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Search: Posts Made By: Anmol Mishra
Forum: Dashwood Cinema Solutions December 18th, 2014, 08:59 AM
Replies: 8
Views: 13,440
Posted By Anmol Mishra
Re: JVC Utility

Would someone kindly send me the JVC 3D to LR utility for mac ? I dont have my CD anymore, and no backups :-(
Even if I get the windows version I could use bootcamp to get it to work.
Forum: 3D Stereoscopic Production & Delivery September 20th, 2014, 04:01 AM
Replies: 2
Views: 9,315
Posted By Anmol Mishra
Panasonic AG-3DA1

Second up :- Panasonic AG-3DA1

Best used outdoors due to the lifesize IA.

This can output dual channels over 2x SDI connectors. The easiest way to capture is by using 2x Blackmagic Hyperdeck...
Forum: 3D Stereoscopic Production & Delivery September 20th, 2014, 04:00 AM
Replies: 2
Views: 9,315
Posted By Anmol Mishra
Panasonic AG-3DA1 and HDC-Z10000 Field Production Rigs with lossless capture

I decided to use tried and tested cameras as it was time to make my first film and I did not want to screw up.

First up :- Panasonic HDC-Z10000

Best used indoors due to the reduced IA.
...
Forum: 3D Stereoscopic Production & Delivery August 19th, 2014, 10:37 AM
Replies: 71
Views: 41,914
Posted By Anmol Mishra
Re: JVC GY-HMZ1U ProHD 3D Camcorder

Pg. 55
3D Still image are only 1920 by 1080.

Stupid JVC!!
Forum: 3D Stereoscopic Production & Delivery August 19th, 2014, 05:14 AM
Replies: 71
Views: 41,914
Posted By Anmol Mishra
Re: JVC GY-HMZ1U ProHD 3D Camcorder

A question regarding timelapse on this camcorder. The resolution of the sensors is 3.2 mp each. Is there a setting on the timelapse that allows recording 3.2mp per channel in 3d?

Or are we stuck...
Forum: 3D Stereoscopic Production & Delivery August 19th, 2014, 12:40 AM
Replies: 2
Views: 8,579
Posted By Anmol Mishra
A comparison of 3d editing workflows on OSX

I have finished a major part of my current feature - which was in stereo 3d. This will serve as a comparison of workflows for editing stereo 3d footage in osx.

The major editing suites are FCP7,...
Forum: 3D Stereoscopic Production & Delivery June 26th, 2014, 06:48 PM
Replies: 8
Views: 10,680
Posted By Anmol Mishra
Re: The zunow wide angle lens for the 3DA1

Hi Carlton. Did you ever try using a filter on the thread of the 2 3DA1 lenses ?
I am currently using a matte box and would happily ditch it for a more portable solution.
Forum: 3D Stereoscopic Production & Delivery June 23rd, 2014, 03:12 AM
Replies: 12
Views: 10,575
Posted By Anmol Mishra
Re: Panasonic 3DA1 vs Sony NX3D1 resolution tests

Just wondering if you ever did the z10k resolution test
Forum: 3D Stereoscopic Production & Delivery February 14th, 2014, 08:36 AM
Replies: 8
Views: 9,417
Posted By Anmol Mishra
Re: Options for Portable 3d monitoring during production

You mentioned that the Ultrastudio 3d can only record in 60i/50i mode. Is it still the 25p/30p/24p frame per channel ?
Forum: 3D Stereoscopic Production & Delivery February 13th, 2014, 07:01 AM
Replies: 8
Views: 9,417
Posted By Anmol Mishra
Re: Options for Portable 3d monitoring during production

Thanks Tim. What min specs for a laptop do you need to capture 3d live from a Z10000 using Ultrastudio 3d ?
Cheers.
Forum: 3D Stereoscopic Production & Delivery February 13th, 2014, 07:00 AM
Replies: 8
Views: 9,417
Posted By Anmol Mishra
Re: Options for Portable 3d monitoring during production

Hi Jesse. I tried for a month to setup 2x Point Grey cameras but gave up, as the precision in terms of focus and convergence cannot be achieved via DIY.

I went with a Z10000
Forum: Taking Care of Business January 4th, 2014, 10:37 PM
Replies: 4
Views: 4,397
Posted By Anmol Mishra
Re: Producer's rep?

Any other contributions on this issue ?
Forum: CineForm Software Showcase December 21st, 2013, 01:16 AM
Replies: 13
Views: 7,002
Posted By Anmol Mishra
Re: 4:2:2 10-bit RAW vs Filmscan encoding

Do you only encode half the height per frame in 3D ?

