Re: Sony launches PXW-Z100 4K Handheld XDCAM
XAVC isn't a recording option on the FS700R but Sony does provide a 4K solution with the IFR5. Difference is 12 bit compared to 16bit for the F5/F55 so there is a clear difference. It will be interesting as to where Sony creates the differentiators between models. It may well be that the average person will not see a difference in any of the outputs at the first generation stage anyway !!
Ron Evans |
Re: Sony launches PXW-Z100 4K Handheld XDCAM
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I can see it is handy to have this backward compatibility. However, unless someone has good information to the contrary, I would not expect a 4k camera to be as good at producing HD images as an HD camera. (*) IIRC, there was one advantage to using the Z1 for DV - it was native 16:9 which could be an advantage over a PD150 and it's funny anamorphic lens. |
Re: Sony launches PXW-Z100 4K Handheld XDCAM
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Of course, crude down-scales, and leaving the detail wound up, would guarantee a scratchy aliased picture. But that, and black stretch, and careful use of longer focal lengths and it would punch above its weight. I could put my pictures (HDV downsampled) up alongside a DSR570 and not look embarrassing. |
Re: Sony launches PXW-Z100 4K Handheld XDCAM
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By analogy, I'd be very surprised if the AX1 or Z100 will record HD images that match an HD camera of the same size/price - which I think is what Ron Evans is expecting. On the other hand, if you can afford to shoot and edit 4k, and down-convert to 1080 lines right at the end, it should make for a pretty good Blu-ray production. In fact, until a decent 4k delivery tool comes along, that's probaly what most people will have to do. |
Re: Sony launches PXW-Z100 4K Handheld XDCAM
Yes I have repeated myself on different threads---sorry. As to downscaling. The in camera downscaling has never been very good. I used to rent DVC200 before I got my FX1 and never rented after that as the FX1 was better in my experience. The FX1 setup to shoot DV rather than HDV was also good. It was just the output downscale that was not very good.
I never use in camera scaling always shoot in the HD format and then downscale using TMPGenc after editing in HD project. I expect the same from the 4K cameras and will see in a few months. Sensor technology for consumers is continually driven by costs and size. For the professional the goal is performance. Every so often the developments in consumer tech overtake the pro market and I think this is now what is happening and drives the pro market to even more extremes to get the advantage. The net effect is that the low and mid pro lines are vulnerable to cost and performance when compared to the consumer products. I am disappointed that these new 4K cameras do not have touch spot focus. Focus is difficult enough for HD now and with 4K will be even more difficult which has been mentioned already. Autofoucs is an answer but I for one would like to identify the point in the frame I want in focus. This is pretty standard now on all consumer cameras yet sadly missing from cameras that would really benefit from the feature. Focusing is much more difficult on my NX5U than the NX30U for example. Ron Evans |
Re: Sony launches PXW-Z100 4K Handheld XDCAM
Do remember the sensor tech is different this time around with it being a single sensor rather than 3, if you're comparing the Z1 downscaling workflow to the Z100 downscaling workflow.
I fear because the pixels are so small, too much heat or unintentional laser beam contact would easily cause some pixels to die easily. |
Re: Sony launches PXW-Z100 4K Handheld XDCAM
These 4K cameras are using Sony sensor already used to shoot HD if it is the one in my HX30V which shoots great HD video as good as my CX700 or NX30U. My main interest though is to shoot 4K and crop a HD image from it just like I did with the FX1 to get a SD image. It worked very well for me then and I fully expect it to work that way again. We will all have to wait and see but I suspect they will also shoot very nice HD. Will it be as good as a PMW200 or PMW300 ? I don't think so as they will have a sensitivity advantage. Will the PXW-Z100 be as good as PMW100 or PMW160 I think it will. We will have to wait and see.
Ron Evans |
Re: Sony launches PXW-Z100 4K Handheld XDCAM
There's always a catch to these "prosumer" cameras as they call them. They won't put up a $4500 camera to compete with their higher end cameras (obviously). I think the 4k will be "Good" but where it might excel is downsampling to HD for final output.
