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Shannon,
btw, did the 24F actually show up as 24p in Vegas? If so, that's very interesting because HDVxDV doesn't specifically support the H1. It just captured what was being spit out via Firewire. Some of my captures were mixed 24F/60i material in the same clip. The program didn't blink. |
It absolutely did. I only downloaded 8.m2t and H1-2.m2t. Both clips were detected by Sony Vegas 5 as PROGRESSIVE SCAN, 23.976 High Definition Footage on my PC.
That's what I keep trying to tell folks....it's a 24PEE camera. It comes down the pipe as such. Nothing else to do it but slap it on your timeline and cut it as normal. And Barlow....my brutha.....you gotta do someting about these file names. *smile* - ShannonRawls.com |
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My camera is slated to arrive in a week, so hopefully I'll be able to post some footage then as well. |
Here's a 20 second clip: http://homepage.mac.com/ajdel/FileSharing1.html
It's a Quicktime file of about 65 MB. All shots were with the 20x stock lens. I did a little tweaking in FCP WRT to contrast and color balance but did not touch saturation. |
Thanks, A.J. People will need to add the .mov to the file. At least I did.
Clips 1, 2 & 4 were okay to me. Clip #3 was really nice. I guess it had richer colors and some nice depth to it. Looking forward to getting mine tomorrow. Thanks again. Kevin |
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I really like the camera and wish I had the $$ to purchase, but...man, that's not a small deal. |
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Yeah, I know. Peaking, if adjustable, is great. I hope it proves to be enough.
I already know what buttons will wear out first on my HD100...it'll be the Focus Assist buttons. |
More samples
On my webpages www.luontovideo.net -> Special
is now a same view taken with the standard XL H1 20x and the wideangle 3x lens in PAL 50i mode. The settings were "knee=low" and "black=stretch", and the footages were captured to Premiere and then exported to Cineform M2T PAL 1080i files. I also have a couple test results of "neutral", "knee=low", "knee=low + black=stretch", but something odd happens when I export the files from Premiere to Cineform M2T files. (... as if the files were not PAL 1080 interlaced files, but instead, progressive files. Furthermore, for some reason, Export command in Premiere offers me every time in the video settings Cineform JVCProHD 720p although I keep changing it to Cineform 1080i PAL.) |
Lauri,
Thanks for giving us your recent reports. I have visited your site but really couldn't determine if there was dramatic difference between the 20X and your primes. I don't need more footage. I trust your opinion and by now I'm sure you have tried all your lenses. Will your primes (specifically 400mm and 600mm) be useful with the H1 or no as Canon says? |
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I've tried 105, 135 and 300mm and found them all useable but remember not to stop them down below about f/8.
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Definitely usable in a pinch, or if you're shooting SD, or if you're shooting HDV for downconverted final product. |
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