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Very Lovely Philip.
I am very curious about the lenses as i've wanted to play with the tilt shift lenses for awhile. I tried the Lensbaby and it was fun but the area that was sharp was just too small and not sharp enough. These look better. What are these lenses and what mount do you need for them? Were you happy with them? I seem to recall some negative reviews on the web, but they may be holding them to a higher standard than we need. I loved what I saw from the website, but don't trust that I am getting a true sense of sharpness. - Lenny Levy |
Follow focus...
Hi Phillip,
Wonderful footage, Im truly learning a lot from your posts and greatly appreciate them. I am wondering if you have ever used a follow focus with the Letus Extreme, and if so, what kind would you recommend? I contacted Letus and was told they have one in the works to be produced in 8 weeks. I plan on purchasing the LE and the Letus Rails, but was unsure if any follow focus would do (M2, Cinevate, Indie?) Thanks for your help and lovely footage. Peace and Blessings, Hidalgo |
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Way better than lensbaby. I haven't compared them to the Nikon's own versions but I love them. They are Hartblei http://www.hartblei.com/lenses/lens_35mm.htm I have no problems with their quality at all. Did you download the 720p version? |
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Thanks Philip,
Keep us informed if you get any others. Do I recall that you have the 65 and the 80? Do you know if the cheaper "Arsat's" are any worse? Those are "tilt-shift" instead of "TS-PC", whatever that means. I guess I'll write to them ask. Have you tried them at open apertures - say 2.8 and 4? That's where I would expect to operate normally. BTW largely your experience ( plus playing with the camera) that convinced me to go for it. I get mine after New Years. Thanks again for your generosity with information and examples. Beautiful work. Lenny |
I have the 80 and 65. Would love the 35mm but it is super expensive. I have ordered one of the Arsat 35mm lenses. I will report back as soon as I get it!
I shot with them at 2.8 all the time. Happy Holidays Leonard. P.S. Got my Letus rails today. Very solid. Am impressed. Also got a mini. Will stick on the HV20 and try it out. |
Thanks, That's great to know they work at 2.8
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Anyone in the UK please watch Channel 5 every night this week at 7pm to see my Religion series of shorts shot on the ex1, some with and some without the Letus extreme
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I am looking forward to your review of the Letus rail system. I see you currently use the Cavision system, so your comparisons between the Letus and Cavision will be greatly appreciated. I plan to purchase a rail system soon, but I will wait for your findings of these two products before I make a decision. I personally would like to thank you so much for the generous amount of time you give to this post. I really helps me and others I am sure as well. Happy Holidays Dennis Kane |
Hi Dennis.
Posted some thought on it on my blog! Merry Christmas! |
New 35mm short
http://www.philipbloom.co.uk/Philip_...Done_Come.html
shot using the Sony's 60fps setting. Info about problems etc as usual on my blog! Thanks and please enjoy and feel free to ask anything or comment. Philip |
Phil,
So is the Brevis + Flip still too short for proper focusing of the EX1? |
Without large spacers yes
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Philip.
You've moved me to tears with this masterpiece. 'cause My Autumn’s Done Come... as well. Thank you! |
I hve just found out fox news are broadcasting one of my ex1 letus religion shorts on Judaism today. Keep an eye out!
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Hey Phil, I am sure you saw Jon Wolding's suggestion on the Cinevate board, but he said you should try the old achromat with the flip (the original HD achromat) as it is stronger than the one with the flip. I am sure many are anxious to find out if that gets things working.
Thanks, Benjamin |
Hi Phil! Really enjoying the updates.
I noticed on your site that you have a Steadicam Merlin. Have you tried it with the EX1 yet, and if so, how has it handled? Thanks! |
Hi Phil I have been reading up here trying to get as much info about the EX1 and Letus extreme which I have on order. I would like to test mine out by filming in public. I wondered if you could give some advice on this. Every one you film seems OK but is there anything to be aware of here?
Also is there any loss in resolution using the Letus extreme. In your London film (Excellent) In a shot near the end that didnt use the letus it was way sharper compared to a similar shot using it. |
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piccadilly furs was my first letus/ex1 experience so it could have been better. My latest stuff has been way sharper. Have a look at some of the shots on the Kew Gardens in Winter and the Autumn's done come. The ex1 is always going to be sharper, but only in a video way! |
Hi Phil Yes I am a little! I have filmed in public already and always chickened out of getting better shots. Worried I guess by possible public reaction Its in my nature to think the worst embarrassing situation will happen because it normally does. You can count on anyone out of their head on drink will make a beeline for me. I'd love to build up some confidence in this area.