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Re: Sony launches PXW-Z100 4K Handheld XDCAM
Sorry for the naive question, but what's the technical difference between "downsampling" (which everyone says will be great from 4k to HD), and "downrezzing" (which I know for a fact is never quite good)?
On a similar note: when the FS700 first came out, everyone was raving how its higher pixel count enables downsampling to a HD picture actually better than that from an FS100.... Why? |
Re: Sony launches PXW-Z100 4K Handheld XDCAM
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How good/bad either will be depends on circumstance. Downsampling works well in the case of something like the Canon C300 - but that's because the chip dimensions are an exact multiple of the desired output (1920x1080). Blocks of 2x2 photosites can be taken together to form pixels on a one to one basis. Apply the same technique in a DSLR, and it's far more difficult. (And not as good.) Quote:
In fact, examine them very closely and the similarities between them are far more than any similarity either has with the F3 chart that Adam also prints - in spite of the general view that the F3/FS100 share the same chip. My own view is that the FS100/FS700 have the same (3840x2160) chip - Sony were trying it out in the FS100, but didn't want to let the characteristics be known because the obvious next question would be "so when's the 4k version coming then!?" |
Re: Sony launches PXW-Z100 4K Handheld XDCAM
When contemplating the Z100 vs. the AX1, media speed and amount is not the only cost factor involved when building a complete solution (editing and delivery). Since the 10 bit 4:2:2 is probably the most striking differentiator of the Z100 vs. AX1's 8 bit 422, does anyone know whether the current UHD TV offering (Sony Bravia, Toshiba, or the cheap Seiki) offer the full 10 bit viewing? I doubt it, as they are so much cheaper than some smaller PC monitors from Asus, Samsung and others, which are said to cover 99% of Adobe RGB spectrum...
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Re: Sony launches PXW-Z100 4K Handheld XDCAM
Isn't the AX1's codec 4:2:0?
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Re: Sony launches PXW-Z100 4K Handheld XDCAM
Yes the FDR-AX1 is 8 bit 4:2:0, Long GOP XAVCS
Ron Evans |
Re: Sony launches PXW-Z100 4K Handheld XDCAM
Of course - just a typo.
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Re: Sony launches PXW-Z100 4K Handheld XDCAM
Sony PXW-Z100 4K Handheld XDCAM Camcorder is avail. at Bhphoto for pre-order $5499.00
http://www.bhphotovideo.com/c/product/1004182-REG/sony_pxw_z100_4k_handheld_xdcam_camcorder.html |
Re: Sony launches PXW-Z100 4K Handheld XDCAM
does anybody know what wired remote lens controller Z100 will have, can't find that info,
will it have one at all? |
Re: Sony launches PXW-Z100 4K Handheld XDCAM
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This is only one of two cameras that I know of under $10k with 1080p60 and a 3G-HDSDI out (other is FS700) which is what we need so I'm all in! |
Re: Sony launches PXW-Z100 4K Handheld XDCAM
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Re: Sony launches PXW-Z100 4K Handheld XDCAM
Can it shoot regular HD not just 4000 k ? Also 4k is not really being implemented yet in monitors and broadcast so how long do we have to wait for that . So is it really worth it to become an early adopter of this camera ?
Doug |
Re: Sony launches PXW-Z100 4K Handheld XDCAM
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Re: Sony launches PXW-Z100 4K Handheld XDCAM
Still waiting for footage that will make me pull the trigger. Not sold yet.
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Re: Sony launches PXW-Z100 4K Handheld XDCAM
That was pretty much useless.
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Re: Sony launches PXW-Z100 4K Handheld XDCAM
I regardless am not sold on the "consumer-grade" sensor. You can do all the DSP in the world, but if the pickup isn't up to snuff, it's like a Tube camera hooked to a Digital Betacam deck.
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Re: Sony launches PXW-Z100 4K Handheld XDCAM
I view the FDR-AX1 and PXW-Z100 as replacing the AX2000 and NX5U which are respectively a prosumer and low end Pro cameras. The prices are very similar as well. If you want a full pro 4K camera then its the F5 or F55 I think or maybe the FS100 + etc.
