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-   JVC GR-HD1U / JY-HD10U (https://www.dvinfo.net/forum/jvc-gr-hd1u-jy-hd10u/)
-   -   Various posts concerning GR-HD1U and JY-HD10U (https://www.dvinfo.net/forum/jvc-gr-hd1u-jy-hd10u/6876-various-posts-concerning-gr-hd1u-jy-hd10u.html)

John Eriksson August 29th, 2003 03:59 PM

**************************
 
What ohters on the forum told me:

Barry Green said:
Theoretically you should be able to get exquisite slow motion, with motion rendering comparable to the VariCam, by shooting in 60fps. But, you're sacrificing the HD image resolution in exchange for higher temporal resolution, so I don't know if the two would intercut well. If you want to shoot your entire project in SD 16:9 MPEG2 mode, you should be able to get the best slow motion possible on any SD-format camera (making allowances for the camera's other limitations, such as narrow latitude, etc).

And David Newman said:
Currently Aspect HD doesn't support the 480p mode, but supporting 60p as a slow motion source is an excellent idea that I hope we can implement in the future.

And I want to say to JVC and Aspect HD and Barry Green + David Newman, Thank you! Very nice!

Heath McKnight August 29th, 2003 06:49 PM

Go here:

http://www.dvinfo.net/conf/showthrea...threadid=13858

This is kind of off-topic, so go to TOTEM!

heath

T. Patrick Murray August 29th, 2003 09:23 PM

I partially agree this is off-topic
(since this is a JVC forum)

but since the essence of the JVC is HD/progressive/filmesque imagery,

I thought it relevant to talk about the HIGH END of this technology
(the MTV Awards cameras- whatever they were)
as we currently discuss the LOW END (the JY-HD10u)...

The reason? We see how good it can get,
and the road to get there.

Anyone agree?

T. Patrick Murray

Darren Kelly September 1st, 2003 03:12 PM

Steve Mullens 4HDV Package - Anyone try it yet?
 
I'm very interested in this package and I know today is suppose to be the ship date to the folks who bought it early.

Since I have yet to buy the camera or of course Steve's package, I thought I'd post a question to see if anyone has tried it and can confirm it works as great as it sounds it will.

So, what can you tell me.

Thanks in Advance

DBK

Steve Mullen September 2nd, 2003 12:04 AM

I just sent 4HDV to those who had pre-ordered it.

Thank you for waiting for it to be finished!


Hopefully, some of these folks will post comments.

Remember it covers both the HD1 and the HD10.

And the Shooting Guide includes a Chapter on both Mac and PC editing solutions.

Glenn Gipson September 2nd, 2003 01:07 PM

Am I wrong here?
 
I’ve come to notice that there is one little overlooked advantage that the JVC HD10 has over all other SD cams: Bigger internet video windows for the same, or even less bandwidth then standard SD clips. Am I wrong?

Peter Moore September 2nd, 2003 03:32 PM

Only if Media Player and the like start supporting the MPEG_TS. But Windows Media 9 can always be configured to use less bandwidth, even for SD, so I really don't see what the advantage would be, except with this camera your source material is overcompressed already

Ken Hodson September 3rd, 2003 12:39 AM

Internet delivery never uses the same codec as the cam.
Popular Internet codecs are WM9, DiVX, and Quicktime. You compress your usually huge files with these codecs to make them net friendly. The size of the files will depend on the resolution and the amount of compression you set.

Darren Kelly September 7th, 2003 12:23 PM

So did anyone have a chance to test this yet?

I'm really interested in it, but would really like to read a review?

Cheers

DBK

John Harwood September 8th, 2003 07:18 AM

HD10 not available in UK so use a US cam?
 
I’m looking to get the HD10, but its not available in the UK and the PAL version which is due soon will not have the HD enabled. Can anyone see problems in using a US purchased camera here in the UK?
My plans are to use it only for capture of high quality/high resolution HD and SD for editing within FCP on my G4 Mac, and then output to DVD for the education market. I presume I can configure my DVD’s for use on PAL or NTSC televisions? I don’t do film work.
I presume that I will need Steve Mullen’s software, but other than that and the relevant transformer for the different electrical output, can anyone see other problems with this set up?

Many thanks

Steve Mullen September 8th, 2003 11:18 AM

You don't need a transformer.

