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Now my question is...is this in the Cinemode setting? |
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http://www.johnhartford.org/video/be...ldJoeClark.wmv http://www.johnhartford.org/video/be...idge-Part3.wmv http://www.johnhartford.org/video/be...cial-Part3.wmv PS - My software doesn't have color wheels so I'm not sure if I can do the kind of post tweaking that I see people say needs to be done with Cine recordings. If I upgrade to a more sophisticated RLE, I may experiment a little but for now I'll go with how it comes from the tape. |
I would use Cinemode all the time if it was possible to use 120-250shutter speed.. Canon, uhää why did you crush the possibility =(
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Wow! What a cool forum. I'm a proud owner of a HV20 and have followed this thread from the get. First, I'd like to thank everyone for posting their experiences with this camera as it has saved me many hours of figuring all this out. I had this thought that perhaps many of you more expert users of the HV20 might consider producing an E-book, a professional users guide for this camera? Just a thought, I for one would buy it.
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I just previewed the first one. My DSL is hanging a bit here today, but I'll download all later. Thanks for posting them. I saw the first one, and it was very nice and the sound was great. My brother and his wife are long time musicians and are heavy into the blue grass scene here in California. The go to two big events a year, both at Strawberry Lake in the Sierras, one on Memorial Day weekend, the other on Labor Day. I am amazed at how this camera can do so much. In a 48 Hour Film shoot I was in this weekend, we shoot with my Sennheiser ME66 run through a field mixer. This first time I used a field mixer on anything. It was great to be able to level the camera using the generated tone, and the result was consistent and clean sound-- at least as good as you can get it in a 48 Hour film festival setting.... |
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So, I presume that, spite some users' posts saying the contrary, the color, Brigthness and contrast adjustments are appliable on the Cinemode too. |
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As to the quote above, yes Bruno, you can use the Custom settings while in CineMode. I'm shooting color depth +1, contrast +1, sharpness +1, brightness 0. No blown highlights, good sharpness and better contrast. I had been shooting Tv mode with color depth +1, sharpness 0, and contrast and brightness -1 but I was still getting some blown highlights and little too much contrast for my tastes. (I always shoot in 24p BTW). So I'm happy CineMode seems to stick to 1/48th as much as it does. I'll probably be using it exclusively now. |
I wish I had your expertise
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But I presume that the fact the HV20 sticks to 1/48th even in Cinemode have more to do with the the selection of the 24p mode. I just say that because people can confuse your remark: Cinemode changes the averall look (gamma, contrast,...) to mimic the film color look, but the 1/48th comes from your choice of 24p. Personnally, I've planned to use the Cinemode in normal interlaced mode. |
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