A1 owner operator in Tokyo
 

For this coming Sunday 11th. Required for three hours. Just had a late drop out. 20,000 yen for the shoot (fixed camera position), plus see a great band and get a free beer after.

I do have a plan B which I need to kick into effect Friday. So get in touch soon!

admin at scarlet-films dot com

DC-Area Sound Man / Boom Op also PAs needed Feb 10/11
 

Hey all,

I lost my regular sound guy for a shoot this weekend so I am looking for a relatively experienced sound person for Sat Feb 10, 8AM - 5PM and Sun Feb 11, 5PM - 11PM. We have a boom and three lavs going in to a mixer, so the sound person will be operating the boom and monitoring the boom and lavs. Pay is $100/day.

We definitely have a good time on the shoot, but work hard and fast.

Additionall we'd love to have a couple more PAs. There is no pay on that, but you get food and good experience.

The shoot is my sitcom, Buddy Jackson (link in my signature)

Email me via the link on my name in the post header, or repost here.

Thanks.

Sorry couldnt wait - B plan invoked.

Need a sound person in Trenton, NJ $150.00
 

Hello,

I'm still looking for a sound person for my short film. I will be shooting all in one day this weekend Feb 10th.

First Location: Trenton, NJ (2:15 afternoon - 5:30 afternoon)


Break 5:45 afternoon - 9:30 night

Please send resume
Second Location: Trenton, NJ (9:45 night - 12:30 night)

pay: $150.00

Please send resume and equipment list to
jay_zero1@yahoo.com

Seeking experienced editor who knows Vegas Video
 

Seeking an editor working in Sony Vegas Video. This is a paid position. We're currently working in Vegas on a feature length documentary, around 100-110 minutes long.

We're moving into post, and have a paid position for an experienced editor who can work with our rough cut and help us produce a fine cut in Vegas. We've narrowed down the material to about 3 - 3 1/2 hours. We'd prefer someone who has experience editing feature-length documentaries and can help us with dramatic pacing and structure.

We need full-time commitment for 2-3 months, beginning sometime in April 2007. We are in the SF Bay Area - someone working here is a plus, but not required.

Anyone interested should email stephanie@paragon-media.org, or send sample work and resume' by mail to:

Paragon Media
2054 University Ave., Suite 410
Berkeley, CA 94704

Added:

Desisti 5K
Desisti 2K 320
(2) Strand 2K Bambino's
Kliegl 1K
(2) large softboxes

Marty,

Left you an email - I'd be glad to work with you. I have HDV and SD gear (all 3ccd), full audio w/ XLR inputs and mics, etc. Check your email and give me a call if you're still looking!

Available for freelance work in NE Ohio
 

I'm new to wedding videography but have good experience in shooting indy (indie) films and some commercial spots. I own a Sony HDR-FX1 and two Panasonic AG-DVC30s. All three have XLR inputs. I have an Azden UHF wireless mic set-up along with shotgun mics and two iRivers for backup audio capture. Also have top-of-the-line tripods, on-camera lighting, etc.

I'm proficient in Adobe Premiere Pro 2.0, After Effects 7, Photoshop CS2, and Encore 2.0 so if you need editing and/or compositing work done I can also help there.

I live in NE Ohio (Twinsburg) and work only Mon-Thurs so I have Fridays open for rehearsals or misc editing work.

If interested, email me at william@holcombgroup.com to discuss. Thanks in advance!

Help with rate
 

Hi,

What's the going rate to shoot 2 hours of HD footage for a client? He just needs me to shoot him using his car cleaning products and hand over the tape. It's a new client and I don't want to overcharge or undercharge either.

Thank you, Lisa

Can't give you a specific figure, but what is he going to do with the footage once you shoot it. Can he capture it, edit it, what is it for?

Two hours may take you all day to actually shoot, so maybe a daily rate?

Mike

Hi,

He is planning to have it edited and put together either a video. He just needs me to shoot it but later I may end having to do the editing if he doesn't have someone else complete it for him. What's the going rate for day rate with the HD 100U? I have not had the camera that long really and this is the first client that will be charged a rate. So, any input you can provide on the current rates will be helpful.

Thank you
Lisa

I would shoot him a price on just the footage and on a completed project. You have to realize that your camera or one like it is about the only way to capture the footage you are going to take. He probably does not understand a bit of this.

Not meaning to be cruel, but shoot him a higher price for just the footage and a reasonable price for a completed project. Then see what happens!

This is assuming that you can do a complete project, as I don't know your skill or equipment level.

Mike

Thanks again for the help.

Sounds like a good idea to quote it out both ways.

I haven't quoted a price out to clients yet using the HD camera so I was curious to know what the going rates are for a videographer and an HD camera. I was a little worried that I might overprice or undercut myself. But, I'll see what the client says and hopefully get the project.

Once again, thank you for the feedback.
Lisa

FWIW, a local indie I sometimes work for
 

doesn't own an HD cam, only shoots in DVCPRO, and won't accept work for less than
$ 110 per hour, unless it's a complete project, (e.g. camera work, editing, burning), and he'll make a couple/few grand on it.

