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September 23rd, 2015, 09:36 PM | #76 |
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Re: New Sony PXW-FS5
The specs show HFR files are in 60i/50i format only. Odd choice. Marketing segmentation? I'd be interested to see how the slow-mo looks once it's rendered out in a 30p format.
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September 23rd, 2015, 09:53 PM | #77 |
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Re: New Sony PXW-FS5
I have just read elsewhere on the web a summary of points learnt yesterday during a Sony FS5 demo in Canada. The FS5 will NOT have have a Wave Form Monitoring option at launch. It will have Histogram, Zebras and Focus Peaking.
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September 23rd, 2015, 09:58 PM | #78 |
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Re: New Sony PXW-FS5
Surely that must be a typo - I blummin well hope so! From what I have just read the HFR option seems to operate very much like on the FS700 (which it seems to share a lot of its guts with). So, are the HFR options on that camera interlaced only?
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Andy K Wilkinson - https://www.shootingimage.co.uk Cambridge (UK) Corporate Video Production |
September 24th, 2015, 03:31 AM | #79 |
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Re: New Sony PXW-FS5
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September 24th, 2015, 10:07 AM | #80 |
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Re: New Sony PXW-FS5
On the FS700 HFR it is true progressive but you can select output as 25p or 25PSF or 50p (pull down) and I would imagine that the FS5 would follow that lead.
Chris Young CYV Productions Sydney Last edited by Christopher Young; September 24th, 2015 at 10:19 AM. Reason: more info |
September 24th, 2015, 11:00 AM | #81 |
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Re: New Sony PXW-FS5
Can anyone who's handled the FS5 comment on it's size / weight compared with Canon C100? With and without top handle / grip?
Also, C100 can often pass for stills camera (handy when working in places where playing the tourist is advantageous). From the photos I've seen, Sony FS5 looks to have too many dials / buttons on the side to play that card ... any advice? Many thanks. |
September 24th, 2015, 12:28 PM | #82 | |
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Re: New Sony PXW-FS5
Quote:
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September 28th, 2015, 08:08 AM | #83 |
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Re: New Sony PXW-FS5
I held the FS5 in my hands: felt good.
I saw someone compare it to a PD150: I don't share that feeling. I doesn't compare to the PD150 at all: the handgrip is much better and rotatable like on the EX1(R). The variable electronic ND will really give you more control over DoF. I see it more like a little brother of the FS7 and a nice S35 successor of the EX1R with a bonus: it can be stripped down to the body alone, so it can be used on a MoVI M5. One downside I learnt from Alister: while recording there is no HDMI out, at the moment: he said it will be added by a firmware update. @Zack: Read this blog by Vincent Laforet about the cost of doing business: How to succeed as a creative long term: know your C.O.D.B. « Vincent Laforet's Blog It's very informative if you struggle about what to charge. And go networking: there must be networking clubs or events you can attent to make new contacts. I understand you find it hard to make new connections: maybe you can ask someone to join you to 'break the ice' or even better: ask if you can join someone who is going there anyway. That person might introduce you to some new people. And change your mindset: a proper rate is not insane. Your 'friend-clients' might think it is insane, but they have become used to insanely cheap. Years ago I heard someone telling about this same situation: he was fed up and sent an email to all his clients explaining that he needs to raise his rates to survive and that he will have to say goodbye to bad paying clients. What happened? He indeed had to say goodbye to a part of his clients, while others were willingto pay better rates, because they felt it was worth it. The EX1R is still a very good camera. I also still use it (although not for everything.) In times you have nothing to do, you could go make something you'd like to create. This way you can expand your portfolio with something to target clients, so you can up your game. Never do nothing: always learn to improve your skills, so you can offer more quality. 4K doesn't automaticly improve your work's quality. Actually buying the newest stuff isn't the quickest way to better rates/more work: stuff is just tools. Make your clients feel and understand you make THE difference because you know how to tell their story in a compelling way that helps their businesses.
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September 28th, 2015, 09:22 AM | #84 | |
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Re: New Sony PXW-FS5
Quote:
I held the FS5 and it felt great- very light also. I felt I could handhold this camera for a long time, looking down through the viewfinder. The weight, handgrip and small size got me very excited. Not to mention the chip and variable ND...
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September 28th, 2015, 10:02 AM | #85 |
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Re: New Sony PXW-FS5
This video of Tom Crocker of Sony talking about the FS5 at IBC has just been released.
Sony PXW-FS5, in-depth interview: Tom Crocker, Sony, Europe
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Andy K Wilkinson - https://www.shootingimage.co.uk Cambridge (UK) Corporate Video Production |
September 28th, 2015, 12:47 PM | #86 |
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Re: New Sony PXW-FS5
Thanks to those of you who've actually held the camera. Your input is invaluable. It does seem to be a very versatile, little hand-held camera.
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September 30th, 2015, 06:14 AM | #87 |
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Re: New Sony PXW-FS5
This camera looks like it would satisfy my yearning for a 4k version of an ex1 type camera but I have some concerns around editing the XAVC-L footage. I have a fs7 and have tried filming and editing using this codec and found it difficult. I have a decent computer and playback was a pain in the arse.
I'm tipping many buyers will also be shelling out for a new computer in order to edit the footage the FS5 produces without pulling all their hair out! Hope I'm wrong cos I'd love one of these! |
September 30th, 2015, 07:24 AM | #88 |
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Re: New Sony PXW-FS5
I hear you on that one. Good point.
I am hoping my pretty high spec new Mac Pro ("trashcan") and G-Raid Studio-R 4-Bay Thunderbolt 2 system (where all my work in progress media sits), running Adobe CC and/or FCPX, will handle the Sony XAVC-L 4K codec pretty well - especially the HD 4.2.2 50 Mbps codec which is what I'll be using 80-90% 0f the time I expect - at least for now. But time will tell - roll on November! What type of spec is the Mac or PC that struggles with clips from your FS7 with the XAVC-Long GoP codec? And is that 4K or HD you're talking about?
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Andy K Wilkinson - https://www.shootingimage.co.uk Cambridge (UK) Corporate Video Production Last edited by Andy Wilkinson; September 30th, 2015 at 08:07 AM. Reason: typos - again! |
September 30th, 2015, 09:40 AM | #89 |
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Re: New Sony PXW-FS5
At IBC I saw the FS5 side by side with a C100.
The sizes are pretty close to each other. 2 major physical differences are the position of the LCD screen and the handgrip: the FS5 can easily be adjusted while holding the camera, while a C100 has to be but down to unsrew the handgrip if you want it to be rotated. @Jamie, difficulties with playback can have various reasons: the harddrive can be the bottleneck, or the GPU or CPU. So maybe the solution isn't a new system, but identifying the part causing the problem.
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September 30th, 2015, 07:45 PM | #90 |
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Re: New Sony PXW-FS5
Well, got to check one out for real today and I'm hoping for a "output only" mode to be included in the RAW upgrade that would allow the sensor to scan at 60p without any internal recording functions active. The photo below was the menu option that gave me hope. If the FS5 can in the very least output 4K 60p out the HDMI with duplicate frames, it can very likely do so natively if the internal recording functions were disabled, which the RAW upgrade probably would do.
If that option is HD only, then there is no hope for 4K 60p out the HDMI, but rather the RAW upgrade only. |
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