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November 14th, 2005, 06:58 AM | #46 | |
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The pyramid of wealth distribution doesn't have such steep sides, and the steps at the base are very wide indeed. HDV (as executed in Sony's HDV camcorders) has very successfully tapped into that market. You may notice that Sony's releases haven't had to add competitive enhancements that extend or warp or pollute the HDV spec like JVC, Canon and Panasonic are having to do. Those added enhancements - that in some cases mean the camera wouldn't be used as a HDV camcorder anyway, should have been thoroughly examined for ease of integration by anybody seeking to use these cameras in a more "professional" manner than was originally intended with the earliest HDV camera releases. If an individual espouses professionalism; and then proceeds to show little, if any, by buying into a new technology without thorough immersion in every possible permutation of viability in attaining a hoped for goal... they deserve to believe it's the equipments fault. Those who know what they are dealing with - those with solutions, skill, the desire to succeed while others procrastinate, work-arounds and patience seem to be able to come to grips with what HDV has to offer to them... regardless of whether someone, anyone - whoever they are matters not a jot... has declared the format "broken". Like I said, "if you don't like HDV - no one is forcing you to buy into it!!" Hopefully the HVX will be exactly what you're after as it isn't a HDV camcorder. |
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November 14th, 2005, 07:10 AM | #47 | |
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November 14th, 2005, 11:49 AM | #48 | |
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November 14th, 2005, 11:57 AM | #49 | |
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It's about the state of perception of the HDV format by people other than those pushing the HDV envelope. But just like the vast majority of people are not going to build their own steadicams or mini35 rigs, if HDV continues to require a lot of "hassle" for broad adoption, it risks losing momentum. The stated 2003 HDV format is broken and eloquence is unlikely to fix it :) however, some quick engineering and PR by Canon, Sony and JVC would... |
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November 14th, 2005, 04:46 PM | #50 | |
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HDV is about to become very widely used, so might as well start understanding how to deal with its quirks and limitations. |
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November 14th, 2005, 05:18 PM | #51 | |
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There'd be many current HDV exponents who doubted the formats' capacity to deliver, but were prepared to be open minded about it. I was one. HDV had to prove itself as a means of gathering and processing digital video information, worthy enough in it's returns, of my committment in time, effort and monitary investment. For the majority so far, it has lived up to these underlying expectations. The truth is that HDV is just another form of video. Who cares whether it has a number of sub-flavours or not. If a user achieves the result they desire or require from the HDV format flavour of their choice; and they then discover that they have even greater flexibility in shooting modes, colour spaces, transcoding options, storage and delivery methods - all from their single HDV camcorder purchase linked to a reasonably capable computer system - I'd think they'd be more pleased than cheezed!! I don't think too many of us are all that concerned whether the stated 2003 HDV format has been amended, stretched, tweaked, altered or extended. Mighty big call though: to say that your perception of HDV is matched by everyone who isn't already using HDV. Crikey!! They'd better stop buying into it in such large numbers then!! |
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November 14th, 2005, 05:18 PM | #52 | |
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There is no reason that another format or tech can't come out, then we discuss numbers and user base. For now, the only valid comparison in HDV vs. miniDV. Comparing HDV to CineAlta's or Varicams installed base is not informative. Please re-visit my original post here. All I'm saying is that because HDV is cheap and makes HD shooting accessible for lots of people, once a lot of people shooting it,, archiving it, transferring it and expecting it to be a "format", there's a potential for backlash once it reaches critical mass. I never argued that HDV won't sell lots of cameras or that people are going to use it. If that were the case, my argument would't even exist because it would be a small, niche product and could afford to do whatever it wanted. But if HDV is going to rack up miniDV like sales and market penetration, user expecation education and easy ways to deal with the "variants" will need to occur. |
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November 14th, 2005, 05:35 PM | #53 | |