This is in the metro-NYC area.

Try $400/day plus equipment rental. I use a Z1 and the going day rate is around $400. Add in tripods, sound equipment, lighting and you could be looking at $1,000 - $1,400 a day.

Jim

It depends on many factors. How skilled are you? Are you an established videographer or just starting? Do you forsee a longer relationship with this client? Could this be used to gain other clients?

I have done jobs just for showing off what I can do and hoping this will bring paying clients later...

Lisa,
You've gotten some very helpful advice here. One of the hardest things to do is try to tell someone a rate for a job as there are so many variable factors such as; demographics, geographics, marketplace, competition,your experience, your skills, your gutsiness to look at potential client in the eye and say "my price is $..." and stick to your guns even when you're sure the client will say "are you nuts" (sometimes you goota call 'em even when you got a pair of dueces in your hand)

I can only tell that the rates here in my area (Chicago) would be far diferent than your area-than NY,Boston,Dallas, Canada and Australia.

Typically though (at least according to everyone I've talked to) rates are based on a 10 hour day for a BASIC package-camera, tripod, (batteries of course) on camera light, on camera audio (some may throw in 1 wireless setup) and an operator. These rates HERE in my area will vary from $600 to about $1800 with an average of somewhere between $1000 and $1200. This is for either a BETA setup or somethine like a DSR500 or 400/450. HD packages seem to be about $200 to 400 per day more.
Adds like an audio guy with a mixer or boom or a light setup or a second camera and operator is a seperate charge and will vary all over the map.
So it's really hard to jump in and say charge this amount too many things are different. I would suggest you check around in your neck of the woods try to get a handle on the general pricing in the area, for a gig like the one you're going to do, set a rate and go for it.
Just because you're new to the HD100 doesn't mean you should automatically charge less-your client doesn't know it's a new piece of gear to you right? Just make sure you know the gear inside and out so you can give the client a top notch piece of work.
BTW, give him 2 quotes, 1 - shoot only NO editing (thats what he said he wanted) and a backup (I call it my "Oh BTW, just in case you were wondering..." backup) SHOOT and EDIT-he probably doesn't realize all thats involved in the edit and thinks his nephew with some sort of editing software will be able to edit and produce the piece,remember, they don't see the edit they only see the photography.
Good luck to you,

Don

Hey Lisa,

Quote him a really really high price and send Mike over to shoot it. :}

Seriously though, I agree it comes down to demographics, skill level, equipment etc. I do however believe that if this client had the 'someone' to do the editing, they wouldn't necessarily need you. So they might not be thinking too much into this project technically, which may be a reason to ask more questions about the expectations for the day of the shoot. They may be thinking that you can shoot the material and thier 8 year old son can edit it at school using his 5 year old mac eyeball.

Lisa, Most people have a half day rate and a full day rate. You will have to establish your own rates, based on many factors. A lot of which has already been mentioned. In south florida, the rates vary even from central florida. You have to find what is going to work best for you. You posted that he wants 2 hours of hd footage, you need to be a little more specific when you post. Are you shooting for 2 hours total, and maybe only 30 minutes of footage or do they want 2 hours of footage and you'll be shooting for 6 hours? This helps us determine what you should charge based on your gear, skill and time of work. The more specific you are the better we can help.

Hello,

I really do appreciate everyone's input. Glad to see there are some other people from FL here, too.

The call I received was that the client needed someone to tape for 2 hours. He has a booth at a show for his car cleaning products and decided he wanted someone to come for 2 hours and take some footage to show off his products. I'll know more today about what his plans are, how he is planning to use the footage, etc.

I've done other work but not with this camera (HD100U) and was curious to find out the going rates for HD camera and videographer. The input I recieved has been helpful, as it always is on this site. It's amazing how many people are willing to help, even the people with multiple years of experience.

Thanks again. I really appreciate it.
Lisa

Lisa, Thanks for the details. If you're just shooting for 2 hours and handing off the tape you could charge a half day rate. My estimation would be between $350 - $500. That may seem like a lot to the client, but when you figure in your rate to shoot for 2 hours, gear, drive time, tape stock and so on, this is a fair range. If you're hoping to get future business from this client, you can discount your rate 10-15% but future business is not guaranteed unless you have it in a contract. So make sure you get paid fairly for the shoot. You can always work out any editing rates in the future. In fact you could tell him you'll cut him a discount if he hires you for the editing, since he used you as the shooter. Good luck

Oregon: XL-H1, A1 or G1 users wanted!
 

I have a small production company based in Salem, Oregon. We produce work throughout the state and sometimes need extra help/cameras.

We actively work on both paid projects and fun creative work. Anyone in the Salem, Portland, Eugene, Corvallis area in Oregon that might want to meet with us? Thanks!

Talent
 

Does anyone know where to go online to get local talent? We're shooting a movie in the upcoming months, and we were thinking about trying to have people in it it, too. Thanks.

Craigslist.org usually brings out a good number of people. I have had some luck there. In DC there is an actor's mailing list also - might be one in your area too... find some working actors and ask them what they read.

ok, thanks. I've tried craigslist, but the people I've talked to are kinda scatterbrained so far.

