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Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
Josh,
I'm willing to do a side-by-side XAVC vs. AVCHD green screen comparison with the X70 and post it here if that would be helpful. (For instance, keeping the exact same lighting, plugin settings, and camera settings except the codec.) In fact, I'm curious about that myself. One point of note is that (forgot where I read it -- in the XAVC Workflow Guide?) XAVC-Long GOP is optimized for editing -- that is, unlike other Long GOP codecs like AVCHD, XAVC-L is designed to have similar performance in the editor to All-I codecs such as ProRes, so if your editor is compatible, it shouldn't be "harder to deal with." (OTOH, you have lots of camera choices in this class if you're willing to compromise on the codec, like the HXR-NX30, etc.) May I ask which NLE you're using? On the "higher end" interview side, have you checked out Joe Caneen? http://thevideowhisperer.wordpress.com In fact, he has written an entire book, Run 'n' Gun Videography, that includes lots of his experience shooting corporate interviews using his HXR-NX30 and PXW-X70 camcorders. I'm still reading it, but IMHO he has a great philosophy vis-a-vis "going in with a six-shooter and getting the job done" with these small cameras. He has commented about the slightly shallower DOF with the X70's 1-inch sensor and that it's great for interviews. You might consider checking out his YouTube channel and/or posting on his blog and asking if he would be willing to post more of his X70 interview footage? |
Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
Will take a look at that site. You can do that comparison if you like, not a big deal to me since I, again, have only ever done one single green screen shoot in 13-ish years.
I was wondering about that though. . .I keep reading how tiny the cam is. Has anyone received any flack on jobs where people/clients are like "is that a toy? Are you kidding me? We're paying you xxx thousands of dollars for this job!"? I know camcorders have been on the small side for years and people are probably used to it but you still hear about that kinda stuff (or used to). Big camera = professional, etc. |
Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
Ok, looked at a large chunk of his cam review. NOW I see the softness (I think?) that at least one person has harped about repeatedly.
Can't tell if it was 'cause it was actually a little lacking in detail (early foliage shots outside the castle or whatever, those indoor shots including interviews), Youtube compression, the fact that it was 720p and I was viewing on a 27" Imac monitor, or some combination. Anyone have any opinions on overall image sharpness vs (sorry, again) the EX1? That cam is almost painfully sharp on its default settings, but I'm used to that. I would swear some shots (hunting footage) looked sharper than others, supposed that could be working at the lens's sweet spot vs wide open, although if wide open IS 5.6 in some cases. . .wouldn't it already be at the sweet spot? I dunno. It does seem like a nice cam but I noticed when looking at NEX30 footage right next to EX1 footage recently (had a 3-cam shoot, two EXs shooting CUs on interviewer and interviewwee and the NEX doing wide) that the NEX was quite a bit softer. Wondering if X70 is the same issue? |
Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
Can't comment on the EX1 - never been around one. I think the sharpness is good, especially for other competitors at its price point. The future 4K upgrade should add even more detail to the equation. I guess you saw my sample video on the previous page - I'm happy with that, and it's sharper than my Canon XF100 - and those excerpts were ALL shot with the lens wide open for shallowest DOF (2.8-4 depending on how much you are zoomed in). It would almost certainly be better stopped down a stop or two.
On your small size question, it all depends on the setting I guess. With more and more people doing video on DSLRs (not me, though) it's actually not the smallest camera around. But in certain more traditional pro settings it might seem like a handicam. I mainly deal in amateur scenarios where it's actually considered a large, serious, pro-looking camera, especially if I have extra gear on - handle, wired xlrs, dual wireless receivers, on-camera shotgun, etc. But I also love the fact that I can take off the handle and almost pass it off as a tourist handicam. |
Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
I definitely don't deal with clients who even know enough about production gear to worry about it (mostly), but was still vaguely concerned.
I was talking about the Joe Caneen video review of the X70. Sorry if that wasn't clear. |
Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
How I settled the size question?
