Why are camcorder imagers so small? at DVinfo.net

Scott Anderson · July 27th, 2005, 05:16 PM

I suspect I know the answer to this question, but I just wanted to ask all you engineer types out there, and throw out a bit of speculation on where camcorder imagers might be headed.

It seems that the current crop of high-end small camcorders (e.g. XL-2, Z-1, HVX-200) all have rather small imagers, especially considering they are all being marketed to independent filmmakers. One of the biggest limitations of these camcorders is the simple physics inherent in having a small imaging surface, and therefore, an increased depth of field.

My question is why aren't video cameras geared towards professional use equipped with 35mm size sensors? It would seem that this one, simple design change would go a long way towards enabling more filmic imagery.

I wonder if it is somehow cost-prohibitive to produce such large sensors, if the legacy of video cameras for ENG photographers has dictated smaller imagers to PRODUCE more depth of field, or if the desire to produce smaller, lighter camcorders trumps the use of larger image sensors.

My suspicion is that the latter is the case, but only for 3-CCD designs, and only for small camcorders. If you needed to design a 3-CCD prism block, and each sensor had to be 35mm, or larger if you include the surrounding electronics, the block would end up being huge. Maybe much too big for such small cameras.

If, however, you were to use a single sensor, such as the CMOS in the new Sony HDV camera, it should be a trivial matter to make the imager much larger. It might even be easier, as it's always a challange to miniaturize electronics. Am I completely off base with this assumption? There are plenty of very small 35mm film cameras, and even many digital SLR's with very large imagers, that still manage to keep a smallish form factor. Just because the imager is 35mm, that doesn't mean the camera body has to be huge, or that the lens needs to be any bigger.

If both the Dalsa and the Genesis cameras can use a true 35mm-size sensor, how long before that kind of technology trickles down to the sub-$10,000 or sub-$5,000 camcorders? Or am I missing the picture entirely - that the manufacturers are perfectly capable of doing it, but don't because of some marketing reason. I'm just curious, as it always seemed counter-intuitave to me. When a shallower depth of field produces such pretty images, and filmmakers are forced into clunky and expensive optical workarounds, why are manufacturers often opting to go in the opposite direction?

Giroud Francois · July 27th, 2005, 05:22 PM

the cost of the sensor is nothing regarding the cost of the lens.
for small sensor, you can build plastic lens for very cheap or pseudo "zeiss" quality if you need some high end result (for HDV for example)
just look at the price of 1/2 inch lenses and you will understand.

Richard Alvarez · July 27th, 2005, 05:36 PM

Giroud makes an excellent point. Take a look at the cost of broadcast lenses that are designed to target the larger ccd's. And that's not even 35mm format. Look at the cost of 35mm prime lenses. Look at the SIZE of a zoom lens for 35mm cams.

The sensor is a small part of what it takes to get 'that look'. Even the work-arounds with spinning gg and primes ain't cheap.

Dan Vance · July 27th, 2005, 05:45 PM

The big factor in CCD and CMOS sensor costs is yield: how many *good* arrays you can get out of a wafer of silicon. The larger the array, the lower the yield, and it increases with the area of the array. If the yields were the same, a 1/2" CCD would still cost almost twice what a 1/3" costs (to manufacture). But the yields are a function of area too, so you not only get less *good* units per wafer because of size, you get even less because of the area. So a 1/2" array probably costs more like 4 times what a 1/3" costs (manufacturing cost). A 35mm-sized array is then going to cost about 400 times what a 1/3" CCD costs. As manufacturing methods improve, yields go up, costs go down, but there's still a huge difference.
Lenses are also a factor, but Fujinon and Canon could make and sell 1/2" and 2/3" lenses at prices close to what the 1/3" Canons now go for, if the volume justified it.

Dan Diaconu · July 27th, 2005, 05:47 PM

Quote:

Originally Posted by Scott Anderson

My question is why aren't video cameras geared towards professional use equipped with 35mm size sensors?

