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Re: New Panasonic GH5 Official
I had a fantastic discussion with two guys at NAB. They work for another large CMOS image sensor maker. One is a sensor engineer and the other is an engineer for the fabrication equipment used to make sensors.
They both told me that Sony is EXTREMLY difficult to work with and buy from. They told me that Sony will ask questions about a thousand different aspects of how you will buy their sensor and implement it....down to the minute technical details! Then once they are satisfied with your implementation, they turn around and place all of your specs into the contract of sale so you cant change your mind at a later date with a firmware upgrade. Sony has their customers locked down hard. I dont blame Sony. These are their hard earned pattents and expensive R&D work. They protect their business and their survival very closely. Which is why the GH5 is so shocking! Is Panny paying an exceptionally high price to Sony for this tech? Who knows? (Maybe 10 people on the planet!) |
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Re: New Panasonic GH5 Official
Normally I don't care but I don't like the idea of one manufacturer dictating terms to another its one step closer to colluding together to fix prices. I like it when companies are competitors not involved in cozy relationships.
Omg I said "obstacles" and said dslrs are designed for photography! Outrageous! I also think Sony isn't closing it's doors after the release of the GH5. |
Re: New Panasonic GH5 Official
LUMIX GH5 - Beyond the Grid - Neumann Films
GH5 Firmware Upgrade Path: 4:2:2 10bit – Available April, 2017 6K/24p Anamorphic Video Mode (4:3) – Available Summer, 2017 (200 Mbps) FHD 4:2:2 10bit ALL-Intra – Available Summer, 2017 (400Mbps) 4K 4:2:2 10bit ALL-Intra – Available, Summer 2017 V-Log Color Profile – Available at launch, Cost: $100 |
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Steve I'm not confused. I know that a DSLR was designed for photography not to film video. You can dance around that fact and try to re-frame the conversation all you like. But I get it people like to argue here so keep refuting the obvious if you must.
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Ok, that's cool. Nobody has to care about the business side of cameras. I love everything about cameras and photography and videography,...including the business and industry aspect of them too! C'mon Steve, is it that "really" that horrible to "ponder such questions"? ;-) On Sony's future against the GH5. If the past is any indicator, when the GH4 came out, at NAB Sony fired back with the original A7s and they gave 4k to it's HDMI output but not it's internal CODEC. With only a 4k HDMI, that camera took the industry by storm and was a certified hit for Sony. They fought Panasonic's GH4 with a much larger Full Frame camera that could see ghosts and faint spirits in the middle of the night. Both, the A7s and the GH4 did very well for both companies even though the A7s was crippled by it's internal 1080 CODEC. They might do this all over again. Maybe they will position an new A7-III, not with a 4:2:2 10 CODEC. Instead buy giving it's HDMI 4:2:2 10bit for external recording. again with a crazy sensor that has a signal to noise ratio that is ever higher than today's A7S-II. This might be a way that Sony can compete (somewhat) with a GH5 without hurting their FS5 or FS7 sales. I don't know but Sony's answer is going to be very interesting. (but not for Steve) Sony still has time to announce what they are building before the GH5 hits the streets. I'm guessing NAB 2017? (where the original A7s was launched) I have a GH5 on pre-order now but I'd cancel it if Sony announces a solid move against the GH5. |
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Yes, been there, done that many times, Noa. I can understand it when they ask when I'm shooting with the GH4, but they even ask when I'm shooting with the LS300 and the Sony EX1R before that. Neither of those cameras remotely resemble a DSLR, but they ask anyway.
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Still the fact that the GH5 isn't designed for video taking is a major plus as it gets certain features that something like the Sony FS5 or Canon C100 lack. Despite both costing a great deal more. It's a funny old World with modern technology. |
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Some see cameras as a train spotter sees trains. More interested in facts and figures and history, whilst I see it just as a means to get from A to B. |
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Coming from a proper eng camera makes me shake my head at how some of these dslrs operate I just do my best to work around it. For example, my dslr won't tell you how many minutes are left on the card! It be like selling a car without a gas gauge! |
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As for its limitations, they can vary from camera to camera. My GH4Rs has unlimited recording, so I get to see how many minutes are left on any card I put in. A feature I'm happy to see continues to the GH5. I own a Panasonic AF101a and despite being a proper video camera, felt more restrictive than the GH4. Mainly down to lack of touchscreen, and the white balance and gain being toggle switches between 3 custom options. Okay easy to operate and in the case of white balance operational whilst recording, but frustrating to use in practise. |
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And... I ordered one before even starting this thread! :D |
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