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Sony XDCAM EX Pro Handhelds
Sony PMW-300, PXW-X200, PXW-X180 (back to EX3 & EX1) recording to SxS flash memory.

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Old April 9th, 2008, 09:34 AM   #61
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Odd cause of "pulsing" light

I was shooting a wedding with my EX1 this past weekend, and I got pulsing or flickering light in a couple of shots (noticed it right away on the LCD). My first thought was some of the fluorescent light issues folks here had been reporting, but I didn't see any fluorescent fixtures around (and would have been kind of surprised if there were any in this very fancy hall). A few minutes' search revealed the culprit, and it had nothing to do with the EX1's CMOS sensors or anything else technical. Several light fixtures were located ABOVE ceiling fans, so the fan blades kept interrupting the light. Our eyes don't really notice, but the camera does... Sometimes the cause is simple and physical, not complex and technical...
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Old April 10th, 2008, 08:08 PM   #62
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Affordable remote mic

I don't usually do weddings but have been asked by a friend to do his son's. It will be on horseback at a lake in the country. The bride and groom come riding in and all. I would like some suggestions on how to get the audio. I will use EX1 and an HV20 for video, Sony A-700 for stills.
Thanks in advance
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Old April 11th, 2008, 10:00 AM   #63
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1/24 Shutter (24P)

Hello all,

A few of you guys mentioned that you've shot 1/24 shutter (1080 24P) on weddings for low light. In other words shutter off

For still shots, speeches, dinner time, lobby shots this makes sense

What about dances?
I typically pan slow anyways but there is motion in the scene in this case
Does it look ok? What do you see - blurring?
I don't mind a slight blur vs. dark or grainy video

I plan to go 1/48 normally and keep the movement civilized :)
I did some outside shoots at 1/96 and above in sunshine - to me that looks nice too.

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Old April 11th, 2008, 12:21 PM   #64
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Boris FX Not Working in FCP Studio 2?

I recently upgraded from Apple FCP Studio to Studio 2 so I could edit footage from my XDCAM EX-1.
Boris FX appears in the effects tab as before the upgrade. I can drag Boris onto a clip in the timeline. When I click on the filters tab, Boris appears in the filter tab and there is a red render bar over the clip in the timeline.
But there seems to be no way to launch Boris.
Previously I would go to the filters tab and there would be a launch button on the Boris effect, but not anymore.
How do I launch Boris FX 9 now?

Any help would be appreciated.

Kevin Jones
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Old April 13th, 2008, 06:05 AM   #65
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Splitting / Combining media

Hi Everyone,

I have a client that wants hard copies of everything on HDCAM. I had a short shoot to test playing out HDSDI to HDCAM and everything went fine.

Now I'm leaving for a week-long shoot in TX where I'll be off loading the cards onto a MBP and burning DLDVDs for backup. I have 3- 8GB cards and 2-16GB cards.

I don't know the procedure for splitting up the 16GB media into 2 8GB chunks for the DLDVD burning. Has anyone done this? If so, how is it done?

My other questions are about combining 2-8GB cards' worth of media onto a 16GB card for playout to HDCAM. Has anyone combined 2 - 8s to a 16?
What would be the procedure for that?

Thank you for your help.

Sony EX3, Sony EX1, Sony DSR450WS, Avid MC Soft, FCS2
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Old April 13th, 2008, 07:15 AM   #66
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Sony Clip Browser Version 2 - some good news

From everybody's new favourite site:

Sony are also working with software plug-in company Main Concept, who are building some additional functionality for Clip Browser version 2. One such function will be the ability to take your 35mbps HD footage and using the Main Concept option* you will be able to up-convert it to 50mbps in 4:2:2 colour space directly onto XDCAM HD Professional Optical Disc using the PDW-U1 USB Disc reader/writer. This is kind of a ‘transcoding’ process.

Another function of the Main Concept plug-in will allow you to take any clip from the Clip Browser and to export it as Windows Media, Apple QuickTime, PSP file, iPod file, and even YouTube files. This is a great way of saving video files for multi-media web purposes. No more need to learn the art of compression for the web; nice!

* Is the "Main Concept option" something that will come standard with it or is it something we'll need to buy from MainConcept?

EDIT: Ok, so all I had to do was read the paragraph that I accidentally skipped.

Hopefully the plug-ins will be cheap. It sounds good. I am well and truly sick of the compatibility issues with the footage from this camera.

At least Version 2 will have HD -> DV conversion built in. That's overdue.

That said, I don't think the Clip Browser has anything to offer that Cineform's HDLink doesn't.
John Hewat
Mammoth Media Productions
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Old April 13th, 2008, 11:54 AM   #67
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smaller (A1 size) camcorder coming?

