Originally Posted by Leonard Levy (Post 1844976)

I did some testing on this recently and as others have attested the downrez from 4K 12Bit raw to HD is very very clean and naturally sharp. It looked quite a bit better than the F3. the 7Q output was very sharp even with the detail completely off while the F3 just looked soft with detail off. My guess is it would uprez to 4K very well.
My only disappointment was that the FS700 doesn't give you access to all its gamma options in 4K Raw. you get sLog 2 which many of my clients don't want to deal with, 709 800% (think that's what its called - just looks like a brighter sLog2 and isn't the same as that gamma in an F5 or 55) and straight 709. I would like to have access to the cinegammas.
Are the LUTs available for this yet? That might help.

Originally Posted by Josef Heks (Post 1844978)

Thanks so much for all that info. 7Q sounds great!
So what would be my best option (apart from shooting 4k raw - too much data to manage for an out-in-the-field shoot), if I wanted to shoot higher frame rates with the best possible latitude? Dont need to go above 1080p res, but latitude is most important to me. Being a music vid will be shooting a lot of higher frame rates.

Also interested in the LUT question which was asked above..