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		#301 | 
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			 Regular Crew 
			
			
			
			Join Date: May 2007 
				Location: Sao Paulo Brazil 
				
				
					Posts: 38
				 
				
				
				
				
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				Updated Custom Preset List
			 
			
			
			The fourth group:
		 
		
		
		
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		#302 | 
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			 Regular Crew 
			
			
			
			Join Date: May 2007 
				Location: Sao Paulo Brazil 
				
				
					Posts: 38
				 
				
				
				
				
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				Updated Custom Preset List
			 
			
			
			Fifth Group
		 
		
		
		
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		#303 | 
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			 Major Player 
			
			
			
			Join Date: Dec 2003 
				Location: Newberg, Oregon 
				
				
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			Can you put all the files into a single zip?   
		
		
		
		
		
		
		
	It's a pain in the ya-yas to download those individually. Thanks! JR  | 
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		#304 | 
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			 New Boot 
			
			
			
			Join Date: Feb 2008 
				Location: Landgraaf Nederland 
				
				
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		 Here it is ! 
				__________________ 
		
		
		
		
	Canon XH-a1 user & Edius NX Canopus  | 
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		#305 | 
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			 Regular Crew 
			
			
			
			Join Date: May 2007 
				Location: Sao Paulo Brazil 
				
				
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				Updated Preset List
			 
			
			
			For those of you that aren’t sure of the definition and use of the 23 preset adjustments and what they do, the attached XL H1 booklet will be useful. While the specifics mentioned in the booklet are related to the H1, and not the A1, the definitions and descriptions are valid for the A1 too. 
		
		
		
			James  | 
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		#306 | 
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			 Regular Crew 
			
			
			
			Join Date: May 2007 
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				Updated Custom Preset List
			 
			
			
			Arnold, 
		
		
		
		
		
		
		
	Thanks for zipping the files! James  | 
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		#307 | 
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			 Major Player 
			
			
			
			Join Date: Nov 2006 
				Location: Washington, USA 
				
				
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			I was wondering if anyone had any particular favorites for a preset when it comes to shooting water scenes, like lighthouses and boats out on the water?  Something that may make the water and sky a nice blue and would work in sunny/bright conditions.  I've cycled through the presets and there are a couple that seem a lot better than others for this type of shoot, but thought I'd see if anyone here had any suggestions from their experience.  Thanks!
		 
		
		
		
		
		
		
		
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		#308 | |
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			 Major Player 
			
			
			
			Join Date: Oct 2007 
				Location: Rotterdam, Netherlands 
				
				
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		 Quote: 
	
 As the author of the REALITY preset I'm very curious about the changes you made. Can you please share them? 
				__________________ 
		
		
		
		
	www.cvd-video.nl  | 
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		#309 | 
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			 Major Player 
			
			
			
			Join Date: Mar 2008 
				Location: Sherman Oaks, CA 
				
				
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			Kees, 
		
		
		
		
		
		
		
	I'll be glad to after I test it. I will hopefully be shooting footage sometime during this long, holiday weekend to test it. It could be that I can't improve on what you've done, then again... As soon as I have anything worthy, I'll post it. Thanks for doing the work on the Preset in the first place!  | 
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		#310 | 
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			 Major Player 
			
			
			
			Join Date: May 2007 
				Location: Fayetteville, GA 
				
				
					Posts: 772
				 
				
				
				
				
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			I spent a little time working on some presets today and felt TrueColor and Panalook2 were tied for the most accurate presets.  TrueColor may have been a little vivid and Panalook2 a little subdued and dim compared to what my eyes saw while shooting the test below: 
		
		
		
		
		
		
		
	http://vimeo.com/1060453 I'm trying to do some low light tests to see how I can best get good, dramatic interviews without a lot of "dancing" in the background.  | 
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		#311 | 
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			 Regular Crew 
			
			
			
			Join Date: Feb 2008 
				Location: Victor, Montana 
				
				
					Posts: 61
				 
				
				
				
				
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				Roger Shealy Video
			 
			
			
			It appears to me that the Canon default and Truecolor are very, very close. Based on your video I really like the true color preset, at least for outdoor video. Thanks Roger
		 
		
		
		
		
		
		
		
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		#312 | 
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			 Major Player 
			
			
			
			Join Date: May 2007 
				Location: Fayetteville, GA 
				
				
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			The TrueColor has a little more punch to it, the default Canon is very flat.  I like to do most of my color enhancements in the computer at post, but I'd like to get it close to accurate in the camera and work from there.
		 
		
		
		
		
		
		
		
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		#313 | 
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			 Regular Crew 
			
			
			
			Join Date: Nov 2005 
				
				
				
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			I'm not in the game to spoil your pleasure, but it is almost impossible to judge settings seen in a compressed Vimeo movie. Simple as colors are completely off in the H.264 flash movs.  
		
		
		
		
		
		
		
	It is great to see the settings in a movie next to the other as a 'point of start', but more important is how a setting reflects skin tone. What it does in the shade parts, how it works on a white ball in the sun, the curve, things like that. Color alone is not the critical part and a flash movie can't show you the other elements. my2ct: how more settings you create (lets go for the 100) how more confused you get.  | 
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		#314 | 
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			 Regular Crew 
			
			
			
			Join Date: Feb 2008 
				Location: Victor, Montana 
				
				
					Posts: 61
				 
				
				
				
				
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				True Color
			 
			
			
			As I see it, all of the video examples would be off by the approximate same amount and a comparison of one to the other (not the ultimate video viewed on a good monitor or set) would be valid. Tht's all we are saying. I reiterate my comments and thanks again Roger.
		 
		
		
		
		
		
		
		
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		#315 | 
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			 Major Player 
			
			
			
			Join Date: May 2007 
				Location: Fayetteville, GA 
				
				
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			My pleasure Phil.   
		
		
		
		
		
		
		
	I enjoyed Gerts movie of a fixed background and it helped me get a feel for some of the options. The compression definitely causes some issues but hopefully it's one more data point that is useful.  | 
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