Hi there,
Just read a review regarding the upcoming release of the EX-3, to "expect a smaller (A1 size) camcorder to appear too".
Any educated guesses about this? The reviewer was talking about the EXs, so surely this would also have 1/2" sensors, etc.. Maybe the lens wouldn't be quite so nice? Maybe it would just record at 25mbps? Just wondering.
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Old April 14th, 2008, 08:53 AM   #68
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Zoom Speed!

what's the slowest zoom speed on the fujinon lens ?
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Old April 18th, 2008, 05:41 PM   #69
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Which audio is right: MXF or MP4

I used the clip browser to extract a bars and tone from MP4 clip to MXF wrapped clip. Then I imported this into adobe premiere 3.2, both as a native mp4 and as a native mxf. Both imported just fine.

However when I put the mp4 on the timeline, the tone is at -20db. When I put the MXF in the time line, it adds two audio's, one on a4 and one on a5. If both play the audio is at -15 or -16. If only one is selected, the audio is at about -25db.

Ok, what gives, and which is right. I think the mp4 is right at -20db. But why does the clip browser split the audio, and why is it at different levels.

Is Adobe's import of the MXF wrong? Is the clip browser wrong?
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Old April 20th, 2008, 10:12 AM   #70
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Zoom control

Any word about the Manfrotto EX1 zoom control that was to debut at NAB?
Best, Craig
Thanks, I have since located the information.

Last edited by Craig Hollenback; April 21st, 2008 at 05:10 AM.
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Old April 21st, 2008, 11:18 AM   #71
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Focus and zoom together?

Can you both focus and zoom the lens at the same time? Thats currently a problem I am having while I dolly in and zoom to maintain the framing the cameras can not do both at the same time.

Anyone using a Vegas workflow? How is it? is it as intense as AVCHD or more like MT2 workflow? do you use or need cineform?

Thanks for any help. I am considering the switch.
Stephen Eastwood
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Old April 23rd, 2008, 11:10 PM   #72
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CS3 mac version editing EX1

I am a long time windows Adobe user but now have my Mac Pro on order. (need a faster machine for HD and get past limits of xp32) Adobe are ready to ship me the MAC version of the CS3 Master Collection when I fax them my windows version destruction agreement.

I could use bootcamp and my existing windows Master Collection but for access to all the 6GB ram I am drawn to using CS3 with leopard and with 3.2.0 upgrade on Premiere edit the EX1 footage.
Any happy users doing this ?

I have edited EX1 footage on my PC in Premiere 3.2.0 with success except for dissolve transitions (white flashes). My present workflow is SxS card into my Vista laptop, use sony clip browser to copy BAPV folder then make a 8GB dual layer DVD backup and export mxf files over my network to my video xp pro machine for editing.

I plan the same workflow when I replace my pc with the MacPro.

Every EX1 video I have seen uses FCP but with native editing in CS3.2 it saves a conversion step - correct?

Any comments ?

James Goodman
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Old April 25th, 2008, 04:58 PM   #73
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Lens Hood Recommendations for Sony Wide Angle

Are there any out there that will fit?
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Old April 28th, 2008, 10:27 AM   #74
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EX1/Clip Browser + Mac + Avid: best workflow 'til July?

Hi there,
I just ordered an EX1, and would love to resolve this workflow question before getting it - - any advice very much appreciated. I understand, by the way, that at the end of June Sony will release Clip Browser version 2, which from the sounds of it will resolve all of my problems (even my personal ones).

until then, though, I have to find a not-too-expensive way to get footage from the EX-1 into Avid for editing.

Avid just updated Media Composer, so it now "supports the Sony EX1 35Mb Data Rates (Avid Xpress Pro will support XDCAM HD at 25Mb as it is - basically HDV)". Does this by chance mean that it will import the Sony EX-1 files as they are, or do they still have to be converted to MXF first? I suspect they have to be converted... so what would be the best (and cheapest) way?

I have a MacBook Pro with the requisite ExpressCard slot. So I can dump from SXS card in the field to my MBP. It won't be converted to MXF. But maybe I could borrow an old PC, and, when I get back to my office, transfer the EX files from my MacBook Pro to the PC, and then use the PC version of the Clip Browser to convert to MXF.
Then I'd copy these MXF files to my MacBook Pro, and import into Avid.

Is this the best workflow for me? As I say, by the end of June, with the new Clip Browser v. 2, I should be fine with just my MBP; by then, too, Media Composer will be Leopard-compatible... but until then...

Cheers, Malcolm
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Old April 29th, 2008, 07:56 PM   #75
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720p60 vs 1080i Are you losing a stop or two?

So the EX1 and the EX3 are looking delicious as far as updating our cameras but I've had this burning question.

Do you lose a few stops shooting 720p60 as opposed to 1080i60 with this cam?

I've been reading all about the improved sensitivity with these units (apparently comparable to a DSR-300) but I'm afraid these people are shooting interlaced.

So what's the story with progressive? Sensitivity as good as DSR-300 or PD-170 (which of-course are interlaced).

Do tell!
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