some quality glass and your all set. I would highly recommend the Sony EA50. |
Awesome! Thanks James.
James, do you happen to know if the EA50 would accept my Canon 24/70 lens? That's the lens I use on my 5D. |
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