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Robert, I should follow my own advice more often since I know that ideally I should be acquiring my footage more flat in camera and color grading it in post. But I do like lowering the pedestal and crushing the blacks as it make the colors pop more. So, when you shot your film, did you set the camera to record a flat neutral image and do all grading in post? I am guessing the footage you grabbed in the studio via the SDI was easier to color grade than the HDV footage but I was just wondering. Marty |
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The SDI footage does grade very nicely. It would've been nice if the H1 had a 10-bit output as we did the whole show stem to stern in ProRes. However, I must say that the HDV footage that was cut into the SDI footage graded very well too and at the end of the day I don't think anyone can spot what was SDI and what was HDV. Even on a huge movie theater screen. |
Hello Folks,
I am back with another question. How do I do white balance adjustment in the low lighting condition? Or is it even necessary? If I use my expo disk to do a white balance, because of the low light, all camera lens sees is dark and unable to adjust white balance. Expo Disk does really a good job on setting white balance when there is plenty of light. Thanks to everyone in advance. |
OlegWarm is the bomb.
I'm with Mark on this one. I use the "olegwarm" almost exclusively. (I used it for a wedding this weekend.) In some low-light indoor shots it doesn't work so well. But for natural light and outdoor "magic light" times-- fantastic. Great saturation. Rich film look. Give it a try.
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What do you recommend for the white balance adjustment in low lighting condition? |
Dil, we're already over my pay grade here, so take this for what it's worth... I keep the WB on auto in low-light situations. Don't know if that's the way it should be done. I'll look to see if someone more knowledgeable weighs in. Good luck!
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