£4995.00 + vat

Another item for the wishlist - spoke to JVC at the show in London and asked them if it can record simultaneously on both cards in the camera, answer not at present - Very useful if you have a client who wants to take the media away immediately after a shoot, but is likely to lose something that small and you need a backup...

Sorry for the lateness in my response. I've shot two commercials and a music video since this article was published last week, and then I started working on another big feature right away (being shot by Bill Pope ASC BTW... I was elated to watch him light a simple wardrobe test on Friday!)
I'm sitting on the train going into Toronto right now so this seems to be the only time I'll get to respond.

No frame grabs. I had a lunch meeting with JVC and honoured the restaurant's request that I not shoot inside. I did ask (as everyone always should.) I did however play with the HM700 in the interior setting and I would say that from what I could tell from the LCOS viewfinder the camera has much lower noise levels than the HD100 series and especially the HD200 series. I cranked up the gain on both the HM100 and HM700 and I am still impressed with the relatively clean image.
Sorry. No comparisons available yet. I'm sure that plenty of comparisons will come when the camera is released, but probably not from us.
I do not know the details surrounding the release of the lens except that it will be bundled and available in June. I can only assume Canon will make it available individually at some point but the best value will be in the bundle.
HD only with many SD downcovert options. For example the firewire port can now output downconverted DV (NTSC or PAL dependent on the HD source) and the SDI and Component outputs will also downconvert.

Yes. That's XDCAM EX. As far as I know only XDCAM HD has a 4:2:2 flavour.

Perian is for the Mac, XD Decode is for PC. Quicktime works system-wide for any application that can use it. The XDCAM EX component just allows Quicktime (in any Quicktime capable application) to play back the XDCAM EX material. Rendering in XDCAM EX is another story all together.
The non-FCP solutions I presented are decoders only and won't allow rendering into XDCAM EX.

See the answer above.
XD Decoder and Quicktime are required to view or work with the XDCAM EX .MOV Quicktimes in any Quicktime-aware application on Windows.
The bottom line is if you open the .MOV quicktimes in Premiere Pro they can be used on a sequence. This seems to work better in the Mac version than the Windows version (which seems to not edit in the audio tracks.)
It has the remote input for CCU remotes but it lacks a genlock in for house sync.
See answer #1. You won't be disappointed with low-light performance in the HM100 or HM700.

Thanks Chris, this sounds very promising. I prefer the JVC form factor to the Sony.

Dead Pixil Fix
 

Does anyone know if they have fixed the dead pixel issues in the new HM700 that plagued the JVC110 and 200s? Having recently shot something with a JVC Camera, there were several times where a dead pixel would show up when looking at the footage on my computer that came from JVC CCD sensors. Has this issue been fixed?

Dead pixels aren't really an issue with the JVC cameras because they are end-user serviceable. The same should be true with the HM series, but I didn't try to find an advanced menu.

put 700 lens on 251 ?
 

Tim, thanks for the review !
"The new 14x4.4 lens from Canon is a thing of beauty and I can’t believe it is a bundled lens. Wow this lens is sharp."

The camera AND lens cost less than the optional lenses for the 251.

So is this Canon lens good enough to warrant buying the 700 just for the glass (and as a 2nd cam on the side)

I will stick to the 251 for shooting because of genlock/TC for separate audio and digislate.

Likely JVC will come up later with a 700 type which can be genlocked ???

Claude: That's what I was wondering. a 17x for $3,000 plus a 2nd HD100/200 series camera is about the price of a 700, plus you get a DTE system ($1,400 value figureing mount) but recording HDV and XDCAM-EX. If I had the cash I would seriously not get a better lens for my 110, but instead make my 110 the B camera and get a 700. I wouldn't mind getting the canon glass for my 110 if it wasn't too much... maybe add a doubler for my longer work.

Good times...

It's funny, reading the sony and canon sites, and having used some HDV of both recently and not be impressed with the 1080i world or downconverted DVD's.... But the funniest part to me was down converted DVD's looked best from 24p JVC and also itunes for electronic sales and transfers where looking the best and 1/2 to 1/3 the render times from 720p vs 1080i. Since itunes (90% of all legal download sales) highest res is 1280 x 720p 24fps or 960x540 @ 30fps it really makes the case to stick with 24p for both outlets.

I wonder if there would be an advantage to shoot 1080p 24fps vs 720p 24fps for downconversion to appltv itunes HD and DVD. I bet render times from XDCAM-EX 108024p would be no worse than 1080i HDV and probably less. I'm sure the720 XDCAMEX render times would be similar to 720p HDV. Longer GOP but less compression? Dunno... Looking forward to trying.

I wonder if there is much of a market for my HD110/IDX/Focus Enhancement's DTE package.

Tim, gut reaction of Canon's 14x vs a Fujinon 17x?
 

Tim,

Hey just a gut reaction or feeling of the Canon's 14x lens vs the Fujinon's 17x lens? I Know it was preproductin, but are they optically in the same ball park with each other where as the 16x is the minor league? Both not really comparable to the Fujinon 18x or is the Canon comparable, just shorter range?

Anyway maybe selling my 110 & DTE and IDX system and varizoom in a week or two to free up funds for a new JVC 700. I guess I'll have to make a package deal for my 100+ JVC tapes. oh well.