As to the sensors, technology improves over time a great deal. My Sony cell phone takes as good a video as the FX1 I had !!! I am sure that sensor in these 4k cameras is the same as the one in my Sony HX30V still camera which takes absolutely lovely video comparable to any of the video cameras I have all AVCHD with the same codec !!! Sensor and DSP are a unit, raw output from a sensor always needs to be translated and how this is done is part of the process. One can only measure the whole not just a part. Yes small sensors have small sites so will not be as good in low light as a large sensors. So if one needs to shoot 4K in low light these may not be the cameras especially if one needs to zoom as the lens ramps quickly, the same as my NX5U. I view these 4K cameras as an improvement over the AVCHD versions with 4K as a bonus !! Same lens, similar size sensor almost the same camera body much the same controls........ I will get the FDR-AX1 because I need long record times and view it as an improvement over the NX5U I have. If the PXW-Z100 already had the firmware update I might have got that as a real replacement for the NX5U. Ron Evans |
Re: Sony launches PXW-Z100 4K Handheld XDCAM
Actually sensor technology is one of the slowest developing technologies as we are already pretty much at the limits as to what can be done with silicon. Silicon has a finite efficiency at converting photons of light into electrons, current sensors are are around 70-80% efficient (QE = Quantum Efficiency). There are small incremental improvements such as back illumination or better micro lenses but the base sensitivity hasn't changed much in the past 10 years and it isn't going to change until we move to an entirely new substrate material and that means a new manufacturing process not yet available. That's why the new PMW-300 uses the same 6 year old sensors as the original EX1, because a new sensor wouldn't bring any real benefit. All the picture improvements come from a better DSP.
In a camera like the Z100 and most full size cameras the sensor and DSP are separate units as an on die DSP would lead to a heat build up that would increase noise levels over time. Some noise reduction is done on the sensor and the A to D is done on the on the sensor, but the real DSP work is done in a dedicated DSP chip, in most cases some kind of field programmable micro processor such as a FPGA. The Z100 probably contains multiple processors, each handling different tasks. It is either simply sensor and thus pixel size or processing that is making the big difference in modern cameras. Bigger pixels means better sensitivity, lower noise and higher dynamic range. Better processing, primarily noise reduction, means a better signal to noise ratio and thus a cleaner picture. But NR comes at a price which can be image artefacts such as smear, ghosting or soft edges. This shows very well with the Z100. A small sensor with small pixels = lower sensitivity and dynamic range than a camera like the EX1/PMW-200 with it's older but larger sensors. The Z100 processing on the other hand is state of the art and as a result the image noise is very well controlled at lower gan levels, however push the gain levels up and the noise starts to overwhelm the noise reduction and introduces smear and image softening. |
n Re: Sony launches PXW-Z100 4K Handheld XDCAM
I don't totally disagree but the back illuminated sensors and on chip processing are an improvement for real and this was not 10 years ago. When I said sensor and DSP are a unit I did not mean a single chip I meant a processing unit to obtain the output. There have been lots of improvements even in the last year with large format sensors that require even more powerful DSP's all becoming available because of processing improvements. Fundamental silicon technology will of course not have changed but processing improvements have changed. Its the output that matters not the details of how that is achieved. Sensor or DSP is not important they are both necessary.
The FDR-AX1 and PXW-Z100 are not expensive pro cameras . As a serious amateur I have paid almost exactly the same price for cameras in this part of the Sony camera range since my VX3 Hi8 camera. Within a few hundred dollars the VX3, FX1 and NX5U and now the FDR-AX1 . As to perfomance over time my little still HX30V is superior to the VX3 or the FX1 and a good match for the NX5U in good conditions. My Sony Xperia T cell phone also takes some really nice video!!!! Difference with the newer back illuminated video cameras is noise. The NX30U or CX700 I have show much less noise than the NX5 and challenge an EX3 that we shoot with too in low light. When the EX3 has to use gain, just like the NX5U it quickly show grain. Yes the EX3 is superior. Ron Evans |
Re: Sony launches PXW-Z100 4K Handheld XDCAM
A typical EXMOR-R sensor has a round 1.5db less noise than a front illuminated sensor, that difference will be barely perceptible to most people, but they are normally around 8db or just a little over a stop more sensitive. So the main advantage of BI is sensitivity, not noise. BI is only an advantage for sensors with very small pixels as the efficiency depends on the ratio of pixel surface area to obstruction from the surface electronics. So, while BI has helped with small sensors, it's been of little benefit anywhere else.