Because they are geared towards CONSUMMERS that usually do not know/care or are willing to PAY the price for the "looks". Don't forget, that a shallow DOF implies a lot more care during shooting (focus pulling, etc). Do you see average Joe and his family (two kids as extras) in his annual holiday on the beach having this kind of concerns? (oh, yeah, honey where did you leave the ND set and the matte box?) (;-)< As for the other ones, Dalsa et all, whoever has the budget, they are right here right now, with 35mm CMOS sensor spitting out tons of uncompressed footage (like you said)

Sensors are made in waffles: the more you can fit on one waffle , the better the chances to get a few good out of it. The bigger the sensor, the smaller the chances to get ALL pixels good on one chip, hence the higher price.
Lenses add up.
Storage of data.
Size, weight, convenience in use and.............................

His Majesty THE PRICE (son of a B-udget)
The lower the price, the more happy and PAYING customers.

Scott Anderson · July 27th, 2005, 05:52 PM

I disagree that it is more expensive to make a high quality lens for a larger imager. Panavision stated very clearly that the design of panavised lenses for the CineAlta cameras for Star Wars was difficult and expensive precisely BECAUSE the sensor was smaller. They maintained that the lenses for the CineAlta needed to be BETTER than 35mm.

Plus, there are plenty of very small lenses, even zooms, that are perfectly servicable for 35mm still photography. Are you saying that it would be more difficult to build a similar lens suitable for paltry HD resolutions? I assume that the very expensive broadcast lenses are more expensive because of features like no breathing during zooming, multi-coated elements to prevent internal flaring, precise and repeatable manual control, etc. I don't doubt the superior quality of big brodcast lenses, any more than I would doubt that a Zeiss Digiprime is better than a cheap Fujinon zoom. But...

If all other things were equal, why couldn't Sony have put a 35mm-size sensor on the HC-1, for instance?

EDIT> Dan(s), I realize that consumer cams have no reason to go this way. In fact, there's every reason to make the imagers smaller. A shirt-pocket cam needs to be whipped out, press the button, and whammo - everythings in focus. More DOF the better. But consumers, by in large, are not going to buy the DVX-100 or the new HVX-200, for instance. I didn't realize the chip fab economics were so restrictive. That's something to think about. I wonder when the economics are no longer an issue, then we will see 35mm sensors as common as 35mm still cameras.

Richard Alvarez · July 27th, 2005, 06:42 PM

Cine 35 and still 35 are not the same format. Cine lenses and still lenses are not made the same either.

But basically, yes... cost of chips, cost of lenses, larger format form, more digital storage costs... they all 'get bigger' as the size of the target gets bigger.

Look at the reverse 'devolution' of film. In order to put film cameras into the publics hands... they had to make it cheaper. They made it cheaper by making it smaller. First 16mm, then 8mm... smaller and cheaper. If you want to get 'larger'... it's going to cost more.

Dan Diaconu · July 27th, 2005, 07:30 PM

Quote:

Originally Posted by Scott Anderson

But consumers, by in large, are not going to buy the DVX-100 or the new HVX-200

True!
But THEY ARE the driving force not a few passionate and dedicated professionals! OK, not a few, but definitely can't compare the two segments in buying power. For a manufacturer, that's all that matters: to offset the cost of R&D + manufacture and show a trace of profit, right? Otherwise they'd become "passionate" researchers and would be belly up in no time.

Quote:

Originally Posted by Scott Anderson

I wonder when the economics are no longer an issue..

Yeah... will they EVER?.......Film goes down, video goes up. Tercel got smaller and smaller (Eco) and now "Smart" and other bugs are "roaring" on the streets while the big dinosaurs of the 60's got extinct due to less and less "green matter" to feed them. Houses turn to condos and so on. The economics are the ONLY ISSUE (imo) the rest is just...hmmm "means to address the issue"

Scott Anderson · July 27th, 2005, 08:17 PM

I just realized I didn't frame this discussion properly. I'm not talking about the Dalsa and Genisis camera sensors, spitting out multi-megapixel data rates. I shouldn't have used them as an example.

