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October 20th, 2005, 12:53 PM | #16 |
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Thanks Frederic, that's good to know.
Any idea if I'm correct on the DVHS question? I would LOVE to be able to use Lumiere to move my DVCPRO HD stuff to DVHS, but you first have to add pull-down in After-Effects right now, FCP's pull-down just doesn't cut it.
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October 20th, 2005, 01:03 PM | #17 | |
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Doesn't Panasonic have a FCP plugin to play with framerate? You should try that and convert the DVCPRO HD first to 60p then generate a QT 1440 X 1080 and use Lumiere HD to make a DVHS friendly 1080i. I think... Frederic |
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October 20th, 2005, 01:13 PM | #18 | |
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I realize there are many ways to skin the cat though.... |
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October 20th, 2005, 02:59 PM | #19 | |
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while I'm no expert, instinctually the idea of editing on a GOP codec seems very very wrong as various changes you implement might show up on a deltaframe versus a keyframe and some blackbox implementaion is going to make everything right again. I'm quite willing to be educated and corrected. I understand that the idea of generation loss is to be avoided but my reluctance to edit in a gop codec seems to be emotionally stronger. -ed |
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October 20th, 2005, 03:41 PM | #20 | |
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October 20th, 2005, 03:46 PM | #21 |
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FCP 5.0 Best Native HDV Editing
The best solution for editing HDV native (not 24p & 25p) is FCP 5.0
Read the article on HDV in Film & Video magazine Oct issue. Paul Saccone (Product Manager for Final Cut Studio) says: "If you take an HDV stream, whether you're doing color-correction or a 16-layer composite, we decompress all that video into a 4:4:4 color space, do our composites, and then do one single re-encode back down to HDV format. So you're only, ever, incurring one generation of re-encoding." |
October 20th, 2005, 04:00 PM | #22 | |
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