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August 21st, 2006, 03:30 PM | #16 | |
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August 21st, 2006, 03:37 PM | #17 | |
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We were covered under the standard IPA for the million $ film, but made "Bull" under a great program called TIP (Toronto Indie Production Agreement.) This program allowed the producers to access higher profile actors like Maury Chaykin, and save greatly on fees, as long as the whole cast was Canadian. (I also think we were required to shoot in Toronto.) I shot a short film earlier this year under the "Co-Op" agreement where the director, producer, writer and all performers were required to be members of ACTRA.
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August 21st, 2006, 04:31 PM | #18 | |
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++++++++++++++++++++++++++++ On a separate topic, how did you slate your scenes? If you were working from an outline and improvising, rather than from a shooting script, how did you keep track of all the scenes, footage, takes, etc. Did you ever use two cameras to shoot? or was it all single camera? Again, thanks! |
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August 21st, 2006, 05:54 PM | #19 | ||
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Most of the other unions and guilds don't have the same restrictions on their members as ACTRA and SAG. Most of our technicians were not IATSE or NABET, and even though our AD may have been a member of the director's guild, their members are still allowed to work non-union without penalty. I asked an IATSE rep once why I wouldn't be able to work a non-IA production once I joined and she basically said "We can't stop you, but we also can't protect you." Quote:
On "Bull" our sound recordist recorded 4-tracks to digital nagra with time-of-day stamps on each file. We would sync our free run TC with him at the top of each day to make the syncing job easier. The sound recordist would also send a rough 2-track mix to the HD100 for reference and "instant" dailies. The 2nd A.C. kept detailed camera reports with TC on a HD report I designed earlier this year. Bull had a very well written script and Kent Tessman made some wonderful storyboards and animated pre-viz for the FX scenes. We only used multiple cameras for some exterior street scenes in the downtown core of Toronto's financial district (King & Bay.) Our permits limited our time down there (on a weekday) so multiple cameras were the most efficient way to capture the mostly-M.O.S. action. Our backup camera was used by the EPK crew on a few days.
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August 21st, 2006, 10:18 PM | #20 |
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