PDW-F350 ASA Equivalency

Nate Weaver · October 30th, 2007, 01:45 PM

-There were 7 cameras (2 steadicams, 1 jib, 4 on sticks). 6 350s, one 330.

-Gain was at 0 (as you can see, there were a lot of lighting instruments and levels weren't much of an issue). I don't think there was a single traditional par can there.

-Every cam was on Cine 3. Indeed, every cam was cloned via memory stick.

I imagine we were at a 2-2.8 most of the night, but I really don't know.

Dan Brazda · October 30th, 2007, 03:12 PM

Nate have you ever used -3 db gain in a concert setting?

October 30th, 2007, 01:45 PM	#16
Nate Weaver Wrangler Join Date: Oct 2002 Location: Los Angeles, CA Posts: 2,100	-There were 7 cameras (2 steadicams, 1 jib, 4 on sticks). 6 350s, one 330. -Gain was at 0 (as you can see, there were a lot of lighting instruments and levels weren't much of an issue). I don't think there was a single traditional par can there. -Every cam was on Cine 3. Indeed, every cam was cloned via memory stick. I imagine we were at a 2-2.8 most of the night, but I really don't know. __________________ My Work: nateweaver.net

October 30th, 2007, 03:12 PM	#17
Dan Brazda Regular Crew Join Date: Oct 2006 Location: Richmond, VA Posts: 165	Nate have you ever used -3 db gain in a concert setting?