It is processing that has improved, but this comes with a heavy price in terms of image artefacts including smear and a reduction in resolution as gain levels increase. The NX30 shows less noise than the NX5 because it uses a Q67 sensor which allows larger pixels to be used, but this comes at the expense of very low chroma resolution (roughly 1/4 luma). In addition there is a resolution drop in low light. Skin tones of the NX30 are poor, faces look like plastic as they have no texture and the dynamic range is severely limited. Sensitivity is only one factor in sensor performance. Dynamic range, noise, resolution and artefacts all add together to make an image. |
Re: Sony launches PXW-Z100 4K Handheld XDCAM
Thanks Alister for providing the detail. It is what I see between my NX5U and the NX30U. When there is lots of light they are both fine and match well. As the light gets lower there is a point where the NX30U has a more pleasing image than the NX5U. When it gets really dark the NX5U falls apart because of the grain due to gain but the grain is suppressed on the NX30U or CX700 and is more usable. There is a choice, loose some resolution and get an image or have so much grain it is unusable without a lot of processing with noise reduction filter ( often with the NX5U).
Ron Evans |
Re: Sony launches PXW-Z100 4K Handheld XDCAM
I'd just mention that the RX100M2, with a relatively "large" BI sensor, benefitted NOTICEABLY over the prior RX100 - there was some discussion that it wouldn't make much difference because BI wouldn't benefit a larger sensor, but in practice, it DOES. We may see another jump with the RX10 using a new generation Bionz "X" processor.
Theory and practice are not always aligned - I've seen several instances where "better" wasn't ACTUALLY better, and others where it "shouldn't be" based on "internet wisdom", but IS in practice. I've also seen where one engineering "team" (I presume this is how they work at Sony?) takes a sensor and gets far superior quality out of one camera, while another camera (I presume from a different "team"?), using the exact same sensor, produces so-so or poor results. I agree with Ron that in practice (use), the question is if you can get a usable image or not, and what the quality of that image is under various shooting conditions. And Alister correctly points out, there's more to that equation than just how many pixels are packed into how much real estate.... |
Re: Sony launches PXW-Z100 4K Handheld XDCAM
Hopefully in a couple of weeks I will find out how they all compare when I get my FDR-AX1 and can do side by side comparisons with NX5U , NX30U and CX700. Might even compare to the HX30V which may have the same sensor !!!
Ron Evans |
Re: Sony launches PXW-Z100 4K Handheld XDCAM
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from my NX5U operating guide: 1.5 lux, 1/30 shutter speed, f 1.6 from B&H PXW-Z100 spec webpage: 4 lux, 1/30 shutter speed I know light sensitivity specs can vary greatly, but at least this comparison seems to be close to the same method of comparison. Good low light sensitivity is more important to me than 4K capability. Maybe I need to be looking at a Panasonic AG-AC160A instead ( 0.4 lux, 1/30 shutter speed, f 1.6 ) ? I don't want to go the DSLR or cinema cam route, I want a run & gun video camera below $7,000 with a nice 20x or 22x lens that works well in low light. |
Re: Sony launches PXW-Z100 4K Handheld XDCAM
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Re: Sony launches PXW-Z100 4K Handheld XDCAM
The only thing I might say about the specs is that gain is relative. Decided by the engineers and marketing !! So that if the NX5U specs are at indicated 18db db max auto gain , unusable for the NX5U. FDR_AX1 and PXW-Z100 range is 0 to 21db. The NX5U goes from -6 db to 18db gain but the FDR_AX1 and PXW-Z100 start at 0 to 21db. The NX5U has a 3db gain advantage in this artificial test, even though from my experience unusable. Above 12db the NX5U is problematic, is that really 18db !!
