My explorations of the prototype PXW-FS7 “Vérité” continued this week with the receipt of two E-mount lenses and the XDCA-FS7 extension unit. Getting a Grip In Part 1 I whined about not being able to actuate all the controls on…
[Updated 18:40 PDT 12 Sept 2014: frame grabs and photos.] As I post this, Sony is announcing the PXW-FS7 “Vérité” at IBC 2014 in Amsterdam. The FS7 is a large-single-sensor camera designed for handheld and shoulder-mounted use. Sony’s Senior Product…
UPDATE: The price for the Alpha 7S has been announced and can be preordered for $2498 from B&H Photo Video. Features newly developed, wide dynamic range sensor with awe-inspiring sensitivity SAN DIEGO, April 6, 2014 – Joining the acclaimed α7 and…
Last Friday saw the release of Version 2.0 firmware for the Sony PMW-F5 and F55 Large Single Sensor cine cameras. The new firmware brings many enhancements such as higher frame rates, ‘scopes in the EVF, and 2K XAVC (disclosure: Art Adams and…
At NAB 2013, Sony announced the raw upgrade for the NEX-FS700, allowing this $7500 camera to send raw 2K and 4K video to external recorders. In the middle of May, Sony sent me a prototype raw-enabled FS700 camera, an IFR5 raw adapter, and an AXS-R5 recorder. After ten days of frantic shooting, grading, and editing, Art and I presented “FS700 in the Raw” at Cine Gear Expo. Most of what Art discussed he’s written about here; what follows is my part of the presentation.
If you’re using OS X and you copy AVCHD media folders to a NAS (network-attached storage) or a case-sensitive disk, you may run into problems: opening the media in 10.8’s Finder gives you “CANNOT OPEN” instead of a clip browser, FCP X…
There are times when you’ll want to use a small camera like the Sony F55 without a viewfinder–say, if you’re mounting it on a crane, in a car or on a Steadicam. Apparently it’s possible to accidentally disable the data…
Tim Dashwood, pictured here with a vintage 1950’s Kodak stereo film camera in Times Square, delivers an overview of today’s affordable 3D video production camcorders. Tim: “It amazes me how far consumer technology can evolve in just a two year period. In 2010 Panasonic officially announced the AG-3DA1 stereoscopic 3D camcorder, the first of its kind. I was fortunate enough to gain early access to the prototype and use it in a few productions. Its stereoscopic use was of course limited by its interaxial separation and zoom range, but it was the first time a stereoscopic camera operator didn’t have to worry about geometric or colorimetric alignment on set. In early 2011 the consumer divisions of Sony and JVC quickly released inexpensive handheld stereoscopic 3D camcorders the HDR-TD10 and GS-TD1, respectively.” You’ll want to dive right in and read the rest of his review.