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December 14th, 2005, 06:38 PM | #46 |
Major Player
Join Date: Dec 2005
Location: New York
Posts: 392
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yeah, oh well i guess thats all with the fun of shooting these events... one take .
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January 12th, 2006, 01:02 AM | #47 | |
Regular Crew
Join Date: Oct 2003
Location: Atlanta
Posts: 50
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Maybe I need new glasses but I really don't see anything wrong with the footage in this clip, http://www.cineform.com/video/slomo2.wmv , can someone please explain SSE to me?
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January 19th, 2006, 11:17 AM | #48 |
CTO, CineForm Inc.
Join Date: Jul 2003
Location: Cardiff-by-the-Sea, California
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Giuseppe & David, Please indicate your source when pointing a direct link from someone's site. This video sequence has a context un-related to the purpose you are using it. These are very early slow-motion test sequences from http://indiefilmlive.blogspot.com -- we don't mind that reference just the wasted bandwidth without any indication of its source. This is an early model camera so the artifact you are looking for is not relevant to today's units. What you should be noticing is that is a 60p over-cranked slow-motion from a camera that is supposed to do only 30p (read more here : http://indiefilmlive.blogspot.com/20...explained.html.)
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January 20th, 2006, 01:40 AM | #49 |
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Join Date: Nov 2005
Location: Bunbury, Western Australia
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101 works ok in live
Hi All
I got my 101 here in Western Australia back in November last year. I have used it across a wide range of situations including TVC's, corporate, news and event recording and have not had any issues with it in regards to the SSE. In regards to the live events, to stay close to this thread, they have all been at our local entertainment centre and have been school graduations, dance school grads and concerts etc. At all times I am using the camera in full manual mode with blacks compressed at -1, shooting 16:9. In most cases the stage is lit for the audience so I make sure that as well as wearing headphones for audio monitoring, I also use the theatres talkback system to keep in touch with the lighting director and request when necesary for a little more foreground light... All of my clients have commented that the quality of their productions are great, previouisly I shot with a Canon XLS1. regards Dean |
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