Spread over three Sundays, each of the three days will revolve around a different aspect of the cinematographic process, both the technical and creative sides of using these new digital tools. 5D Mark II cameras will be available for students to experience hands-on, as well as all the equipment and gear that Gale uses regularly on House. Students can expect to learn how to use the basic and advanced functions of the camera, lighting, shooting, and the filmmaking process from concept to creation.
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Advanced, Custom-Designed 4/3” Sensor Delivers Depth of Field and Field of View Similar to a 35mm Movie Camera; Camcorder Uses Low-Cost Still Camera and Film-Style Lenses SECAUCUS, NJ (December 27, 2010) – Fulfilling the holiday wishes of filmmakers worldwide, Panasonic…

Vimeo Video School launches as a free, fun and easy way to help people make better videos… over 800 lessons, tips, and tutorials are available for the beginner or advanced video maker.

The QR-DSLR & DSLR-ADP-ELPZ Meet the Growing Demands of DSLR Cinematography SHELTON, CT, DECEMBER 15, 2010 – Anton/Bauer®, a brand of The Vitec Group, and the world’s premier provider of batteries, chargers, lighting and other mobile power systems for the…

Simple to use and even easier to transport, the new Hawk QCC provides quick and precise camera matching for on location single- or multi-camera shoots. Toronto, Canada – December 14, 2010 – DSC Labs, a developer of innovative products for…

Note: This article was originally published by Patrick McLoadand is reprinted here with his kind permission. I finally made the leap from an old Beta SP rig (Sony BVP-550) with Canon lens to the new-fangled world of High Definition and…

Note: This article was originally published by Alister Chapmanand is reprinted here with his kind permission. The graph to the left shows an idealised, normal gamma curve for a video production chain. The main thing to observe is that the…

As a follow-up to Pete Bauer’s recent DVi feature article Adobe Premiere Pro CS5 Six Months Later, we’re presenting a collection of user tips, editing tricks, and a couple of notes regarding RAM and operating systems designed to assist your transition into Premiere Pro. Culled from various Premiere Pro discussions from within our own Adobe CS5 forum, this article takes the golden nuggets that might have been harder to find on their own from within the myriad topics on our site and presents them all together here in an easy-to-read abridged format (including links pointing to each original thread, in case you want to dive in to any particular point and explore it more thoroughly). Whether you’ve already made the switch or just recently upgraded from a previous version of Premiere Pro, or even if you’re still just thinking about it, we hope you’ll find it useful.

Designed for use with a 3-D beam splitter and side-by-side stereographic rigs, the DSC 3-D Chart includes 15 test elements for pinpointing even the most critical differences in aligning 3-D cameras. For matching colors, this 3-D Chart includes a hexagon-shaped version of DSC’s trademark ChromaDuMonde multi-hued pattern. Also included are 18% gray patches for users migrating from the film world.
This article originally appears at the candler blog and is republished here with permission. Ever since Apple removed the word “Computer” from it’s letterhead in 2007, gloom and doom pundits have been worried the company would eventually stop providing service…