I'm simply wondering why we can't have NTSC or even 1080p RESOLUTION sensors, but at 35mm PHYSICAL sizes. That way, we can have the same formats we are using now - DV, HDV or DVCProHD, but with the same DOF as 35mm.

I suppose that the wafer size and economics of defects still apply, but I don't want anyone to think I'm asking "why can't I have a Genesis camera under 4 lbs and under $5k". That would be naive. I'm simply wondering why 1/3" is chosen, as opposed to 1/2" or even 1.375".

Dan Diaconu · July 27th, 2005, 10:27 PM

I think you know the answer Scott...: PRICE (son-of-a-b-udget)
Panasonic's GS series was the first (I think) to deliver 3CCD under $1K (imagine that!) CCD size? 1/6" !

Joshua Provost · July 28th, 2005, 04:40 PM

Scott,

On factor is the segmentation of product lines within the manufacturers. I'm sure the DVX/XL engineers would love to put bigger than 1/3" CCD in their products, but likely are prevented from doing so, to avoid competition from the professional divisions of those companies. I'll bet there are policies, memos, etc. within these companies specifically stating that the DVX/XL series go no larger than 1/3". After that, it's pro line.

Josh

Young Lee · July 30th, 2005, 09:25 AM

1/2.8" CCD camcorder...

http://www.dvinfo.net/canonoptura/index.php

Interesting...

Dan Vance · July 30th, 2005, 02:19 PM

Quote:

Originally Posted by Young Lee

1/2.8" CCD camcorder...

http://www.dvinfo.net/canonoptura/index.php

Interesting...

1/2.8 is insignificantly bigger than 1/3". A 1/3" CCD has an active diagonal of 6mm. 1/2.8 converts to a diagonal of 6.2mm, and that's only true if the manufacturer is actually increasing the image area in proportion to the chip size. The "true" diagonal is probably about 6.1mm. It's no more than a sales gimmick, because "1/2.8" sounds bigger to most people than it really is.
1/2" CCDs are 8mm diagonal.

Eric Stemen · August 5th, 2005, 07:08 PM

Good catch Dan Vance. I figured they meant 1/2" ccd plus .8 something.just from glancnig at the site. Why would you anyone ever put a decimal with a fraction. Isn't the point of fractions not to use decimals, and the point of decimals not to use fraction?
Oh yeah, you seem to be a freakin genius Dan, the camcorder you built looks awsome. The circuit you make with the physical shutter sounded really cool.

Boyd Ostroff · August 5th, 2005, 07:22 PM

See this thread on the same topic....

http://www.dvinfo.net/conf/showthread.php?t=48509

July 27th, 2005, 05:16 PM	#1
Scott Anderson Major Player Join Date: May 2003 Location: Phoenix, AZ Posts: 327	Why are camcorder imagers so small? I suspect I know the answer to this question, but I just wanted to ask all you engineer types out there, and throw out a bit of speculation on where camcorder imagers might be headed. It seems that the current crop of high-end small camcorders (e.g. XL-2, Z-1, HVX-200) all have rather small imagers, especially considering they are all being marketed to independent filmmakers. One of the biggest limitations of these camcorders is the simple physics inherent in having a small imaging surface, and therefore, an increased depth of field. My question is why aren't video cameras geared towards professional use equipped with 35mm size sensors? It would seem that this one, simple design change would go a long way towards enabling more filmic imagery. I wonder if it is somehow cost-prohibitive to produce such large sensors, if the legacy of video cameras for ENG photographers has dictated smaller imagers to PRODUCE more depth of field, or if the desire to produce smaller, lighter camcorders trumps the use of larger image sensors. My suspicion is that the latter is the case, but only for 3-CCD designs, and only for small camcorders. If you needed to design a 3-CCD prism block, and each sensor had to be 35mm, or larger if you include the surrounding electronics, the block would end up being huge. Maybe much too big for such small cameras. If, however, you were to use a single sensor, such as the CMOS in the new Sony HDV camera, it should be a trivial matter to make the imager much larger. It might even be easier, as it's always a challange to miniaturize electronics. Am I completely off base with this assumption? There are plenty of very small 35mm film cameras, and even many digital SLR's with very large imagers, that still manage to keep a smallish form factor. Just because the imager is 35mm, that doesn't mean the camera body has to be huge, or that the lens needs to be any bigger. If both the Dalsa and the Genesis cameras can use a true 35mm-size sensor, how long before that kind of technology trickles down to the sub-$10,000 or sub-$5,000 camcorders? Or am I missing the picture entirely - that the manufacturers are perfectly capable of doing it, but don't because of some marketing reason. I'm just curious, as it always seemed counter-intuitave to me. When a shallower depth of field produces such pretty images, and filmmakers are forced into clunky and expensive optical workarounds, why are manufacturers often opting to go in the opposite direction?