Re piccadilly furs. That was the first time with the letus and some are using it as a demo! I just watched kew gardens in winter some very beautiful images. Some of my favourites was from the isle of mull. I think thats right. |
Just to give some idea of who I am!
Alien wars http://vids.myspace.com/index.cfm?fu...deoID=24808032 Dr who and the emperor http://vids.myspace.com/index.cfm?fu...deoID=24805988 A couple of films I made. One is a fan film and the other is a concept trailer to a script I have written. |
Phil, all your footage, creativity and efficiency is truly admirable. Thank you for sharing your art.
If I may ask, when are you and the EX1 going to hook up with Wayne and give the SGpro a try, SGflip and all? |
sometime in the new year i think!
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Phil, thanks for all your sharing. I'm also looking forward to that SGpro test.
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done my first Brevis flip ex1 test on my blog. Results are pretty good!
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Phil,
1) How did you end-up mating the Brevis and the EX1? 2) Do you have a sense of which adapter (Brevis + Flip or Letus Extreme) loses less light? 3) Any other comparisons/contrasts to make between the two adapters? |
long story. But after loads of fiddling I tried basic set up one last try then it worked. No idea why!
Without a side by side comparison I couldn't say which is best in low light. I will do a test one day. It's so difficult to choose one over the other. They have plusses and minuses. I will most likely continue to use both. If anyone wants to ask more specifics regarding their personal needs please email me and I promise to get back to you. |
I am giving a presentation on tapeless workflow with the ex1 at the Broadcast Live forum in London on the 31st if anyone is around. Be good to meet you, just don't judge me on my presentation. I do pictures not words, it could be very embarrassing!!
p.s. if anyone in London fancies helping me out on Thursday next week for free I am shooting my next short at some cool locations throughout the day starting quite early. It's a non commercial short like the others, I am just doing to test and stretch out the ex1/ Letus extreme combo. |
I would love to but I live in Paris (France) and won't be able to cross the channel...
Let me know if you come to Paris for a shoot or a presentation :) Stay confident I'm sure you'll be great ! |
Merci Sebastien
J'adore Paris. Ma mere est Parisienne... |
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Phil, of your above list of lenses you have for the letus extreme, which two are your favorite..... one for wide angle and one for zoom, Thanks |
I guess the 20mm wide angle and 85mm Zeiss but you need a 50mm without a doubt
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Hi Phil.
Which Letus Extreme do yo have - the one with 82mm thread + step-down ring or the 77mm for direct use with EX-1 ? Bjorn |
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Inspirational
Hi Phil
I've been waiting for some user feedback on the EX and just found your thread. Stunning footage and editing, but as someone else said, you'd have probably made it look great if you had shot it on a DV palm-corder! Like you, I also hate interlaced. In my career as a composer, I've been banging on for ten years to my directors telling them I preferred the 'look' of the Avid off-lines I worked with to the final on-line, and not really knowing why until I found out they threw away one field to save disk space! Anyway, I'm cross-skilling to my other passion and doing camera and edit myself, currently 'making-do' with a Z1, and de-interlacing everything in FCP. Sure, it is a great camera, but I can't wait to get hold of an EX now. I add my thanks to the others here for the amount of time and patience you have put into this thread. It has been extremely helpful. BTW, if you ever want to release the Kew film and need original replacement music, I'd love to do it. Here is a link to a video of something I did for a movie I scored a couple of years ago. http://www.youtube.com/watch?v=nn_s1-l33p8 |
Cheers Ian
I know what you mean. When I used to cut on Avid it looked so much better with one field! So i just removed it anyway! Annoyingly my website has had 3gb of traffic in past hour and my web hosts have closed my site fearing it was being targeted by web saboteurs! I hope they put it back up. I paid for "unlimited bandwidth", doesn't look like I am getting it! I moved from .mac to them as my traffic suddenly went ballistic late November and since then it has been really high. |
Ian. nice score. Reminded me of a cross of "Somewhere in time" and atonement. What was the feature?
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Score
Thanks Steve. The movie was called THESE FOOLISH THINGS, by first-time writer/director Julia Taylor-Stanley. Had a super older cast as well, Lauren Bacal, Angelica Huston, Terence Stamp, Jos Ackland and others. She did too good a job for a first timer and got a Royal premiere, so the critics blasted her (unfairly). Beautifully shot by Gavin Finney. The music video was put together in FCP with some (de-interlaced) footage of me playing, shot by my son on the Z1.
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