Your DVDs will be NTSC not PAL. Which isn't a problem in many cases.

You should purchase an LCD projector for viewing. It will present 720p60.

Jim Clark September 8th, 2003 12:12 PM

Selling JY-HD10U
 
We just purchased the JY-HD10u last week and have found that it doesn't meet our needs for Visual FX production because it does not have manual control over the iris like our work requires, and post is a major issue with our existing post pipeline.

We rolled about 10 minutes of tape, and after 2 days of extensively looking at its features, we decided it doesn't meet our requirements. We are selling the camera instead of returning it because the vendor we purchased from wants to charge us a 15% restocking fee but it isn't worth taking the steep loss. (Beware of Broadway Photo!)

The camera is listed on ebay right now and comes with 2 extra long life 300MaH batteries, 3 filter kit, and n AC/DC rapid charger, all unopened and brand new. Bid rpice is $3099, Buy Now for $3199. We just paid $3700 with the accessories, last Monday.


Best Regards,

Jim Clark

Heath McKnight September 8th, 2003 01:28 PM

Jim,

I feel your pain, but the losses would be too great for me to sell my HD10. Lesson learned for us! (But the image quality is great and it's only a matter of time before we can edit without any problems.)

JVC, make everything MANUAL in addition to auto!

heath

Steven Galvano September 13th, 2003 04:06 PM

the single chip debate
 
wow, I just got back from B&H with my new HD10 and have been doing A/B tests with my 3 chip GL-1. The resolution is drastically better, but what I didn't expect is it's superb color reproduction. The GL1 was never especially good, it tended to blow out the reds. the A/B tests showed a DRASTIC improvment in color reproduction over the GL1 and in my opinion it can rival any 2/3" 3xCCD broadcast camera I've seen. This is in moderate to to good lighting (interior). Saturation suffered in lower lighting - but ANY camera would to some degree. There has been much written about the light sensitivity of this camera, I've found that it's much better then I expected. In low light it's contrasty. In the same light, my GL1 would be brighter, but far more grainy. I would opt for the HD10's look.

The prob. with MY HD10 is it's missing a pixel (or small group of them, so it's going back for an exchange. Is this a common prob.?? Just hope it doesnt happen on the road--

Thanks!!


Steven Galvano

Frank Granovski September 13th, 2003 06:17 PM

The single chip depate? There's nothing wrong with 1 CCD cams, it's just that some are better than others. I've got 2 older JVC 1 chip cams, and I use them to put bread and butter on my table. Concerning the GL1, perhaps compare the GL2's footage of that with the HD10 in DV mode, this way you will be comparing only 1 apple with 1 orange, instead of 2 with each. :)

Darren Kelly September 13th, 2003 06:28 PM

I've read some messages about the camera loosing a pixel in transit. Air shipment seems to do it from what I read. On the other hand, it could also be a pixel missing on your viewfinder, and not on the camera.

The good thing is B&H is great about exchange and returns

DBK

Heath McKnight September 15th, 2003 01:08 PM

Any ideas about this
 
I needed to shoot a little something extra for my DVD's documentary (audio only), so I busted out the HD10 and aimed it at my face (so I knew which take to use--so much for a raw interview; I had something specific today). I had the camera low (and in DV mode, also fully automatic) and aimed up. The ceiling fan was behind my head and I did my thing.

When I played it back, the fan looked like it was almost standing still (off), yet there was a slight blur. Not sure what shutter speed I had on...And though it was cool-looking, not something I'd want to repeat in a possible film. Any ideas what happened and how to fix it?

heath

Eric Bilodeau September 15th, 2003 04:19 PM

It is because of the speed of your fan and the speed of your shutter. let's say you have a 3 pal fan turning at 10 revolutions a minutes straight, with a 1/30th shutter you would not see the pals moving because each 30th of a second, the fan makes 1/3 of a turn so you end up seeing the fan still because there are 3 pals so each 1/3 revolution the next pal is at the same place as the preceding one. You can have a lot of fun with a fan and a dimmer in video. Back a few years from now I experimented quite a bit with that... you can see it go forward, than change the speed and it looks as if it goes backwards. A good example of that is shooting cars on either side, when the car starts or stops, the wheel looks like its going forward, then backwards, it always look pretty weird, it does that even with the human eye.