Devon;
I'm a little further north, Seattle, but I own my own production company and love to collaborate on projects. I have my own XL H1 and a lot of other gear. I have clients in Albany and Corvallis. Give my site a look. Barry

Yeah, that is the downside - it throws a really big net. I have gotten some really high-quality actors that way, but I've also gotten a lot of complete amateurs. I did get a professional dominatrix last time who came out for a role... made a great story at least.

Between Craigslist and the local actors newsletter - I got twice the number from Craigslist, but twice the contenders from the newsletter.

I'd suggest setting up an audition, and asking people to submit a headshot and resume to be selected for a timeslot. That at least puts people on notice that you expect people who are prepared, and then lets you separate the chaff before you have to see them.

Good luck.

Need a 35mm adapter in NJ
 

Hello,

I'm shooting a short and I'm looking for someone with a 35mm adapter to help me with this project. There is no pay for the day yet I will give you a copy of the short and food.

-Look if you love to shoot and be anywhere where a production is taking place send me an e mail I could use the help. It will be fun and the project will have that many more folks at the screening.

Shoot date: Sunday Feb 25
Location: Trenton, NJ
format: DVX 100a 24p (miniDV)

email: jay_zero1@yahoo.com

That's really good advice. Thanks!

A dominatrix? Yikes!

have you considered calling the local SAG union? they usually maintain a list of available actors.

Looking online can work, but personally I've had much better results, using local acting organizations, theatres, schools, and hang outs.

Sounds great. You should call me next time you are down in my neck of the woods. Contact information on Lyonfilms.com. BTW - I know Boquist. Nice spot.

Do you need a voiceover?
 

If anyone is looking for a pleasant, soothing male voice please check out my voiceover demos...

http://www.youtube.com/watch?v=gCwaktb5WEo

and

http://www.youtube.com/watch?v=r3zxQbbUCJA

I am a documentary videographer who does his own voiceovers. A few more clips can be found on my website...

www.mikepulcinella.com

I don't try to do all styles. I don't do characters. If you like my style and would like to work together, please contact me to discuss your project.

Thanks for your time,
Mike

Which is good for a union shoot but less than good if it's not, since they aren't going to provide members names for a non-union shoot.

Union shoot? Oh great, more technicallity

Good DSR-570 lighting cameraman needed next week (London/South)
 

Due to extreme amount of business, myself and all the other freelancers I normally use are solidly booked for the next few weeks, hence I need someone next week for:

Dates - 28 Feb (tentative) and 1 March
Location - London
Format - DVCAM 16:9 (pref DSR-570 or better) - may consider Digi Beta
Type of Job - Filming in classrooms (Primary) plus interviews of kids plus teachers - some in situ in the classroom and some composed and lit to a high standard
Skills needed - Very good communication skills as you'll be working on your own directly with the client. Very good lighting skills for the IV's. Good experience (many years) generally of IV and general video filming.
Kit needed - full video/IV lighting and sound kit (wireless lapel and on-board shotgun etc)

Both of these jobs are VERY important to me, so only very skilled cameramen need apply. I will also need to see sample IV type work to check lighting abilities etc.

I'm always looking for good cameramen, so if your skills suit, there may be additional work in the future.

If you're interested and have the required skills/kit, please contact me via

camera @ siliconpixel dot com

Many thanks!

Paul.

I would charge 250-300 for half day labor, plus whatever the rental on the camera is (i think it's usually 250 - 300 for the jvc), plus tape stock, and mileage (42 cents per mile) if the shoot is outside your city limits.

I guess it really depends on what market you are in too, every city has a different going rate. Here in SF a shooters standard day rate is 450-600 plus rental, but every city is different.

Also, there are ALWAYS undercutters and people who will work for lower rates, so be aware of that, but also be aware, if you quote someone a low rate, say 350 a day, then they are always going to want that rate.

If you say you have worked for this gentleman before, or others like him, why not just take what you were charging before and tack on another 10-20% for the upgraded gear?

Crew needed in Kansas City
 

We will be hiring specific crew positions next month for our film, "Aegis". This is a general announcement to the filmmakers of KC to get a head start for the jobs.

Also, we are looking for these positions immediately:
storyboard artists, Illustrators, set designers and dressers, Hair and Make-up artists, special FX make-up artist, 3D modelers, matte painters, music composers, and musical artists witrh orginial music.

The positions we will be looking for for production are: DPs(x2), Assist Cameraman (x2), Script Supervisor, Gaffer, Grips, Sound Mixer, Boom Operator, Production Assistants, and a Dailies Editor.

If you are interested in helping out, reply to: aegisthemovie@gmail.com
with the subject heading of: AEGIS CREW POSITIONS


For more information, check out: www.myspace.com/aegisthemovie

The geographic area does make a difference. I appreciate the input I've received. I haven't done video work for this client before. The way he wants the video done is not really the way I would do it to make it turn out the best. He wants about a day of shooting for his how-to video which is ok but with only one camera while he demonstrates his products.

Anyway, the feedback has been helpful.

Thank you
Lisa