Digital Bolex announced at SXSW 2012
The Digital Bolex
Its a kickstarter, so who knows if it will really come to fruition, but its a great concept. |
re: Digital Bolex announced at SXSW 2012
Don't like the idea of an internal battery. But otherwise it looks interesting, especially at that price point.
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re: Digital Bolex announced at SXSW 2012
i want one
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If they're actually calling it a Bolex then legally there must be some real connection to the actual Bolex of the past... although the website was a bit vague on that point, saying only that "the Bolex is back" on their About page. Edit: Yes, it seems the Bolex branding is indeed legitimate after all. From their Kickstarter page: "Our current agreement with Bolex states that we may only ship cameras within the United States. Anyone with a US mailing address can purchase a camera." The retro design is admittedly appealing, as are the three XLR inputs (two 3-pin jacks for L&R audio, one 4-pin jack for power). But... what about the image? The sensor is a Kodak CCD in appx. S16 size. |
re: Digital Bolex announced at SXSW 2012
Hmm... proposed specifications, from http://www.digitalbolex.com/products/
Resolution: 2048 x 1152 (Super 16mm mode) + 1920 x 1080 pixels (16mm mode) Format: Adobe Cinema DNG, TIFF, JPEG Image sequences Colour depth: 12 bit – 4:4:4 File size: 2 to 3 MB per frame in RAW Sensor: Kodak CCD: 12.85 mm (H) x 9.64 mm (V) – Similar to Super 16mm Pixel Size: 5.5 micron (compared to the 4.3 micron size of many DSLRs) Framerate: up to 32 fps at 2K, 60fps at 720p, 90 fps at 480p Sound: Balanced, 2 channel, 16 bit, 48 kHz via XLR Viewfinder: 320×240, 2.4” diagonal, with Focus Assist Video out: 640 x 480 B&W via ⅛” video jack (HD-SDI avail in separate unit) Ports: ⅛” video, headphone, USB 3.0, Audio XLR (2), 4-PIN XLR Data Storage: Dual CF card slots, SSD (buffer drive) Power: Internal battery, 12V External via 4 pin XLR port Body: Milled steel and hard plastic Size (body): Approximately 5”H (without pistol grip) by 4”W by 8”D Size (grip): 5”H by 2”W by 5”D Lens mount: C-mount comes standard; Optional PL, EF, B4 Weight: 5lbs ISO Options: 100, 200, 400 Also in the box: pistol grip, USB 3.0 cable, internal battery, 4 pin XLR Battery, cable, video cable, transcoder/raw conversion software ...not exactly sure how a person can pull focus from a QVGA viewfinder, even with Focus Assist. |
re: Digital Bolex announced at SXSW 2012
Anyone know what the crank on the side is for?
Perhaps they're going really retro and having a clockwork generator in the camera. I know of one camera that didn't get into production, which had the option of a hand crank. |
re: Digital Bolex announced at SXSW 2012
Apparently the "crank" has assignable functions (such as ramping the frame rate?)
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re: Digital Bolex announced at SXSW 2012
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re: Digital Bolex announced at SXSW 2012
This is a really cool concept. 12-bit, 4:4:4 color - wow!
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re: Digital Bolex announced at SXSW 2012
This is really cool, but the monitor resolution is surly lacking.
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re: Digital Bolex announced at SXSW 2012
I dunno -- it looks like a cute little toy but the big red flag for me is their opening statement:
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And it is physically impossible to show 8mm film of any flavor in a real movie theatre -- the projectors weren't powerful enough for their light to actually reach the screen, even in a small multiplex theatre. We did a Super 8 film festival and had to specially convert an Elmo to use a more powerful light source -- it looked like a Rube Goldberg invention and still sucked. So I'm leery. From their other statement it sounds like they've just licensed the Bolex name. Could be this is another RED, all promises and nothing else. |
re: Digital Bolex announced at SXSW 2012
They've reached the production start goal of $100,000. It looks like it's a go.
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re: Digital Bolex announced at SXSW 2012
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The weak link in the chain were the telecines of the time. Running that original film material through a modern TK comes up with results far better than the original transmission and the quality often surprises people. I should add that I bought my first 16mm film camera for £40, it was an old Bolex, you don't need to buy a brand new camera with film. |
re: Digital Bolex announced at SXSW 2012
+1 for Adam's post!
