went to HVX200 demo....
First impressions...
I'ts a great camera, but I still see problems with the P2 workflow. Let's say you buy a package with 2 P2 cards. Your recording time is limited. What if you have to shoot all day? You'll have to hire someone to keep transferring the footage to a hard drive while you're shooting, so you'll have to buy a P2 card reader, and bring along a laptop, this makes production more expensive, and may be unaffordable for shoestring-budget independent documentaries. (Hiring a PA or AC to do the transfer, etc.) Okay, so let's say a producer brings a bunch of P2 cards, maybe that'll work, but are they really going to be able to afford 20 or more P2 cards? Panasonic made a bad move by not allowing the tape mechanism to record in DVCProHD as well as Mini-DV. What if you don't do a tranfer, and hand the shot cards you bought for the project to the producer, who's flying back to New York, and you'll never see them again? I guess you could include a bill for 5 P2 cards in your invoice? This would make the day rate for a freelancer like me astronomical. And you know how budget minded television production is these days. A lot of us have had to lower our rates to stay in business. Just some thoughts... |
Jacques,
Besides a reiteration of some concerns about P2 workflow, what about the camera itself? Anything new? Any surprises? Did you get to shoot or see footage? What were your impressions about the camera? |
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Shoe-string budget independant documentaries probably have no need for DVCPRO HD, but it's important to realize that this camera certainly isn't intended to be the right solution for everybody. Remember, choose the right tool for the right job. Shoe-string budget? Shoot standard definition 16:9. After all, content is king and nobody will care whether or not it's HD as long as the content is compelling. Which it should be. Quote:
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I'd really like to know some more details about this demo you attended... everything we've discussed here should have been covered in their P2 workflow explanation as this is all pretty much standard stuff. It was worth repeating again so no big deal. I suppose I should add all of this to my P2 F.A.Q. page: http://www.p2info.net/p2faq.php |
I hear they have one at NAB Post Plus, but I haven't had a chance to go by. Nice FAQ, Chris.
heath |
Thanks, Heath, it will be when I update it with all the stuff from this thread.
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P2
Chris,
Okay, now I understand the workflow ideas going on here. I also shoot a lot of news, usually on BetaSP. However, shooting on a P2 camera would have it's advantages, especially having the need to cut news packages in the field. I could do this all on a laptop, and I wouldn't need a deck. This demo was at the "It's an HDV World" seminar at ECI video in Dallas. All the rep had was a mock-up of the P2 camera. It's a little fatter (wider) than a DVX100. Overall, it's very similar, and weighs about the same, I think. One good thing is the rep said that P2 cards will larger in storage capacity as time progresses. I might be interested in one of these camera, now. Or, I might just wait untill the P2 version of the Varicam comes out. Depends, this might be a way to build up P2 HD clientele so that I could eventually move up to a larger camera due to demand. But, of course the bottom line is, will it make money. The bulk of my income is still from my D-35 and PVV3 Betacam SP camera, followed by my DVCam back-end. |
Oh yeah, I've been to ECI. Great bunch of guys down there. Weird how they'd show P2 at an HDV event.
With P2 you wouldn't need a deck. All you need is a laptop which can crunch DVCPRO HD. Probably means a new laptop, at least for me it does. See my P2 card capacity chart for an idea of where it's all heading: http://www.p2info.net/articles/misc/p2cardcaps.php Panasonic did a tickle at NAB about a full-size camera shooting DVCPRO HD on P2 but it's still a ways out yet. More info next April probably. |
I was one originally concerned with P2 Cards,
But now I think "the closest thing to Uncompressed HD, already Digitized" for me Though I am shooting more standard narrative, I even think, 2 P2 cards are enough - one is constantly downloading to a laptop or when you have a break, you plug in and clear the Camera. if I am shooting 720 24p I get abot 20 minutes an 8 G card. Yeah, I know it's not ideal but this will tide me over until a Firestore or the cards get larger and less expensive - Price is a bit high, but... think the closest thing to Uncompressed HD, already Digitized or is it even Uncompressed HD, already Digitized either way, It's insane really I know how you feel, I reacted like that at first but Read Kaku Ito's thread: http://www.dvinfo.net/conf/showthread.php?t=54482 He said it took a 4G card one minute to download to a G4 powerbook It's insane I tell you |
Been to NAB Plus in New York, no sign of the HVX200 camera anywhere...
