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Hi Erick,
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http://www.dvinfo.net/conf/attachmen...1&d=1244005321 Name: HV30 HDV 60i-24p to HDV 24p Description: File Extension: mov Estimated file size: 10.48 GB/hour of source Audio: multi-track passthrough Video Encoder Format: QT Width: (100% of source) Height: (100% of source) Selected: 1440 x 1080 Pixel aspect ratio: HDV 1080i (16:9) Crop: None Padding: None Frame rate: 23.976 Frame Controls On: Retiming: (Fast) Nearest Frame Resize Filter: Linear Filter Deinterlace Filter: Reverse Telecine Adaptive Details: Off Antialias: 0 Detail Level: 0 Field Output: Progressive Codec Type: HDV 1080p24 Multi-pass: Off, frame reorder: On Pixel depth: 24 Spatial quality: 50 Min. Spatial quality: 0 Temporal quality: 50 Min. temporal quality: 0 |
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When I captured the 30f footage from my XH-A1 using the 1080i60 Firewire Basic Easy Setup it appeared as 1080i60 in the browser (under "Compressor"). When played back and exported the footage was in fact progressive 30f, although it listed the compressor as 1080i60. It was explained to me on the forum, that the 30f footage is stored on the tape at 1080i60, but when viewed is progressive (this was my experience). Unlike dealing with 24p/f, there is no pull down added to the footage. Since HDV can only be recorded to tape at 1080i60, dealing with 24f footage is a problem for the HV-30, because the camera does not flag the added frames, making pull down removal a little more complicated. 30f captured using the 1080i60 Firewire Basic setting and edited in a 1080i60 timeline eliminates the need to transcode the footage, which is a very good thing. I just got my hands on a HV-30 and am running a couple tests of my own to see if I am right. I suspect that your problem is using Apple's 1080p30 Easy Setup, rather than the 1080i60 Firewire Basic. I will keep you posted. Hugh |
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I finished running my tests mixing footage from my XH-A1 and HV-30 this morning. All footage was shot at 30f/p and captured using the 1080i60 Firewire Basic Easy Setup in Final Cut Pro. As I suspected, there was no problem placing the captured footage from the different cameras in a 1080i60 sequence (using Final Cut Pro 6). This makes it pretty clear to me that the problems you were having mixing footage stems from the 1080p30 Easy Setup you used to capture your footage. My suggestion is to ignore this Easy Setup and capture all of your 30f/p footage using the 1080i60 Firewire Basic Easy Setup. The footage is marked "1080i60" under the "Compressor" section of the browser, but the footage is clearly progressive (image below).
If you have any more questions, please don't hesitate to ask. Hugh |
Thanks for the tests. one question:
Did you try to make them a multiclip? if this works (i currently don't have access to both cameras to test myself...) it would be great!!! |
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I pasted a link below to the thread that initially helped guide me in the right direction a couple of years ago. http://www.dvinfo.net/conf/non-linea...final-cut.html Hugh |
I experienced a similar thing with Windows. I captured both the XH-A1 and HV30 shot in 30p with HDVsplit and imported into Adobe Premiere. The HV30 footage showed up in Premiere as 60i, and I had to right click on each HV30 clip and select interpret footage and select progressive.
Seems something on the HV30 isn't flagging 30p for the various NLEs. |
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