Premiere 2.0 Movie Export Settings at DVinfo.net

Paul Matwiy · November 18th, 2006, 01:16 PM

Anyone have a preference when exporting an HDV 60i setting From Premiere Pro? I particularly interested in HD mov settings with a QuickTime wrapper.

Chris Hurd · November 18th, 2006, 01:55 PM

Moved to World Premiere from Canon XH A1 / G1 forum.

Graham Hickling · November 19th, 2006, 08:07 AM

It's not really clear what you are asking ... what do you want to do with the resulting file?

Bill Engeler · November 20th, 2006, 09:53 AM

For capture of 60i HDV, choose the appropriate Adobe HDV preset. It is built in to the regular version of 2.0. Note that you won't find it in the trial version, as there is no MPEG encoder.

Paul Matwiy · November 21st, 2006, 09:37 AM

Quote:

Originally Posted by Graham Hickling

It's not really clear what you are asking ... what do you want to do with the resulting file?

Sorry for not being clearer. The end result desired is a Quciktime file, at 1920 x 1080i with minimal compression. So far I've trive various settings including MPEG4, with poor results. The original M2T file looks good, but the compositor prefers Quicktime as they had difficulties with the originating HDV MPEG Codec.

Kevin Dorsey · November 21st, 2006, 02:23 PM

Paul,
I would consider an investment into a dedicated compressor like Sorenson Squeeze. Quicktime pro also does a nice job, but you'll be limted to exporting quicktime files. Sorenson squeeze will allow you to export high quality AVC(h.264), HD-WM9, and everything else you can think of.

After a lot of testing I've been unable to get Premiere to match the quality of these programs.

Paul Matwiy · November 22nd, 2006, 10:00 AM

Thanks for the advice. I will look into Squeeze.

Gene Crucean · November 22nd, 2006, 03:02 PM

Don't give a comp artist a quicktime file... or any compressed file for that matter. He would probably prefer a still image sequence to be honest.

All of our flame/inferno artists prefer 16bit sgi sequences.

November 18th, 2006, 01:16 PM	#1
Paul Matwiy Regular Crew Join Date: Jul 2004 Location: Marin, CA Posts: 85	Premiere 2.0 Movie Export Settings Anyone have a preference when exporting an HDV 60i setting From Premiere Pro? I particularly interested in HD mov settings with a QuickTime wrapper. __________________ Paul

November 18th, 2006, 01:55 PM	#2
Chris Hurd Obstreperous Rex Join Date: Jan 2001 Location: San Marcos, TX Posts: 27,366 Images: 513	Moved to World Premiere from Canon XH A1 / G1 forum. __________________ CH Search DV Info Net \| 20 years of DVi \| ...Tuesday is Soylent Green Day!

November 22nd, 2006, 10:00 AM	#7
Paul Matwiy Regular Crew Join Date: Jul 2004 Location: Marin, CA Posts: 85	Thanks for the advice. I will look into Squeeze. __________________ Paul

November 19th, 2006, 08:07 AM	#3
Graham Hickling Trustee Join Date: May 2004 Location: Knoxville, Tennessee Posts: 1,669	It's not really clear what you are asking ... what do you want to do with the resulting file?

November 20th, 2006, 09:53 AM	#4
Bill Engeler Regular Crew Join Date: Aug 2006 Location: Brussels, Belgium Posts: 162	For capture of 60i HDV, choose the appropriate Adobe HDV preset. It is built in to the regular version of 2.0. Note that you won't find it in the trial version, as there is no MPEG encoder.

November 21st, 2006, 02:23 PM	#6
Kevin Dorsey Regular Crew Join Date: Nov 2006 Location: Syracuse, NY Posts: 64	Paul, I would consider an investment into a dedicated compressor like Sorenson Squeeze. Quicktime pro also does a nice job, but you'll be limted to exporting quicktime files. Sorenson squeeze will allow you to export high quality AVC(h.264), HD-WM9, and everything else you can think of. After a lot of testing I've been unable to get Premiere to match the quality of these programs.

November 22nd, 2006, 03:02 PM	#8
Gene Crucean Major Player Join Date: Mar 2006 Location: Los Angeles, CA Posts: 295	Don't give a comp artist a quicktime file... or any compressed file for that matter. He would probably prefer a still image sequence to be honest. All of our flame/inferno artists prefer 16bit sgi sequences.