Browsing: Camera Gear

Everything else for the camera not related to support (tripods, stabilizers etc.), such as remote lens controllers, matte boxes, filters, O.B. lights, monitors and much more.

Acquisition
Sony F5: Dynamic Range, plus interpreting it in Resolve

Sony gives us a lot of gamma table options in the F5 and F55. I recently had a chance to sit down with an F5 and map them all out, and in doing so I learned a lot about both gamma curves and how BlackMagic Resolve Lite handles them. I had no idea what I was getting into when I shot these tests. Usually I bring clips into Final Cut Pro, export them to Apple Color and capture waveform images from there, but according to Sony there are no current options to import XAVC HD directly into Final Cut Pro 7 or X. I’m not that familiar with BlackMagic DaVinci Resolve Lite, but I learned a lot… while putting a nice dent in both my forehead and the wall over my desk along the way.

Acquisition
GoPro… Going even more Pro

Some of you may recall that I wrote about the GoPro Hero HD camera a couple years ago. Despite the low cost of the basic camera, it produces amazing images with enough quality to be utilized in many professional broadcast…

Camera Gear
Zacuto EVF Test Drive

Note: This article was originally published by J.J. Kim and is reprinted here with his kind permission. I am very happy that I got to beta test the new Zacuto EVF, and had opportunity to use it while I was…

Camera Gear
Interview: Convergent Design unveils Gemini 4:4:4

Newsletter editor Amber Cowles, interviews Mike Schell, President of Convergent Design, about the new Gemini 4:4:4 full uncompressed recorder. Can you give us a brief description of your new HD recorder: Gemini 4:4:4? Gemini 4:4:4 is a revolutionary full uncompressed…

Camera Gear
First Look: SmallHD DP6 vs. Marshall V-LCD50-HDMI

Menu-wise, there are many similarities and many differences. As noted I won’t go into them here, the manufacturer’s websites have a fair amount listed and others will cover all of this. Suffice to say that both have many of the desired features such as image flip, focus assist and the like. The 5″ uniquely has framelines; the DP6 has a custom scaling feature. Whether you need either feature depends on how you use these monitors.

Camera Gear
Review: Artemis Director’s Viewfinder

iTunes: Chemical Wedding’s Artemis Director’s Viewfinder Update 2/22/2010: I’ve heard from the Chemical Wedding folks that they’ve added a bunch more lenses for the DSLR cameras, up to 800mm. They’re also adding a user configurable camera ability and 10 more…

Camera Gear
JVC NAB09 Booth Debrief

This year I observed most of the NAB show from a fixed position at the JVC booth. I had been asked by JVC to answer questions and demonstrate the new GY-HM700 cameras in 24P cinema configurations.  A Final Cut Pro…