1. It is an XDCAM (a longstanding, recognized Sony professional brand). 2. It is a broadcast grade camera (which might be in your project proposals). 3. With the handle, shotgun mic, and possibly wide converter, as Dave pointed out, it's larger than a DSLR. 4. Even high budget films and TV shows, such as House, have been shot on DSLR (a "small cam"). 5. At least one, Paul Andregg, is shooting broadcast news for a commercial TV station with this cam. He says sometimes he gets looks but wears station clothing. 6. Get a shoulder-mount to "look good" but mediocre video quality for $1,000. Get the next size up XDCAM for 2x the price of the X70. Get a decent shoulder-mount for 3x the price of the X70. Or, bring two or three X70's to your shoot instead of one "equivalent" shoulder-mount, and fit them all in one bag! 7. The pictures really can be stunning, and quite sharp -- be sure to check out Paul's color correction settings, they help. Two minor cons: 1. Ergonomics. Planning ahead and assigning buttons will help you avoid "fiddling" with the menus and settings during shoots. But this can be an advantage: it forces you to think about which settings are really important and which ones you can pre-configure or let the camera manage. 2. The lens hood. This thing looks cheap as crap, Sony! Surely there is a cooler looking bayonet lens hood out there that would fit? |
Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
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and then a big hat http://www.gravitypope.com/accessory...4_0_1_1024.jpg if you go around like that then the camera will positively absolutely shoot better that helps? |
Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
thanks. one minor quibble there, though, is that while its true some shows and movies have been shot on dslrs, i BELIEVE those are exceptions and not rules, more of a novelty/one-off/trying to make a point kinda thing (ONE single episode of House, I believe, one movie ---Valor?), possibly a big promotional deal for the camera maker than anything else. the exception that i know of being Wilfred which is done on one of the 5ds and always has been.
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Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
Well, to each his own. The undeniable fact is that more and more independent work -- and great work at that -- is being done on small cameras. No one sits in a movie theater/corporate boardroom watching a film/company video and says, "gee, this is the best film because of the camera it was shot on" -- except people like us maybe. :)
I'd say there's benefits to both: Shoulder cam: better ergonomics, better on the wrist if you stand for an hour somewhere shooting, more stable without tripod, really beefy, "old school" appearance; X70-type: more portable, fit in tight spaces, can use lighter tripod, new, slick, "2015-wow-tech-has-come-a-long-way" appearance. Just imagine: 20-30 years ago "camera bloat" wasn't an option. Today, it is! |
Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
No, don't get me wrong, I don't mean the X70 vs those giant cams, more the "standard" sized cams like EX1, HPX170, AC160, etc.
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Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
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XAVC gives "highest picture resolution and frame rate" (from Sony , in writing) so you shouldn't work that hard trying to catch the difference with the "regular" AVCHD , no? it should be obvious, no? or not? Quote:
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Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
ok, doy, I just saw that a place in town has the cam in stock so I can go look at it, shoot some footage and compare it to ex1 footage.
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Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
Just today I saw someone post on the X70 Facebook group that they had a response from Sony. He had been complaining that it was taking so long for the 4K upgrade.
Here's the actual quote from Sony: "we will be confirming the 4K upgrade details by the end of this month. The plan was for the upgrade to be available ‘early 2015′ and the exact detail we will confirm in due course." Now "early 2015" might mean April 31st, but just getting some details would be great. So, I hope this info is correct, and also wish the upgrade would include -some tweaking of the highlight/Knee settings - they have a lot of quirks that can't be fully controlled by the custom settings -1080p120fps -waveform option in addition to the histogram ...but that may be dreaming. |
Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
I was just speaking with some producer friends and Discovery Channel is now requiring 4K 60p for acquisition on it's major programming. This puts pressure on this cam to see if 4K 60p is possible since the broadcasters are already asking for 4K at 60p and nothing less.
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Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
The 60p seems a bit over the top.
Andrew |
Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
That's what they said. You're required to shoot 4K 60p for major programming for Discovery.
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Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
I'd like to see that "requirement" confirmed...
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Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
To add to my "dream list" for the 4K upgrade from a few posts back, I'd like to add:
Some kind of Log (S-Log or whatever Sony calls it) setting like on the higher end Sony cameras and the Canon C series. I'm trying to approximate that with custom Picture Profiles with some success, but would love a flatter setting built in. |
Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
I'm adding that 4K 60p requirement was pitching for "wildlife programming." Reality TV programming may have different requirements.
But considering this cam might only be getting XAVC-L 4K, it is essentially the same at the moment as XAVC-S picture wise (8bit 4:2:0) but the added audio channels and 24bit audio would be a nice addition. Sony doesn't seem like they will make XAVC-L 4K with 10bit 4:2:2, which is mandated by broadcast. |
Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
For Mac users, there is a new option for getting XAVC-L to ProRes which has more options than Catalyst Browse, although no image editing of course. EditReady, from divergentmedia.com - the makers of ClipWrap now supports the X70 and X7s XAVC-L.
It's only $49, and the company says they have not seen any gamma/contrast shift like is caused by batch transcoding in Catalyst Browse. I have not had a chance to test that, but it will even play back the clips. EditReady : Transcoding Without The Hassle - divergent media There is a free trial that is fully functional but only transcodes the first 60 seconds of each clip. |
Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
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so to recap: XAVC S works with everything XAVC I works with everything XAVC L works only with catalyst (and edius) but not directly from the camera file. |
Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
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Sony did recently release a plugin for Avid, and is supposedly now working on the plugin for FCPX. |
Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
went and tried the cam out and shot some footage at Microsearch (Houston) today. havent looked at footage yet...i wont say I put the camera through its paces or anything, but one thing I did notice that kind of bugged me is that the focus ring takes a very long time to turn from one extreme to the other, unlike the more physical focus rings on cams like the EX1. going through the menus I couldnt find an way to adjust the sensitivity on it, so maybe is what it is. that could make run n gun shoots trying to capture broll as things are happening tough if trying to focus manually, so maybe the saying face detection is the only way was not as off as we thought.
