WAYNE, NJ (June 15, 2011) – JVC Professional Products Company, a division of JVC Americas Corp., today unveiled the new GY-HM710U ProHD camcorder — a cost effective choice for event coverage, documentaries, ENG news, and educational applications — at InfoComm…
An interview with Dennis Radeke, Senior Business Development Manager at Adobe. This video, and the two that follow it, compose our Introduction to Adobe CS5.5 workshop. We’re calling it a workshop because it’s presented as a series of interviews conducted…
An interview with Adobe vendor Gary Bettan of Videoguys.com. In the second part of our Intro to CS5.5 workshop, I talk with one of the most widely recognized dealers in the NLE business, Gary Bettan of Videoguys, to get his…
An interview with Pete Bauer, our DVi forum moderator who recently upgraded to CS5.5. Our Intro to CS5.5 workshop concludes with Pete Bauer, who has authored several articles for us about Adobe Premiere Pro (his most recent one at the…
Note: This article was originally published by Alister Chapmanand is reprinted here with his kind permission. I had heard about the QIO some time ago, so I approached Sonnet to see if I could borrow a unit to review. I…
The two-time Academy Award® winning director and Canon U.S.A. present a multi-platform campaign including a Curated Imagination Gallery celebrating original photography and the first user-generated photo contest in history to inspire a Hollywood film. NEW YORK, N.Y., May 23, 2011…
Adobe has surprised those of us who have long been accustomed to a major release roughly every 18 months. Just a year after launching the CS5 titan, they announced not only a new version of the Creative Suites, but a new release schedule and a subscription option for their suites. The just-released CS 5.5 is an incremental version that provides improvements in 5.0’s first-generation 64 bit features, several cool new tools, and one of the most asked-for changes to the suite’s software line up: the return of Adobe Audition.
Note: This article was originally published by J.J. Kim and is reprinted here with his kind permission. I am very happy that I got to beta test the new Zacuto EVF, and had opportunity to use it while I was…
First, before I finish the story, allow me to explain what S-Log is, and why its so darn significant. The Sony F3, a phenomenal 1080p HD camera already, records 8-bit 35mbps XDcam to SXS media cards. This is the standard recording media for all mid-range professional Sony cameras working right now. When Sony created the F35 camera a few years ago, they built a full Super 35mm sized CCD sensor capable of producing some of the best images in the digital cinematography world. This was a camera designed from the ground up to be a full cinema-style system that records to the highest quality footage to HDCAM SR tape (it also costs about $250,000). The standard XDCAM recording format would not cut the mustard with such a high end camera, the problem being that video systems in general are not able to capture the wide latitude of exposure that film can. Sony thought of a clever solution. They created S-Log.
Sweeping Productivity Enhancements and New Creative InnovationsBoost End-to-End Workflows for Audio and Video Professionals SAN JOSE, Calif. — April 11, 2011 — Adobe Systems Incorporated (Nasdaq:ADBE) today announced Adobe® Creative Suite® 5.5 Production Premium, the complete software solution for video…