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February 22nd, 2007, 11:12 PM | #16 |
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You captured it in Avid 1080i HDV project?
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March 12th, 2007, 03:58 AM | #17 | |
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Quote:
The interlace frame you found was nice because it had combing. When I was stepping through some 24p -- I didn't find combing at all. But, I did find two frames that were identical -- every five frames. I assumed, perhaps wrongly, that these were the 2 judder frames. I'm asking because I did something wrong, because after importing back into FCP I clearly had a messed-up frame at regular intervals.
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March 23rd, 2007, 05:01 AM | #18 |
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Sony V1
Hey Heath and everyone,
Just got a Sony V1 recently and been looking at potential workflows for progressive. Trying to get my head round this whole pull down - is it only if the framerates dont fit neatly? I am just about to ask a silly question I think... but there is much talk of 24p, what about 25p? This is the progressive offered on the V1. Would I use this same method in the article? Hmm, just looked at cam specs, and it says 24p. But in the menu and on screen it says 25pscan? Confused. Nick |
March 23rd, 2007, 07:11 AM | #19 |
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The V1E offers 25p mode, not 24p mode, and there is no pulldown to worry about with 25p.
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March 23rd, 2007, 11:08 AM | #20 |
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At that point, I'd just export a regular QuickTime Movie (not conversion) that's set up as a photo - jpeg at 75% quality (not HDV) from your timeline. Once that's done, open it in Cinema Tools and conform it to 23.98 fps. Re-import on a photo - jpeg 75% timeline at 23.98 fps (you can start with HDV to get the frame size, etc., right, but the compressor should be photo - jpeg 75%). Render and there you go.
heath
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March 23rd, 2007, 11:43 AM | #21 |
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pscan on V1
HI again,
This is the info I was going off on the V1: http://bssc.sel.sony.com/Broadcastan...ogressive.html Is this differnt because it is not the Euro version? Nick |
March 23rd, 2007, 12:40 PM | #22 |
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Correct. V1U would refer to a US model. E refers to a European model.
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