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Plus, unless you have numbers that HDV cams are wildly outselling XL2, DVXs, PD170s etc. it's not really an issue yet. I live in average US city (Greensboro, NC) and we have a sprinkling of HDV users here - , mostly Z1/FX1 (no HD100's that I know of yet). Dozens and dozens of DVX, XL Series and Sony VX/PD/DSR. Blue-Ray and/or HD DVD may end up being the solution but right you have to be blinded by the technology to see that this is not an pending issue. |
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November 14th, 2005, 07:06 PM | #54 | |
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There's a lot of others who don't constantly NEED those sort of services in order to get the most from their HDV camcorders. As for numbers - I too would be keen to see the HDV unit sales figures, now that the FX-1/Z1 have had nearly 12 months of sales. I remember seeing a post of early sales figures that indicated massive financial returns from initial sales of the FX-1, so it'd be nice to know where things stand now. I take it you're accounting for the short period of time that HDV camcorders have been available, when you describe the sprinkling that you've seen. One wonders how long the DVX, XL, VX/PD/DSR owners will hold out before going to either HDV or one of the other lower cost permutations that are either with us or soon will be. In the end; does it matter how long they take? Not really. If they enjoy what they're doing - Fine!! As for being blinded by technology - It's definitely not as bad as being blinded to technology!! |
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November 14th, 2005, 07:11 PM | #55 | ||
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November 14th, 2005, 07:42 PM | #56 | |||
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November 14th, 2005, 07:53 PM | #57 | ||
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My guess is that very soon higher data rate HDV (which may or may not be backwards compatible with HDV and may or may not be called "HDV" e.g. "ProHD") will obsolete current HDV. I could be wrong... |
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November 14th, 2005, 10:12 PM | #58 | |
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The fact that Broadcast HD is no greater than 19.3Mbit MPEG2 transport stream, was a happy coincidence. Why look to replace a currently available piece of technology that could be refined to take next generation data? You definitely seem to be one of those who are hung up on the fact that HDV isn't providing what you want - so it must be "broken"... there's got to be something wrong with IT!! For people like yourself, the HVX-200 will be just the ticket... maybe, because you'll no doubt find something there to make it fall just short of what you're after... maybe the P2 cost, or capacity, or problems with processing DVCPRO-HD and how the format at such high bitrates needs computer power that's beyond your budget. It may take a while; but the logic of avoiding HDV if it's not to your taste - until something you know will fit your needs hits the market, seems to be beyond some folks comprehension. Does lack of comprehension make someone wrong?... Hmmm... |
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November 14th, 2005, 11:27 PM | #59 | ||
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I don't how many billions of way to explain it..."HDV" is no longer a format. It's three in mine (some people here say 2). |
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November 14th, 2005, 11:59 PM | #60 |
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Statistics can be bent, we should all know that. In the poll citing the number of production facilities using HDV, could it be they counted ever mom and pop production "house" and every kid with a JVC single chip camcorder? Stats can lie. Just so we get that out in the open.
I really don't think anyone who is using HDV is happy (not if they are honest) with the actual workflow they have had to adopt. Premiere users need plugins or extra apps to get and/or transcode footage to an editable format and likewise to get it back out - I know Adobe has their own, subcontracted codec for this but still, it's an after thought if it's a plugin. Avid still can't work with several deck/camera pieces - no control of the JVC HD100 camera via 1394, no control of the BR-HD50 via any means, etc. The main exception in the workflow is Sony Vegas and let's face it, Vegas is great but not one of the mainstream editing apps. It surely is perhaps 3rd of 4th now in sales but that's only really because we can't work with Avid or Premiere nearly as easily as Vegas. I may have to move from Avid to Vegas if this mess keeps up. Lot's of folks are abandoning the Avid ship for FCP and Vegas, not because they want to but because they have work to get done in this format their clients keep asking about. No matter how the semantics break down, it's still a mess. Getting better, but still a mess. Sean McHenry
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