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John |
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Thanks for the suggestion. John |
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Great show to shoot. Lots of color. John. |
The .png in the original post was done like this:
1. Export original to .avi from Clip Browser 2. Convert to Raw DV using Procoder 3 3. Place on Vegas timeline and apply heavy sharpening in Vegas because it looked way to soft. Much softer than the footage shot with the VX2000. Note: Exporting to AVI with Clip Browser and trying to put it directly on the Vegas timeline doesn't work because Vegas won't accept the file. Here is another one: http://i2.photobucket.com/albums/y40...ech/Image2.png This frame grab from the timeline was done as follows: 1. Export original to Raw DV using Clip Browser 2. Place on Vegas timeline 3. No effects applied Here is another one: http://i2.photobucket.com/albums/y40...ech/Image3.png This one was done the same as the previous one except that heavy sharpening effect was applied the same way I did in the "original post". I think you can see the problem of the horizontal bands (interlacing artifacts, color fringing, or whatever you call it)on the bed pillow. I think you can see it more clearly now. What do you think? John |
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The most adaptable is 24p. And we are all used to seeing it, just remember the 7 second rule (anything moving across the screen should take at least 7 seconds, this applies to pans as well) or you will have a lot of jitter. All rules are made to be broken!
60p or 60i(29.97i) are also easily converted. It is all a matter of taste. I prefer fast action (sports) to be 60p or 29.97i. 24p is great for interviews scenics (slow pans) etc. |
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