Hope I didn't miss it... :-) |
Mike,
I am teaching classes here and someone informed me that they were showing it. I'll see about making a trip around the Javitz and try and track it down. heath |
Heath,
Where are you teaching? If I may ask. Mike |
You hit on THE number one issue for a tapeless workflow... freelance shooters. Many of my jobs are shooting ONLY, I show up, shoot, hand them the tapes and they send me a check. Until solid state storage is HUGE and CHEAP, tape will rule. Tape may be dying but it is a SLOW SLOW death.
ash =o) |
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http://www.nabpostplus.com/exhibitors/exhibitors.asp |
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Are you writing about transferring from camera/p2 to hard drive on location? Is that only with USB or can it be done with FW too? Do they make portable drives that run on battery power? How do you know that the file actually made it to the portable hard drive before you wipe the p2 cards for more filming? Can we play clips from the hard drive to see if there on the drive ounce you have transfered them from p2? |
http://www.nabpostplus.com/sessions.asp
One light, no crew today. Will be fun and reminds me of the days of shooting news with one light and no reporter to help. heath |
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I think the point Michael was trying to make in his inimitable style was that how can we trust computers the way we trust tape? Only time will tell in the field. It is a salient point that hard drives, especially exposed to the rigours of the field are hardly an "archival" format. I see a lot of trust and faith being placed in the Firestore here as the "remedy" to P2 hurdles, but I don't think the record of any portable DV hard drive solution is too "flash"... sound and heat problems and software/firmware bugs seem to be commonplace. I personally hope Focus do get it right. |
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I do tons of freelance shooting as you describe. Not that I want to keep beating a dead horse, but once again as others have said, the cards stay with the camera. With the HVX, you will show up, shoot and hand over the data files to them on a compact USB HDD or DVD media. In your current freelance approach, do you not keep copies of what you shoot? I *NEVER* (almost never, anyway) give away my master tape. The client must wait the extra hour or so for me to dupe them a copy. If it's a serious time crunch I charge them extra to take the tapes and this extra is refundable once they return them to me (in the same condition I gave them) and then I will give them their COPIES. In my freelance agreement, it's rare that I ever give full or exclusive rights to anything I shoot (photos, video, whatever) and on the rare occasion I do, it costs them. |
To confirm, offloading of P2 cards is done to firewire drives, not USB drives. The camera has the capability to control an external firewire disk drive, but not a USB drive.
As far as "how do you know it got there", I would assume (there's that word again) that you can copy with verification, just like you burn DVDs with verification. For freelance shooting, the dub-to-hard-disk solution is pretty much the only workable arrangement I can think of right now, unless the producer has the foresight to rent an ample supply of P2 cards (and banking on producers having that foresight is not necessarily a wise move!) Handing over a hard disk is an affordable option (hard disks cost less per hour than HD tape) and should put the producer in a very happy mood (no digitizing? no deck rental? instant access to the footage? happy happy) If dubbing to a hard disk is too inconvenient, then the stark truth is that the HVX may not be the camera for you, for those purposes. No one tool can serve all purposes equally well; the very notion is impossible. If you can adapt your style to work within its workflow, it may be suitable. But it'll never be quite as simple as shoot-to-a-$5-tape, hand-that-tape-over. Then again, with the tape situation in as much flux as it is, and with there being at least eight potential "affordable" high-def formats on the market in the next year (HDV1, HDV2, CanonHDV, HVX, Infinity, XDCAM-HD, JVC GY-HD7000U 1080i, Panasonic HD-D5), all basically incompatible -- well, nothing will ever be as simple as shoot-to-a-$5-tape, hand-that-tape-over again. I think regular DV will be with us for years to come. |
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Jeff, I don't know who your clients are, but I never a) have the time to dub the tapes at the end of a long day or b) have the authority to say I own the masters. This would never fly with VH1, Discovery, Paramount or any other client. They wouldn't hire you again if you claimed to have "full & exclusive rights." Matter of fact, they wouldn't hire you in the first place. That said, it's a bit silly to keep arguing about what the P2 workflow WON'T work for. Nothing ever works for every scenario. The HVX will be an excellent camera for many things. Probably not for me, because like I mentioned above, I'll need to hand tapes over at the end of the day. Oh and by the way...so far I haven't had a single request for HD anyways. I know it's coming...but nothing yet. We could only wish that things moved as fast as we do here on the boards... Kevin |
Well, regardless of the who owns rights argument... I think dumping off to an affordable hard drive is a solution that would work for a freelance camera op such as yourself. As you said, no has asked for HD yet, but when they do, the comparative costs of a HDD versus a DVCPRO HD tape, makes the HDD a very attractive offer. Heck, I just bought a 250 GB LaCie hardrive for $100... That will easily hold a days worth of footage (provided it's not long form event recording...). Plus, as has also been mentioned, what producer wouldn't want to have the footage already "digitized" with no deck necessary. Heck, he/she can watch the footage as they fly back to New York with just their laptop...