I, too, am skeptical. Any team that can't center their dual-mono interview tracks in post seems like they might now be laughing all the way to the bank of over-promise/ under-deliver vapor-ware. Although I'd LOVE to be wrong. And anything smaller than S35 sensor, I'd just have no use for. Not with plenty of S35 and FF sensor options out there. Even during its heyday, aside from docos, there weren't that many great indie/underground films shot on 16mm. Was there? |
Re: Digital Bolex -- nifty for geeks, hipsters and old people alike
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But "Woodstock" was shot on 16mm. And in today's time, "When We Were Kings," "The Black Swan, " "The Wrestler" and "The Hurt Locker" are recent, notable films shot on 16mm or Super 16. So is the TV show "The Walking Dead." And right now there is nothing even close to the new Bolex's 2K RAW, 12-bit, 4:4:4 color video, all for around $3,000. This is what the Scarlet should have been, IMHO. That's assuming it really does get built. |
Re: Digital Bolex announced at SXSW 2012
Thanks for the film run-down, Glen. And I shouldn't be so dismissive. Let's hope the $100k gets a real product out there. It'll be good for the industry.
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Re: Digital Bolex announced at SXSW 2012
No, Brian, it's good to have a healthy bit of scepticism. Especially when someone asks you for money!
It's an interesting concept. Let's see if it comes to fruition. |
Re: Digital Bolex announced at SXSW 2012
You cannot discount the eternal quest for "different and interesting". I've watched feature films shot on fisher price pxlvision cameras, just because it was an interesting challenge for the filmmaker.
Narrow DoF is sexy, but with every low budget short now oozing thin focus, there is bound to be a backlash to deeper focus - at least from the cutting edge crowd. If the response to light is really organic and their raw implementation gives you latitude like a red/arri, then I reckon this could be an attractive shooting option for music videos, docos trying to have a style and alternate narratives. Many times I've lusted for latitude and would have given up DoF to get it. Anybody know what the rules of kickstarter are? Is there any kind of guarantee of delivery? Time to dig out that box of bolex primes in the shed. |
Re: Digital Bolex announced at SXSW 2012
It's not April 1st is it?... That looks pretty damn cool. Not much ISO range, but still...RAW... 2K...
Great stuff! And if the Kodak sensor works, then good for them. |
Re: Digital Bolex announced at SXSW 2012
A camera with almost exactly the same specs exists and is called ikonoscop:
A-Cam dII The camera loves you | A-Cam dII | Products | Ikonoskop I'm quite sceptic if they could deliver the same product at almost 1/3rd of the price... |
Re: Digital Bolex announced at SXSW 2012
They could be being rather optimistic in the price quoted on the Digital Bolex site. Once they get into development for a production version, there's good chance the selling price will drift up. I suspect they still need to do a lot of development work to convert the current prototype into a reliable production camera. It doesn't seem to be a process that should be underestimated.
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Re: Digital Bolex announced at SXSW 2012
So after a bottle of wine I went on kickstarter and ordered one last night. I woke up this morning extremely worried about that decision. It looks like a cool concept and if it does come to fruition I can think of many uses for it (16mm glass is a lot cheaper the 35mm glass these days) but I think I may have just had a very costly night of drinking...
Though the ikonscop does give me hope that it's possible to do. |
Re: Digital Bolex announced at SXSW 2012
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Re: Digital Bolex announced at SXSW 2012
In barely one day, they've managed to raise a quarter of a million dollars and pre-sell 88 cameras. Impressive.
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Re: Digital Bolex announced at SXSW 2012
Impressive marketing. Sounds like what the original Scarlet was to be: 2/3" single chip. But Red gave up on that and went for a bigger chip. Maybe the smaller chip market still exists.
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Re: Digital Bolex announced at SXSW 2012
I usualy love this type of thing... but I kind of hate it. The concept is good, but if you are making a serious tool, put it in a professional package. Yeah, nostalgia factor is fun... up to about $999... but there's a reason they don't make cameras in this form factor anymore.
