Quote:
Originally Posted by Guy Barwood
In theory thats fine, in practice that is usually a lot of wasted time rendering and unless you pre-render everything to SD you will also get a lot less RT performance from having to work with a HD source file even on a SD timeline.
In summary, when you only ever need SD for a project (and the clients arn't paying enough for the extra workload above) why would you want to shoot in HD?
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Agreed, however the additional colourspace offered at the down convert stage allows YOU more freedom and flexibility, in addition to having additional material for your HD showreel. I guess I'm looking at the additional benefits (aside from obvious $).