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April 7th, 2014, 02:19 PM | #1 |
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The Black Magic Design Soap Opera Continues
After a hail storm of boos and catcalls from current users on the Black Magic forum when the new Ursa camera was announced, even from users who had previously steadfastly defended, a Black Magic moderator posted the following news:
"From: Kristian Lam Blackmagic Design Posts: 272 Joined: Tue Aug 21, 2012 5:11 am Re: We Demand a Response on The Progress of the Promised Upd Hi We are working on an update that is in testing and already with some beta testers. This next updates includes: 1. New debayering for shooting directly to ProRes or DNxHD on the Blackmagic Cinema Camera 2. Improved MFT lens support on the Pocket Cinema Camera. 3. RAW support on the Production Camera 4K. 4. Autofocus support for EF lenses on Blackmagic Cinema Camera EF and Production Camera 4K This release should be out within a month's time from today." Still missing from Black Magic's fixes are the fixes for the black hole syndrome, correction of the poor sound recording, as well other fixes the community has been demanding.
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April 11th, 2014, 08:02 PM | #2 |
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Re: The Black Magic Design Soap Opera Continues
No audio meters??? I am glad Black Magic does not make cars. We would have to drive around without speed odometers.
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April 11th, 2014, 10:40 PM | #3 |
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Re: The Black Magic Design Soap Opera Continues
With the continuing anxiety of customers still being evident, Black Magic Design's Kristian Lam posted another explanation of the status of firmware updates:
Kristian Lam Blackmagic Design Posts: 282 Joined: Tue Aug 21, 2012 5:11 am Update about firmware updates PostThu Apr 10, 2014 8:47 am Hi, I know there are some concerns that we are no longer supporting the Blackmagic Cinema Camera or Pocket Cinema Camera. I just want to assure you that this is not the case. Let me give you some background information about the development and why it is taking longer than expected. The Blackmagic Cinema Camera was our very first foray into cameras and since then, we have shipped 3 more cameras, the Pocket Cinema Camera, Production 4K and the Studio Camera. The original 2.5K camera had fundamental architectural differences in firmware compared to the other cameras which doubled the effort when trying to do any bug fixes or add new features to the cameras. As such, we knew we had to re-architect the firmware so as to bring it up to speed with the current cameras. This is not simple and taking longer than we thought. However, we are close now, close enough that beta versions have been seeded to some users for the past few months. We should be able to see an update, as I'd mentioned in my post, to the 2.5K camera and Pocket Cinema Camera soon with the features below: 1. New debayering for shooting directly to ProRes or DNxHD on the Blackmagic Cinema Camera EF and MFT 2. Improved MFT lens support on the Pocket Cinema Camera 3. Compressed RAW support on the Production Camera 4K 4. Autofocus support for EF lenses on Blackmagic Cinema Camera EF and Production Camera 4K What is also in this release are also certain hooks that are required for audio level metering and histogram display. It won't be visible as yet but will allow us to quickly followup with an update to add these 2 tools we know you guys are asking for. Let me also answer some other questions I've been asked below: • Formatting of media Yes, we want to do this. A large part of the work has been completed so I don't believe this will be a big effort to implement. However, it is very unlikely that we will support deleting of clips directly in camera due to the risk of media fragmentation. • Time Remaining indicator Yes, this is going to happen. It's probably in the next update or an update after. • Black Sun effect This is a fundamental characteristic of CMOS sensors. Some sensors have additional circuitry to try and overcome this and this was available in the Pocket Cinema Camera. Unfortunately, it is not in the 2.5K sensor. Also, black sun correct circuitry is also not an on/off switch and with some sensors, it may result in other unwanted artefacts so we have to be really careful about it. Another method of overcoming the black sun effect is via image processing after the image has been acquired and passed on from the sensor. This is basically running an algorithm to try and detect what looks like the black sun and just clipping the black areas. Again, this could result in false positives and if you have a pattern in the image that is similar to the black sun, it could mistakenly be "corrected" as well. As you can see, this is a tricky situation. We are not ignoring it, but working to see what is the best way to address this. I hope this gives you more information about what we're currently up to. I'm tempted to keep this thread locked as it tends to go off topic but I'll leave it open for now. Please try and keep on topic. Thanks
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April 12th, 2014, 02:03 PM | #4 |
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Re: The Black Magic Design Soap Opera Continues
Where do you get these statements? Is there an official Blackmagic press page or newsletter?
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April 12th, 2014, 08:03 PM | #5 |
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Re: The Black Magic Design Soap Opera Continues
Blackmagic Design forums, in the cinematography section: Blackmagic Forum • View forum - Cinematography
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April 12th, 2014, 09:45 PM | #6 |
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Re: The Black Magic Design Soap Opera Continues
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April 13th, 2014, 07:23 AM | #7 |
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Re: The Black Magic Design Soap Opera Continues
Will they be shipping their new cameras (Ursa etc.) with these defects? Seems like they've set a pretty aggressive timeline.
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April 13th, 2014, 11:16 PM | #8 |
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Re: The Black Magic Design Soap Opera Continues
This is the video interview that kind of blew up the forum. If you have been waiting for a fix for a year, the things he says at 11 minutes and after, really sting those of us who have been waiting:
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