July 28th, 2005, 04:40 PM	#11
Joshua Provost Major Player Join Date: Sep 2004 Location: Phoenix, AZ Posts: 493	Scott, On factor is the segmentation of product lines within the manufacturers. I'm sure the DVX/XL engineers would love to put bigger than 1/3" CCD in their products, but likely are prevented from doing so, to avoid competition from the professional divisions of those companies. I'll bet there are policies, memos, etc. within these companies specifically stating that the DVX/XL series go no larger than 1/3". After that, it's pro line. Josh __________________ Owner/Operator, 727 Records Co-Founder, Matter of Chance Productions Blogger, Try Avoidance

July 27th, 2005, 05:22 PM	#2
Giroud Francois Inner Circle Join Date: Feb 2004 Location: switzerland Posts: 2,133	the cost of the sensor is nothing regarding the cost of the lens. for small sensor, you can build plastic lens for very cheap or pseudo "zeiss" quality if you need some high end result (for HDV for example) just look at the price of 1/2 inch lenses and you will understand.

July 27th, 2005, 05:36 PM	#3
Richard Alvarez Inner Circle Join Date: Sep 2002 Location: San Mateo, CA Posts: 3,840	Giroud makes an excellent point. Take a look at the cost of broadcast lenses that are designed to target the larger ccd's. And that's not even 35mm format. Look at the cost of 35mm prime lenses. Look at the SIZE of a zoom lens for 35mm cams. The sensor is a small part of what it takes to get 'that look'. Even the work-arounds with spinning gg and primes ain't cheap.

July 27th, 2005, 05:45 PM	#4
Dan Vance Built the VanceCam Join Date: Apr 2004 Location: Prescott Valley, AZ Posts: 109	The big factor in CCD and CMOS sensor costs is yield: how many good arrays you can get out of a wafer of silicon. The larger the array, the lower the yield, and it increases with the area of the array. If the yields were the same, a 1/2" CCD would still cost almost twice what a 1/3" costs (to manufacture). But the yields are a function of area too, so you not only get less good units per wafer because of size, you get even less because of the area. So a 1/2" array probably costs more like 4 times what a 1/3" costs (manufacturing cost). A 35mm-sized array is then going to cost about 400 times what a 1/3" CCD costs. As manufacturing methods improve, yields go up, costs go down, but there's still a huge difference. Lenses are also a factor, but Fujinon and Canon could make and sell 1/2" and 2/3" lenses at prices close to what the 1/3" Canons now go for, if the volume justified it.