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The irony here is that one of the big purported advantages of P2 recording is the durability of the solid state memory cards, but the first thing most people are going to do with P2 data is dump it off to hard drives of one type or another. Given that, it follows that a lot of people will simply record directly to the Firestore drives once they become available, bypassing P2 cards altogether. It's a wonder they didn't build this camera with a slot for a removable 2.5" hard drive -- the base is just about exactly the right size to do this.
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For me, I aim to take advantage of the massive speed superiority of P2 over hard drives. PreRecord, Clip Deletion, Clip Review in the Camera, instant recording potential, and fast file transfer into my edit station is a huge appeal of P2 to me. It doesn't sound like hard drives will have this kind of performance. For fine tuned shooting sessions that are focused on quality of multiple short takes, rather than event capturing, I may get by with P2 without hard drive transfer, no problem.
Conversely, if I know the shoot is going to be a lot of long duration event based recording, as you said, it's time to use a FireStore, or capture to hard disk via FCP to hard disk. The final thing that helped me make my purchase decision was realizing, after all, there's still shooting to "good ole" miniDV tape in DV25. |
You hit the nail on the head. It does seem a little bit of a waste to have P2 cards and just dump the data off immediately and trust your critical footage to a HD. I have never used any of the firestore devices but I have read enough on internet forums of problems and reliabilty issues that it concerns me. I hope it is robust.
If I can somehow afford a couple P2 cards I will be offloading them immedately to HDD and wiping the P2 card clean. I am concerned about corrupt data ending up on the HD and then having no "original" to go back to recover the shot. This "tapless" workflow has some pitfalls that really need to be worked around! |
I think it works if you're in a studio setting and have time and equipment to transfer the files and back them up, then reuse the P2 cards. In most any studio shoot I've been on, there usually would be time to do that.
Where the idea doesn't work is for the guys who may go on the road for a couple of weeks and come back with several hours of documentary footage. Even dumping the stuff to those 60 gig portable hard drives would be expensive, since 10 hours of DVCPRO HD would take 10 drives, plus another 10 for backup. So, obviously the camera is designed for certain applications, and that's cool. It would be excellent for TV news too. I wonder how many stations are using the professional P2 camera for TV news, as opposed to the XDCAM and DVCPRO tape cameras. Seems a good match to me. And, if capacities of the P2 cards go up significantly and prices down, then you've really got something. |
If one had the ability to transfer to higher capacity drives like a 500GB, you could conceivably get something like 20 hours of 720p @ 24fps Native on a single drive. So then you can imagine instant editing (or one drag and drop and wait), instead of capturing 20 hours of tape. One could even do nightly mirroring of the drive on a 2nd 500GB drive for data redundancy protection.
