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December 1st, 2009, 07:33 PM | #16 |
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Location: Canberra Australia
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Although it can be done - I spent yesterday chasing around after our federal politicians with a LED 256 mounted on a broadcast cam, heaps of punch but dimmable.
A bit slow to slip in the CTO filter but if I was doing this all the time I'd rig up a swing away filter & diffuser. |
December 1st, 2009, 07:57 PM | #17 |
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Thanks for your comments Rohan, glad to hear that's working well for you. How'd you mount it on the cam?
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December 1st, 2009, 08:43 PM | #18 |
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I had the light upside down so I could get to the dimmer knob (but that did slow down filter change) Attached to camera handle with an israeli/noga arm and resting on the Mattbox for a bit of extra support.
At one stage I was set up with my LED600s near to an ABC crew with their new 1x1 panels - I didn't have time to do a side by side shot comparison but I was very happy with the performance of the 12volt 600s |
December 1st, 2009, 08:59 PM | #19 |
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Very cool. Never thought about mounting upside down like that. That would slow down putting in a filter but luckily the accessory lock on the top will keep the filter from sliding out. Thanks for posting that.
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December 1st, 2009, 10:28 PM | #20 |
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Location: Newark, Delaware
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So how does this light compare to say the litepannels micro pro? I took one of those out on a job and it put out a little less than my lowell i-light with a soft box (55 watt).
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December 8th, 2009, 11:07 AM | #21 |
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I'd like to know how it compares to the LP MicroPro as well. Anyone?
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December 8th, 2009, 11:38 AM | #22 | |
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Quote:
If you are thinking of a light for on camera purpose, then don't look to the LED256 for this, as it's going to be much too large for most on camera applications. I have used these on several shoots already, mainly for interviews to go along with the LED600 and love them. But I have also used a pair of LED256 lights on opposite corners of a dance floor for supplemental lighting, and I was very pleased with it. I used to use a ReceptionLight light which was a pair of NRG Varalux lights (75 watts) mounted on a 11-13 light stand and powered by large battery belts at the base. These lights were used as supplemental lighting for wedding reception usage and placed on opposite corners of a dance floor, and used with some on camera light for fill. I was happy with them, but wanted something smaller with more pop to it, which is why I picked up a couple LED256 lights, and I am much happier with the results. As the output form the LED256 was significantly stronger then the 75w tungsten light that I was using. And the spot configuration of the beam works nicely for the long throw on the dance floor. Keep in mind that this is used for supplemental purposes as I use onboard camera lighting as well, a pair of Comer1800s. But I love these lights for remote usage, as they're small and portable enough to take anywhere and can be powered any way you like. I have some remote interview shoots coming up in the next few months, where I have to fly to my destination and will be taking the pair of LED256s with me. Looking forward to putting them to the test in the field. I might also try bringing a LED600 with me, but logistics in air travel might prevent me from doing so. EDIT: Just of note, I have tried many LED lights; LP Micro, LP MicroPro, Sony HVL-LBP, TorchLED TL50, Zylight Z90, Comer1800 etc. And like the Zylight Z90 the best, but it's too expensive for me, so for on camera use I prefer the Comer1800, as it's the most powerful of the bunch, dimmable, and self powered. But I wanted to move to all cool lights for off camera use, and have found that the CoolLights work great for my current needs. I mihgt be adding a FLO light to the mix, but LEDs are so convenient because they draw very little power and thus better for field use. |
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