Of course, once shot you cannot fix it.

Heath McKnight September 15th, 2003 04:21 PM

yeah, it looked like it was moving both fast and slow forward, then backwards. Just like a tire/rim on a car. (Of course, now rims move automatically on some of these "pimp-mobiles," and it's just another attempt to screw with our heads.)

heath

Steve Mullen September 16th, 2003 01:07 AM

Euro Hdtv
 
Posted on Mon, Sep. 15, 2003
Europe's First HD Channel Gets Trial Run
DOUGLAS HEINGARTNER
Associated Press

AMSTERDAM, Netherlands - Europe's first high-definition television channel went on the air over the weekend with a trial broadcast of music and sports programming. Only next year is the technology set to go mainstream.


Europe's shift to the sharper images and clearer sound of high-definition TV is moving much slower than in the United States, where several million HDTV sets are already in use.


While the U.S. government has mandated a switch from analog to digital TV signals, which make high-definition broadcasts possible, Europe has yet to enact such rules.



The new HDTV channel, Euro 1080, broadcast live coverage Saturday from the World Athletics Final in Monaco and the "Night of The Proms" concert in London to an audience of journalists and TV executives in Amsterdam.



The official launch of the channel, owned by the Belgian company Alfacam, is slated for January. The name Euro 1080 refers to the number of lines in the image, double the quality of "low-definition" regular TV.



Viewers will receive four to five hours of daily programing, ranging from the Euro 2004 soccer championships to Vienna's annual New Year's concert.



The broadcasts will be free, but the equipment certainly won't.



While the quality is undoubtedly superior, viewers must purchase a new television set, ranging from $1,800 to $4,000, and a set-top box receiver costing up to $550.



Although the prices have been dropping about 15 percent each quarter, it's unclear whether the cost is low enough to attract Europe's 380 million television viewers. So far, HDTV sets haven't sold well, mainly "because there's no content," said Euro 1080's technical manager, Jacques Schepers.



Industry analyst Vamsi Sistla of Allied Business Intelligence described the dilemma as "a classic chicken-and-egg problem."



"If you don't have the content, people aren't going to fork out a few grand for the set," he said. So, while broadcasters wait for viewers to buy sets, viewers wait for content, which is more costly when shot in high definition.



In the United States, about 2.5 million digital TV sets - most were HDTV-equipped - were sold last year, and the average retail price dropped to $1,688 from $3,147 in 1998, when only a few thousand were purchased, according to the Consumer Electronics Association. No figures were available for European sales.



Part of the reason for the greater U.S. popularity is cheaper sets, and most major American broadcasters, such as HBO and ESPN, offer considerable high-definition programming, a trend echoed in Japan, Korea and Australia.



The fragmented European broadcast market and linguistic diversity have been largely to blame for the slow growth.



Euro 1080 will initially serve 30 countries with programs of minimal spoken content that easily cross borders, such as music and sports. A second channel will broadcast to movie theaters or sports bars where audiences can watch the Olympics or a Rolling Stones concert.



Euro 1080 produces 10 to 12 high-definition programs per month, and plans to supplement those offering with programs from the United States and Japan.



The channel still has some hurdles to clear. Sistla, the analyst, estimates that cable TV companies need to spend about $1,000 per subscriber to upgrade their equipment for HDTV -- costs the European cable industry cannot afford.

Kevin A. Sturges September 21st, 2003 10:56 AM

Legitimate Prices For HD10U?
 
I checked, but didn't find this covered in here yet, sorry if it has: I just found this link:

http://www.royalcamera.com/jvcjyhhigdef.html

I called and apparantly it's true - Royal camera has the HD10U in stock and they are selling the Japanese menu version for $2'349. They also have the English version for 2'800....something. Is this too good to be true? I know the prices are starting to come down now. They said it's a new camera sealed in the box - no extras.

Is there a translation available for the Japanese model? I know a lot of Americans buy Japanese import cams, and don't have a problem desifering the menus.

Darren Kelly September 21st, 2003 01:13 PM

Kevin,

It's always available at Royal, but you will never actually get it.

They will insist on selling you overpriced accessories that are standard with the camera, like the battery, power supply and cables. If you hold your ground it will suddenly become out of stock.

To make a long story short, you will not get it for $2349.00.

