|
|||||||||
![]() |
|
Thread Tools | Search this Thread |
![]() |
#1 |
Regular Crew
Join Date: Apr 2003
Location: Vienna/Austria
Posts: 187
|
First Light question
Hi.
Is there a way to simulate a graduated filter when using FL and not color correct the all picture? Thanks! Johnnie
__________________
http://www.johnniebehiri.com/ |
![]() |
![]() |
![]() |
#2 |
CTO, CineForm Inc.
Join Date: Jul 2003
Location: Cardiff-by-the-Sea, California
Posts: 8,095
|
No there isn't, currently. Gradients and Vignettes are on my list.
__________________
David Newman -- web: www.gopro.com blog: cineform.blogspot.com -- twitter: twitter.com/David_Newman |
![]() |
![]() |
![]() |
#3 |
Regular Crew
Join Date: Jan 2009
Location: Edmonton, Canada
Posts: 91
|
Really? All through metadata?
That is really cool |
![]() |
![]() |
![]() |
#4 |
New Boot
Join Date: Mar 2009
Location: Mülheim, Germany
Posts: 7
|
SpeedGrade is my main grading tool. When I safe a .look done with primaries and secondaries (key only, no masks) I can assign this .look to CF footage via metadata. With the above mentioned Gradients and Vignettes I will be able to store masks additionally in this .look file.
If you now find the technology to store keyframes in your metadata we have a grading workflow with all the bells and whistles without the need of rendering. Have you ever thought about this? Hans |
![]() |
![]() |
![]() |
#5 |
CTO, CineForm Inc.
Join Date: Jul 2003
Location: Cardiff-by-the-Sea, California
Posts: 8,095
|
We are added key frames. I had not thought of using the extra data in the .look for store gradients, I don't think that matches our workflow (but it might.) To do vignettes correctly, processing should be on linear light, and the current input to the 3D look engine is curved (log/gamma.)
__________________
David Newman -- web: www.gopro.com blog: cineform.blogspot.com -- twitter: twitter.com/David_Newman |
![]() |
![]() |
![]() |
| ||||||
|
Thread Tools | Search this Thread |
|