For me the measure is when the picture falls apart because of too much noise. I should get my FDR-AX1 soon ( I hope ) then I will be able to compare side by side with the NX5U. I expect it to be just a little worse in low light. But not almost 3 times as the specs may indicate and the noise reduction of the newer processor may make it more usable than the NX5U !!!. With the NX5U my normal range of operation is iris between F1.6 and F3.4 and gain -3 to +6db. That should work fine for the FDR-AX1 too. When it get really dark I hope my friend is there with his EX3 or use the NX30 or CX700 for a clean wide shot!!! Ron Evans edit: Now looked at both NX5U specs and pdf of FDR-AX1 and see that although ranges for switch positions say one thing the auto limits say something else !!! NX5U has an AGC limit set of 24db but no apparent way of setting this manually and low light spec specifically says in auto. FDR-AX1 pdf says switch positions with limits of 21db low light spec with manually settings of 27db ( page 63 of the PDF ) but I cannot see how to set the camera to 27db manually when the switch position limits are 21db !! Will have to wait until I get mine or someone can answer what are the real limits. Sony always seems to get the specs mixed up ? |
Re: Sony launches PXW-Z100 4K Handheld XDCAM
I would suggest that the NX5 and Z100 sensors have similar sensitivity. The NX5 has bigger pixels and uses a prism while the Z100 although it has much smaller pixels see's an approx 8db sensitivity boost per pixel because of the back illumination. Overall they should come out very similar.
However the Z100 has more sophisticated image processing. When I tested the Z100 alongside a PMW-200 I found the Z100 to be 1.5 stops less sensitive than the 200 at 0db, but... and this was the big surprise the Z100 was showing less visible noise (or at least the noise was less apparent). Raising the gain on the Z100 quickly results in more noise and some image softening, especially above +9db. So I think you'll see similar sensitivity to the Z5 at 0db with possibly a cleaner looking image from the Z100. But if you start adding in lots of gain the Z100 performance will start to fall away quite quickly. |
Re: Sony launches PXW-Z100 4K Handheld XDCAM
Thanks Alister. I will shoot some side by side when I get the camera. Looking at the pdf that is now up on the Sony site, Sony eSupport - FDR-AX1 - Support, there are a few things I do not like such as battery indicator being just an icon instead of time, no smooth gain switch setting in menus, no spotlight setting either. Display indication are also not as good as I like to see all parameters and if they are in aututo or manual. Now AGC appears if gain is in auto rather than seeing the value and having an "A" next to it.. Button assignments are limited too compared to the NX5U. Very strange to go backwards on a consumer camera. These sort of things were the differences between the AX2000 and NX5U so wonder if these menu/ LCD settings are on the Z100. I like the dc power input though. One of the USB ports and SD ports do nothing at the moment waiting for that firmware update.
If you have an input Alister maybe suggest going back to time indicator for battery and adding back in the spotlight setting. I mainly use my NX5U full manual but sometimes use in auto excposure with buttons assigned to AE shift and spotlight, with AE speed set to slow so that switching the buttons takes effect slowly. Found this combination useful. Ron Evans |
Re: Sony launches PXW-Z100 4K Handheld XDCAM
That is kind of backwards... Batteries (especially INFOLithium) should indicate how many minutes remaining. Almost certainly an omission that may need correcting in a firmware update.
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Re: Sony launches PXW-Z100 4K Handheld XDCAM
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The AX2000 also had picture profiles and now there appears to be just a paint setup. The marketing seems to indicate 6 but what that means is one setup with 6 parameters !!! AX2000 and NX5U had 6 picture profiles there were just more parameters for the NX5U. With three interfaces not working ( two SD slots and a USB slot) I think the real first release will be after the first firmware update !!! Ron Evans |
Re: Sony launches PXW-Z100 4K Handheld XDCAM
Everybody is saying that 4K still needs 3 or 4 years to be everywhere, lets say i want to stay with 1080p and i have to choose between Z100 and PMW 300 and i care about better quality considering that Z100 is 233Mbps and PMW 300 is 50Mbps
Which 1 should i Buy if im looking for better HD quality ? ive read all the comments in this thread but still no one made it clear, or i missed it somehow sorry guys )) |
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Re: Sony launches PXW-Z100 4K Handheld XDCAM
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Ron Evans |
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