July 27th, 2005, 05:52 PM	#6
Scott Anderson Major Player Join Date: May 2003 Location: Phoenix, AZ Posts: 327	I disagree that it is more expensive to make a high quality lens for a larger imager. Panavision stated very clearly that the design of panavised lenses for the CineAlta cameras for Star Wars was difficult and expensive precisely BECAUSE the sensor was smaller. They maintained that the lenses for the CineAlta needed to be BETTER than 35mm. Plus, there are plenty of very small lenses, even zooms, that are perfectly servicable for 35mm still photography. Are you saying that it would be more difficult to build a similar lens suitable for paltry HD resolutions? I assume that the very expensive broadcast lenses are more expensive because of features like no breathing during zooming, multi-coated elements to prevent internal flaring, precise and repeatable manual control, etc. I don't doubt the superior quality of big brodcast lenses, any more than I would doubt that a Zeiss Digiprime is better than a cheap Fujinon zoom. But... If all other things were equal, why couldn't Sony have put a 35mm-size sensor on the HC-1, for instance? EDIT> Dan(s), I realize that consumer cams have no reason to go this way. In fact, there's every reason to make the imagers smaller. A shirt-pocket cam needs to be whipped out, press the button, and whammo - everythings in focus. More DOF the better. But consumers, by in large, are not going to buy the DVX-100 or the new HVX-200, for instance. I didn't realize the chip fab economics were so restrictive. That's something to think about. I wonder when the economics are no longer an issue, then we will see 35mm sensors as common as 35mm still cameras.

July 27th, 2005, 06:42 PM	#7
Richard Alvarez Inner Circle Join Date: Sep 2002 Location: San Mateo, CA Posts: 3,840	Cine 35 and still 35 are not the same format. Cine lenses and still lenses are not made the same either. But basically, yes... cost of chips, cost of lenses, larger format form, more digital storage costs... they all 'get bigger' as the size of the target gets bigger. Look at the reverse 'devolution' of film. In order to put film cameras into the publics hands... they had to make it cheaper. They made it cheaper by making it smaller. First 16mm, then 8mm... smaller and cheaper. If you want to get 'larger'... it's going to cost more.

July 27th, 2005, 08:17 PM	#9
Scott Anderson Major Player Join Date: May 2003 Location: Phoenix, AZ Posts: 327	I just realized I didn't frame this discussion properly. I'm not talking about the Dalsa and Genisis camera sensors, spitting out multi-megapixel data rates. I shouldn't have used them as an example. I'm simply wondering why we can't have NTSC or even 1080p RESOLUTION sensors, but at 35mm PHYSICAL sizes. That way, we can have the same formats we are using now - DV, HDV or DVCProHD, but with the same DOF as 35mm. I suppose that the wafer size and economics of defects still apply, but I don't want anyone to think I'm asking "why can't I have a Genesis camera under 4 lbs and under $5k". That would be naive. I'm simply wondering why 1/3" is chosen, as opposed to 1/2" or even 1.375".

July 27th, 2005, 10:27 PM	#10
Dan Diaconu Major Player Join Date: Dec 2004 Location: Vancouver, Canada Posts: 804	I think you know the answer Scott...: PRICE (son-of-a-b-udget) Panasonic's GS series was the first (I think) to deliver 3CCD under $1K (imagine that!) CCD size? 1/6" !

July 30th, 2005, 09:25 AM	#12
Young Lee Major Player Join Date: Aug 2003 Location: Orange County, CA Posts: 268	1/2.8" CCD camcorder... http://www.dvinfo.net/canonoptura/index.php Interesting...

August 5th, 2005, 07:08 PM	#14
Eric Stemen Major Player Join Date: May 2004 Location: Louisville, KY Posts: 378	Good catch Dan Vance. I figured they meant 1/2" ccd plus .8 something.just from glancnig at the site. Why would you anyone ever put a decimal with a fraction. Isn't the point of fractions not to use decimals, and the point of decimals not to use fraction? Oh yeah, you seem to be a freakin genius Dan, the camcorder you built looks awsome. The circuit you make with the physical shutter sounded really cool.

August 5th, 2005, 07:22 PM	#15
Boyd Ostroff Wrangler Join Date: Dec 2002 Location: Mays Landing, NJ Posts: 11,787	See this thread on the same topic.... http://www.dvinfo.net/conf/showthread.php?t=48509