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Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
The manual ruing can focus from macro to infinity in about 1mm of rotation at WIDE ANGLE. Once you start zooming in, it gets worse, much worse. At full telephoto, it is 1 1/2 full rotations to do the same, just tested it out now. As the grip on the ring only really allows around 1/4 of a turn per "finger manipulation", that works out to roughly 6 distinct grip and cranks of the ring to focus worst case scenario.
I shoot news with this puppy, and I have gotten into the habit of quickly zooming OUT, racking to infinity, then doing my thing. At night, the camera cannot seem to find infinity again once it settles on something very close, but racking it out to infinity helps as the clearer the image the easier the auto focus. And I too use the face detection thing to let the camera find focus, but I always quickly disengage it after the box appears so it won't drift on me! Paul |
Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
clever. do you think the compromises like that are worth it for the cost savings over the next higher up cam in that line?
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Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
What would be the next higher up camera in line?
I am SERIOUSLY considering buying a Sony A7s for LIVE TV news broadcasts..........can you imagine how cool that would be to see in the dark and broadcast it live on air! If it came with an HD-SDI output, I would purchase it right away. Paul |
Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
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Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
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let alone the 4:2:2 and the 10bit thing I think that until will work on its own and face the world standing proud against the "ordinary and inferior" avchd then I suspect that it may be just a marketing thing. for sure we shouldn't work THAT hard to try to make it work.. LOL |
Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
I would consider the 180, the pmw 200 or the 300 to be part of the same general line of cams (even if not strictly true).
has anyone messed with the screen touch autofocus on this cam? generally Im against all that but again thinking of ENG situations where youre trying to change shots quickly and the 15 or so seconds it might take to focus manually wont cut it. |
Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
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Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
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Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
Can they do that? that would be great. or an adjustable sensitivity/"gear ratio" setting. otherwise seems well thought out. havent seen footage yet.
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Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
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"ax100 xavc vs avchd" Quote:
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Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
Looked at footage. . .looks generally nice. My impression is that it's not as sharp as the EX1 (which is almost painfully so). It's not fuzzy, rather, the in focus footage has a softer, less harsh quality to edges etc. I daresay maybe it's more "cinematic" or. . .sigh. . ."filmlike". Sharp but not "enhanced" the way I'm used to with EX footage. If the EX is like you're standing there in real life looking at the the subject from an inch away so you can see every detail, the X70 is like everything has a very subtle diffusion filter over it.
Now, I stupidly did not take note of settings/picture profiles/etc., so no way to know what anyone who'd been in the store for the last 10 hours before I got to the cam had done to it. Perhaps this was default sharpness and you can add more to make it more EX-like, perhaps someone took it DOWN, but it looks like some of the other footage I've seen posted. One other note is that I put it in 24p (the FX mode, I believe. . .whichever is the top one in the menu. . .I assumed that was the better quality). Simply playing back the clips in VLC from the "private" file right off a hard drive, 24p looks pretty juddery. Don't know if that's 'cause I'm playing back original quality footage in a way that was never meant to be done. |
Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
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and the next question (like many are asking actually, lately) will be this one: is that a real XAVC 10bit 4:2:2 @50mbps once is processed by a third party software? 'cause there is no (really) difference with the "inferior" avchd , and again even the catalyst software does a "translation and transcoding after the fact which is not what I wanted and it doesn't produce any better than the avchd as well) lemme put it this way: this XAVC that the X70 produces seems to be misunderstood by the very own Sony software , the same software treating other cameras' XAVC well. and the same is happening with the fs7 , and again only with the XAVC L something doesn't "smell" right and I wouldn't trust other software translating the XAVC L correctly by the way. we (all) bought the camera believing in the 4K of tomorrow, and the 50mbps (10bit 4:2:2) of today. it looks like it's a 28mbps camera in avchd so far. which is different than the brochures |
Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
Someone should do a test with the higher end codec footage vs the regular, green screen and/or color correction, to see if one holds up better than the other. THAT will tell you if the "better" codec really is better, lest we have this message board insanity until the end of time.
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Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
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After such a wait, however, I'd also be a bit worried about "We're sorry, but this upgrade applies only to serial numbers greater than ########." Because, let's be honest: As a firmware-only thing, it's hard to imagine what could be taking them so long. |
Re: Sony PXW-X70 announced: Pro XDCAM version of AX100
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Ron Evans |
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