Anyway, I'll pay more to buy when when they are actually out and battle tested. Not going to be first in on this one. |
Re: Digital Bolex announced at SXSW 2012
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The attractive thing about the Bolex H16 was its versatility: Variable shutter, behind-the-lens filter slot, 3-lens turret, spring motor or electric motor or hand crank, single frame capability, footage and frame counters that allowed accurate rewinding for double exposures, 12 to 64 fps (8 to 64 fps in older models). Some of that versatility was specific to film, although some would also apply to video. Wouldn't it be great to have a 3 lens turret on a video camcorder? (Maybe the Digital Bolex people can be persuaded to include a turret!) Ah, such fond memories. Anyhow, I'm skeptical for now, but I'll be watching. IMHO I think the Panasonic AG-AF100 is the best current example of the versatile but thrifty "spirit" of the old Bolex. So that AF100 is likely to be my next camcorder. - Ken |
Re: Digital Bolex announced at SXSW 2012
Here's a sceptical viewpoint.
Prolost - Blog - DigitalBolex From one of the comments at the bottom, it seems that Iensco is the manufacturing partner for the camera. Ienso Electronic, manufacturing services, electronic and electrical - Ienso Electronic - Digital Camera Design |
Re: Digital Bolex announced at SXSW 2012
I don't see how you can get such a small data size from 4:4:4 12 bit.
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Re: Digital Bolex announced at SXSW 2012
Seems they have already pre-sold all their 100 planned cameras.
Bloom is giving us all his twopenneth The Digital Bolex D16. Raw 2K for less than a cost of a 5Dmk3? | Philip Bloom |
Re: Digital Bolex announced at SXSW 2012
I have heard Fisher Price have shown a huge interest in this! They may even have it in the shops by Christmas, along with the launch of 'My first film studio'. Let's hope so.
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Re: Digital Bolex announced at SXSW 2012
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WEISSCAM TO LAUNCH NEW “SOHA” CAMERA PLATFORM AT NAB 2012 |
Re: Digital Bolex announced at SXSW 2012
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Steve |
Re: Digital Bolex announced at SXSW 2012
BBC, with the odd exception, always shot on 16mm or Super 16 until recent times when engineering did what what they've been trying to for years. In recent years the BBC have shot dramas on 35mm, ITV have a history of shooting 35mm dramas for sales in the US. An example would be the Avengers, 35mm from 1965 onwards, before that it was 405 line B & W.
A number of people would argue the grain issue given modern degraining methods, however, you still get Super 16mm being used for slow motion shots on major BBC productions. Economic factors also come into the equation, now that there are digital cameras that don't look like video available, although they may not actaully look like film on closer inspection. |
Re: Digital Bolex announced at SXSW 2012
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However, HD was on a distant horizon then... |
Re: Digital Bolex announced at SXSW 2012
Wow. No disrespect but you are a veteran sir.
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Re: Digital Bolex announced at SXSW 2012
What I don't get with the design is why use an SSD as a buffer, instead of being the recording media.
A 512 GB SSD is around $700 at Newegg, and a bit more here in the UK. If the 3 MB / frame figure is accurate then that would give about two hours of recording time. My concern about the project would be that both Red and Ikonoskop have failed to deliver cameras in as aggressive a timeframe as the Digital Bolex team are proposing. The real risk in the project is going to be in its software stack. Joe Rubinstein does have a background in image processing, but I don't know what his experience in the industry is like. (And I can't find him on LinkedIn either.) Hacking up a one-shot application is rather different to delivering a maintainable, bug-free piece of code. For those of you who aren't software engineers, the rule of thumb is that you always double a programmer's estimate. One professor I knew at university used a sliding, exponential scale, so a two week project would actually take a month, one estimated to last a month would be a quarter, and so forth. It's a cool project, and their intention of using as much off the shelf hardware and software is a good one. Fingers crossed they pull it off. |
Re: Digital Bolex announced at SXSW 2012
i think of a form factor, is this a 100% hand held camera? how do you set it on the rig, or a tripod, (forget the steadicam) and I don't think they will implement in camera IS
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Re: Digital Bolex announced at SXSW 2012
The hand grip is removable and yes it has a standard 1/4-20 tripod mounting socket.
Interchangeable lenses with a choice of lens mounts (EF, PL, B4 etc.), so no it probably does not have in-camera IS. |
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