I agree that remote shoots in challenging conditions probably require conventional tape. But it will be interesting to see what lengths people go to maximize and utilize the HVX200 and P2. |
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Hey I'm not 100% up on the HVX200 or the P2 technology. Been busy with HDV lately.
heath |
WHen I am shooting only, I generally have to sign a WFH agreement and hand the tapes over on the spot. If you retain rights you are the very rare exception and a lot of the stuff I do, it is unheard of. I shot 4 days at a NASCAR event a couple weeks ago for a nice fat check but had I asked for any rights... I would have never got the job. It is worth noting that most places WANT tape, not DVD/HDD/etc.
ash =o) Quote:
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Yeah, I don't do much direct work for hire type stuff. But then again, shooting video is only a small portion of what I do and what I deliver. |
I'm rathered tired of people complaining all the time about the cost of p2 here and elsewhere. In two or three years when the dust settles people will be wondering what all the fuss was about. I remember a huge fuss about the reliability of the dvx100 when it came out more than 2 years ago because it looked "plasticky" and toylike. Where's the dvx now? Some see it as a conspiracy for panasonic to force us to buy expensive recording media but that is so silly. It is the cheapest way to go hd as a tape mechanism would cost a fortune.
Panasonic is giving smaller people like us( lets be frank most of us are "small" when you see the kind of money that gets splashed around the film business) access to what really is revolutionary technology at a relatively affordable price. It will be future proof because the cards will only get bigger and cheaper. It is tapeless for crying out loud. If it doesnt work for some applications than the firestore should work. All bases covered. Make a copy once the shoot is finished and there's your backup. I for one would be glad to see tape die. |
I couldn't agree more Tung.
One day we will look back and say " remember back in the day when we used tape"....... Yes P2 and an IT way of moving footage around will not be easy at first. Every great advancement has a slow start up, but once it gets up to speed and takes over.. "" watch Out "" P2 and flash memory Hidef recording is the future and the future is beginning today..... I welcome it with open arms........ Pappas Quote:
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"Revolution, stop the presses!!!...er, no forget it.." "whaddya mean, forget it" "they say it still costs too much - they want for 1/50th of the price" "sigh..." Sure, it would be great if P2 cards cost $50...and if the HVX cost $500. But, life is after all, real, so I guess not. However, Chris should lockdown camerafantasy.com (it's still available Mr. Hurd). Oh the website ecstacy he could showcase for only $29.95 a month...sexy 1 TB P2 camcorders with two huge prime lenses for under $500... I'm sorry...I need to log off :) |
Remember we used to use tape for audio recording?
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Computer programs -- remember loading Apple II or Commodore 64 programs off of tape? Answering machines -- those little tape cassettes have been almost entirely replaced by solid-state now. Video editing -- we used to edit tape-to-tape. Not anymore, hard disks revolutionized that arena. Music playing -- don't see too many cassette-tape-based walkman devices around anymore; the CD and the hard-disk ipod and now the solid-state Nano pretty much took care of that. Professional audio recording -- the reel-to-reel and 4-track and Nagra and DAT have gone the way of the dodo, yielding to hard-disk and solid-state recording. Video distribution -- VHS is pretty much extinct for rental or movie sales. Home video recording -- does anyone still record TV on VHS tape anymore, or has everyone migrated to hard-disk-based DVR/Tivo and DVD-recorders yet? Voice memo recorders -- remember they used to have those little cassette tapes, same as answering machines? Long since extinct, replaced by solid state recording now. Hey, tape was first, and in most technologies it always is the first recording technology. And it's familiar. But tape is on its way out. It is an obsolete technology. Dropouts, crinkling, fast-forwarding and rewinding, searching for footage, taping over something you didn't mean to tape over, format incompatibilities, timecode breaks, linear access, head wear, head clogs, cleaning heads -- that's all just so... so... "primitive", I guess is the word. Why put up with it if you don't have to? And as soon as viable tapeless technologies are introduced, people will flock to them. Already we're seeing the FireStore, DV Rack, XDCAM, Ikegami's EditCam, Panasonic's P2 & consumer SD recorders, the Wafian recorder, JVC's Everio and their new hard-disk-based GY-HD7000U, the Viper Filmstream, DVD camcorders, the Infinity which records on Rev drives or CF cards... all tapeless systems... Tape is like those ghosts in The Sixth Sense -- they're all dead, they just don't know it yet! ;) |
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