For 3D, videochannels=2

>>
// Initialize the encoder with the height of each channel
int encodedHeight =...
Forum: CineForm Software Showcase December 20th, 2013, 06:41 PM
Replies: 13
Views: 7,002
Posted By Anmol Mishra
Re: 4:2:2 10-bit RAW vs Filmscan encoding

And a stack is simply packed raw data from both cameras concatenated together into a single char* or void* buffer ? Left eye first, Right eye second?
For example ,

char Image-right[size]
char ...
Forum: CineForm Software Showcase December 20th, 2013, 08:23 AM
Replies: 13
Views: 7,002
Posted By Anmol Mishra
Re: 4:2:2 10-bit RAW vs Filmscan encoding

I've going through the headers. I had a question about this -

uint32_t videochannels = 1; // Set to 2 for 3D/stereoscopic encoding. Source image buffer must have left eye stacked upon the...
Forum: CineForm Software Showcase December 20th, 2013, 01:54 AM
Replies: 13
Views: 7,002
Posted By Anmol Mishra
Re: 4:2:2 10-bit RAW vs Filmscan encoding

Both 16x9 and the same res. I would guess that Cineform RAW is the faster option. at 12-bit. Sent an email to your sw biz - lets see what they send out.
Forum: Show Your Work December 19th, 2013, 11:33 PM
Replies: 1
Views: 1,564
Posted By Anmol Mishra
Re: Feature Film - Romancing Sydney

Second Prize - Long Feature Films - Baghdad Intl Film Festival

Selection at - Baghdad Intl Film Festival
Delhi Intl Film Festival
Kochi Intl Film Festival
Kanyakumari Intl Film Festival
FIC...
Forum: Show Your Work December 19th, 2013, 11:29 PM
Replies: 1
Views: 1,564
Posted By Anmol Mishra
Feature Film - Romancing Sydney

Hiya. This is a finished film - its won an award and been to a few film festivals.

>
Elisa is young and sweet. Sachin is dreamy and naive. Will fate keep them together?
Zac and Alex fell in love...
Forum: CineForm Software Showcase December 12th, 2013, 08:15 PM
Replies: 13
Views: 7,002
Posted By Anmol Mishra
Re: 4:2:2 10-bit RAW vs Filmscan encoding

I found a twitter account with links to the SDK - https://twitter.com/CineFormSDK

Just going through the code examples, the code examples are only for DPX to CF FilmScan1 conversion.

Does...
Forum: CineForm Software Showcase December 12th, 2013, 08:19 AM
Replies: 13
Views: 7,002
Posted By Anmol Mishra
Re: 4:2:2 10-bit RAW vs Filmscan encoding

Hi again, David.
Would you consider allowing me to access documentation about Cineform RAW API ?
I looked at the code where the camera writes out a RAW avi, and its quite a simple loop.
It...
Forum: CineForm Software Showcase December 12th, 2013, 02:04 AM
Replies: 13
Views: 7,002
Posted By Anmol Mishra
Re: 4:2:2 10-bit RAW vs Filmscan encoding

The camera stream RAW video over USB3 - the DirectShow driver offer different debayered inputs across different pins.
I can capture 10-bit 4:2:2 from the DS pins.
I can also capture the RAW data...
Forum: CineForm Software Showcase December 9th, 2013, 07:17 PM
Replies: 13
Views: 7,002
Posted By Anmol Mishra
4:2:2 10-bit RAW vs Filmscan encoding

Is there a rough idea of the encoding speeds in terms of RAW vs Filmscan encoding ?
I have a 2.3GHz Core i7 and I am looking to encode 2x streams of 3K 3D video using Virtualdub. The USB3 vision...
Forum: Dashwood Cinema Solutions November 19th, 2013, 03:09 PM
Replies: 3
Views: 9,641
Posted By Anmol Mishra
dashwood faq - ultrastudio capture

This is a question regarding capture from the z10000 using the blqckmagic ultrastudio. In the dashwood 3d intro page, it says that the ultrastudio only captures interlaced. I know this is true for...
Forum: 3D Stereoscopic Production & Delivery November 18th, 2013, 08:44 PM
Replies: 6
Views: 7,167
Posted By Anmol Mishra
Re: 3d camcorders interlaced compression

Has anyone captured progressive output from any of these using the ultrastudio ? Dashwood has a note on his site that the ultrastudio only captures interlaced over hdmi.
Forum: 3D Stereoscopic Production & Delivery November 18th, 2013, 05:16 PM
Replies: 6
Views: 7,167
Posted By Anmol Mishra
Re: 3d camcorders interlaced compression

Any idea which ones do progressive?
Showing results 26 to 50 of 403

 


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