Using in-ear monitors to...monitor at DVinfo.net
DV Info Net

Go Back   DV Info Net > The Tools of DV and HD Production > All Things Audio
Register FAQ Today's Posts Buyer's Guides

All Things Audio
Everything Audio, from acquisition to postproduction.

Reply
 
Thread Tools Search this Thread
Old January 16th, 2009, 10:08 PM   #1
New Boot
 
Join Date: Dec 2008
Location: San Francisco
Posts: 6
Using in-ear monitors to...monitor

Anybody in sound land use in-ear monitors to monitor their audio when booming, etc.? I never see them in the field, but I use them. They're smaller, lighter, and give more isolation than your typical over-the-ear headphones. Of course, isolation can be a drawback at times. But I've found that when I need less isolation, I just pull them from my ears a bit.
Alaric Cole is offline   Reply With Quote
Old January 16th, 2009, 11:36 PM   #2
Inner Circle
 
Join Date: May 2006
Location: Camas, WA, USA
Posts: 5,513
I've got a pair of Shure (edit: not Sennheiser) E2s (in ear), as well as Sennheiser HD 280 Pro (over the ear, closed) headphones. Personally, I prefer the HD 280s. The main draw back with the E2s is that they have absolutely no low bass. There are frequencies that they simply cannot reproduce. The HD 280s, on the other hand, are quite flat.

The other problem with in ear phones is that they transmit body noises like breathing, swallowing and so on. Don't eat an apple while wearing them!

When I'm an airline passenger, I prefer the size and isolation of the E2s, but for all else, give me the HD 280s.

Here's a trick: if you want even more isolation, get some active sound cancellation headphones, turn them on without plugging them in, and put them over your in-ear phones.
__________________
Jon Fairhurst

Last edited by Jon Fairhurst; January 17th, 2009 at 01:29 AM.
Jon Fairhurst is offline   Reply With Quote
Old January 16th, 2009, 11:37 PM   #3
Major Player
 
Join Date: Aug 2006
Location: Asheville NC
Posts: 426
I've tried several different pairs. Including very expensive Shure's. The in ear's are so much more compact and convienent it seems only natural to have them. At least for back up.

In Africa last month I did not have my old reliable sony standard 7506's for a hiking portion of my trip and not a second of audio went by without me wanting to hike back and get the over ear sony's. The in ear's were so bad I took them off and just watched the levels. For me, they were next to worthless.

I bet some amateurs use them in a pinch, but only amateurs and only in a pinch.
Matt Buys is offline   Reply With Quote
Old January 17th, 2009, 02:21 AM   #4
Major Player
 
Join Date: Jun 2006
Location: Savannah, GA
Posts: 463
The Etymotic ER4P is my favorite headphone. I still own my Sony MDR-7506 pair, but they are usually handed to the camera man to plug into the snake on his end.

The ER4P's are extremely isolating, and sound at least as good as the Sony's. They're surprisingly rugged, too.

The bottom line is they're the single best move I ever made in monitoring field material. In a 24 knot wind on a recent shoot, I was able to cleanly, and with certainty, say that I got all of the wind out of the sound. It impressed the director when he went to post.
Eric Darling is offline   Reply With Quote
Old January 17th, 2009, 06:18 AM   #5
Inner Circle
 
Join Date: Mar 2005
Location: Hamilton, Ontario, Canada
Posts: 5,742
Eric makes a good point. There's a big difference between ear buds designed for general listening, even the good ones, and true in-ear monitors such as the Etymotics he mentions or Ultimate Ears that are designed to professional monitoring standards for stage performers, recordists, etc, especially when you get them custom-fitted to one's ears by an audiologist.
__________________
Good news, Cousins! This week's chocolate ration is 15 grams!
Steve House is offline   Reply With Quote
Old January 17th, 2009, 07:16 AM   #6
Major Player
 
Join Date: Aug 2007
Location: Austin, TX
Posts: 383
I have a pair of the ER-4s with custom ear molds, but I only use them for music monitoring. I find them a bit hard to take in and out on a constant basis like we do when filming. I also find the cord noise on them a bit obstructive for film.

Wayne
__________________
Mics: KMR 82 i, NTG-1, MKH418S, MKH8040, SR77, QTC1, QTC40, SR30
Recorder: Zaxcom Deva 5.8 & MIX-12. Wireless: TRX900 stereo, Lectro 411
Wayne Brissette is offline   Reply With Quote
Old January 17th, 2009, 11:25 AM   #7
Regular Crew
 
Join Date: Aug 2008
Location: Duke City, USA
Posts: 53
for headphones, the larger cans are my choice when it comes to monitoring sound for video work and mixing music. However for when I am scratching on the TT on stage, I tend to go with the smaller in ear buds, like the E2s or the E3s.

I recommend use whatever is comfortable and sounds best.
__________________
Best Regards,
M A Cinense
Mark Cinense is offline   Reply With Quote
Old January 17th, 2009, 12:48 PM   #8
Major Player
 
Join Date: Aug 2006
Location: Asheville NC
Posts: 426
Since I hammered in ear's so hard in the post above, I'd like to add that I've never tried the e2's or e3's. Only the Shure's which were more expensive than my sony's. I will probably try a pair now though.
Matt Buys is offline   Reply With Quote
Old January 17th, 2009, 06:53 PM   #9
Inner Circle
 
Join Date: Feb 2007
Location: Tucson AZ
Posts: 2,211
Another vote for Etymotic ER4's. I have a couple of pair and they're really quite good - or maybe that's an understatement. Of course, they aren't cheap.
Jim Andrada is offline   Reply
Reply

DV Info Net refers all where-to-buy and where-to-rent questions exclusively to these trusted full line dealers and rental houses...

B&H Photo Video
(866) 521-7381
New York, NY USA

Scan Computers Int. Ltd.
+44 0871-472-4747
Bolton, Lancashire UK


DV Info Net also encourages you to support local businesses and buy from an authorized dealer in your neighborhood.
  You are here: DV Info Net > The Tools of DV and HD Production > All Things Audio


 



All times are GMT -6. The time now is 10:09 AM.


DV Info Net -- Real Names, Real People, Real Info!
1998-2024 The Digital Video Information Network