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Old October 27th, 2006, 10:27 PM   #16
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Quote:
Originally Posted by Kevin Shaw
Speaking of wide-angle lenses, which one was used for those shots?
This one:

http://www.bhphotovideo.com/bnh/cont...ist&sku=361305
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Old October 27th, 2006, 10:29 PM   #17
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Quote:
Originally Posted by G. Scott Roberts
Excellent shots! Still just a nubie, but that it one of the highest quality takes I have seen. Would have thought you would have taken many takes to get the video you did, great job!
Thanks a lot G. Scott. Appreciate it!
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Old October 27th, 2006, 10:44 PM   #18
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Very professional and impressive looking reel. Excellent cinematic quality to your work. I love the angles of your shots, and your masterful use of different lenses. Two questions: What lenses do you generally use? How many cameras do you use on a wedding shoot?
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Old October 28th, 2006, 01:19 AM   #19
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Quote:
Originally Posted by Dana Acciavatti
Very professional and impressive looking reel. Excellent cinematic quality to your work. I love the angles of your shots, and your masterful use of different lenses. Two questions: What lenses do you generally use? How many cameras do you use on a wedding shoot?
From teh footage it looks likea mild .3X fish eye + MAYBe a standard wide adapter. My guess is that 2 HDV cameras are used.

I was considering getting a .3X FE myself for my HC1 for weddings and after watching Daniel's footage I finally decided to take the plunge. He is one of the few people that IMO use it well.

LOL: just read thru the entire post and it seems .3x FE & 2 FX1's is indeed what he uses.

Excellent usage of different angles, moving cameras, and just having 'the eye' and being able to recognize and deliver clips with an epic feel to them. Far beyond the standard of what I am used to seeing in wedding videography.
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Old October 28th, 2006, 03:05 AM   #20
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Very nice, Dan. What did you do on post to obtain this awesome look?
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Old October 31st, 2006, 03:34 PM   #21
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Btw Daniel (or anyone else who would know) what is the name of that burn to white transition? It is very classy and when used well in this demo it lead to a very 'epic' moment IMO.

I notice alot of FCP users are in love with that transition, but I can't seem to find it in PremierPro 2.0. Would any one know which software application has that transition?

Thanks in advance.
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Old October 31st, 2006, 06:29 PM   #22
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Quote:
Originally Posted by Rafael Lopes
Very nice, Dan. What did you do on post to obtain this awesome look?

Just basic Color Correction. Boost the saturation and crush the blacks a bit.
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Old October 31st, 2006, 06:34 PM   #23
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Quote:
Originally Posted by Dana Acciavatti
Very professional and impressive looking reel. Excellent cinematic quality to your work. I love the angles of your shots, and your masterful use of different lenses. Two questions: What lenses do you generally use? How many cameras do you use on a wedding shoot?
Like I said elsewhere just a FE lens and 3 cameras were used.

Thanks Dana!
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Old October 31st, 2006, 06:35 PM   #24
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Quote:
Originally Posted by Michael Y Wong
Btw Daniel (or anyone else who would know) what is the name of that burn to white transition? It is very classy and when used well in this demo it lead to a very 'epic' moment IMO.

I notice alot of FCP users are in love with that transition, but I can't seem to find it in PremierPro 2.0. Would any one know which software application has that transition?

Thanks in advance.
Its from Nattress Film Effects package but I have seen similar things done with PC platform just not sure which one.
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Old November 1st, 2006, 10:02 PM   #25
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dumb question ??

this may be a stupid question

but i have a regular LCD monitor and just good old computer you mention you have to convert alof of footage back to SD.

is what i just watched there a true representation of HD quality or is what im seeing just SD quality shot with an HD camera

sorry if this is confussing

on a seperate note amazing work love your camera work and the way the whole thing is put together..

thank you

MEKHAEL
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Old November 1st, 2006, 11:41 PM   #26
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^ SD downconverted from HDV. However from teh high PQ I would bet that Daniel used solid programs/workflow to do the HDV->SD software downconvert, as opposed to outputting in SD from the camera itself.
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Last edited by Michael Y Wong; November 2nd, 2006 at 12:35 AM.
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Old November 2nd, 2006, 12:13 AM   #27
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Quote:
Originally Posted by Mekhael Trepanier
this may be a stupid question

but i have a regular LCD monitor and just good old computer you mention you have to convert alof of footage back to SD.

is what i just watched there a true representation of HD quality or is what im seeing just SD quality shot with an HD camera

sorry if this is confussing

on a seperate note amazing work love your camera work and the way the whole thing is put together..

thank you

MEKHAEL

Good question Mekhael.

It was all shot in HDV and edited in HDV (actually Apple's AIC) and then resized and encoded for the web within Flash encoder so it was never really downconverted to SD until encoded for the web.
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Old November 13th, 2006, 01:09 PM   #28
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Transition Effect

Great work! Looks fantastic!

Last edited by Jason Michael Holly; November 13th, 2006 at 10:29 PM.
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Old November 26th, 2006, 02:39 AM   #29
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Quote:
Originally Posted by Jason Michael Holly
Great work! Looks fantastic!

Thanks alot Jason.
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Old February 24th, 2007, 02:28 AM   #30
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Very, Very Good.

Nice use of the music. This is a great example why to invest in HD now, it does make the SD look a lot better.

Keep up the Good Work.
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