Cheers

DBK

Jeff Donald September 21st, 2003 01:21 PM

Please try to support our Sponsors, that help make these forums available and with not ads, pop-ups etc. Zotz will give you an honest, fair and competitive price (don't forget to mention you're a member here). Thanks for your help.

Steven Galvano September 22nd, 2003 07:47 AM

Can someone tell me--
 
Why does the HD10's footage look so much better than SD footage when downconverted and viewed on a NTSC monitor?.

Probably the same reason 35mm film looks so good on VHS.

Also- What media do you guys recommend? B&H suggested JVC's standard DV tapes (3.49/ea).

Thanks!

Steven

Christopher C. Murphy September 22nd, 2003 08:22 AM

The basic logic is:

When you start with a lot more information (pixels, resolution etc.) - your computer has the opportunity to come up with a better final version.

If you shoot on VHS and make a VHS dub it's going to look crappy because the resolution is low to begin with. If you shoot 35mm film with such high resolution and transfer it to a computer at VHS quality - it's going to look pretty good. Even though it's a low quality version - it still had TONS of informaiton to "encode" the best possible flow of information.

When you see on a DVD that says "remastered from a high-definition source tapes" - it does matter. The higher definition source material you use - the better "encode" your're going to get.

Although, it also depends on the encoder doing the work too. I've seen people butcher things that could have been beautiful!

Hope this helps in some way. If you'd like more information - just go to Google and type "encoding video" and "source material".

Chris

Eric Bilodeau September 22nd, 2003 09:22 AM

Good point Chris.

I would also add the following: In SD cameras there are many chips with different sizes/definition. A camera with a 1/3 chipset having 270 000 pixels of resolution like the XL1(s) will have to "upconvert" to get true 720X480 (345 600 pixels), compare the image to a camera witch has a 2/3 - 510 000 pixels chipset and it is easy to tell the difference in sharpness between the two. The better the original definition, the better the final image, even in the same format. Imagine when the original format is of higher quality (definition)...

John Eriksson September 24th, 2003 06:39 PM

Can somone answer 3 questions?
 
Can somone answer 3 questions?

1.Is the JY-HD10E fully supported with Aspect HD?

2.Does the JY-HD10E record PAL on any mode HD/SD/DV?

3.Does it output a PAL signal from the S-VHS and the compoite port?

..Or is that also NTSC, what is the diffirance with JY-HD10E and JY HD10U?

Thanks!

David Newman September 24th, 2003 06:54 PM

The JY-HD10U and the JY-HD10E are the same camera. It has no PAL mode. It is compatible with Aspect HD.

This site lists its specs.
http://www.provis.com.au/products/video/jy_hd10e.htm

Steve Mullen September 24th, 2003 08:31 PM

JVC GR-PD1 for thePAL world

Digital Full Progressive Video Camera

• 1/3-inch 1.18 Megapixel Progressive Scan CCD with Hybrid Complementary-Primary Digital Filter

• Hi-Def F1.8-F1.9 Optically Stabilised Zoom Lens

• MPEG-2 Recording on MiniDV Cassette

• Multi-Format Recording and Playback:

* DV PAL Interlace: 4:3 625/50i

* MPEG-2 PAL Progressive: 16:9 625/50p

* MPEG-2 PAL Progressive: 16:9 625/25p

* MPEG-2 PAL Progressive: 4:3 625/50p

John Eriksson September 24th, 2003 11:54 PM

jepp.
 
yes, I have heard of this, but there is no HD on that one.. thanks anyways..

Mike Eby September 26th, 2003 03:18 PM

My HD1 Power supply/Charger died!
 
My HD1 power supply died. Has anyone had any experience with the aftermarket chargers that Bestbuy sell? I was thinking about a spare so I could charge 2 batteries at one time anyway and I could use it until I got a replacement from JVC. One unit they had at Bestbuy will charge from a car cigarette lighter, this seemed like it might be handy.

Mike

Steve Nunez September 27th, 2003 05:44 PM

JVC Streamcorder
 
B&H now has these for $2399.......at over 700 lines of res, why don't we hear more about this seemingly awesome cameras?

Frank Granovski September 27th, 2003 06:20 PM

Quote:

...at over 700 lines of res.
MiniDV has a maximum horizontal playback of 540 lines.

For that price, it is a good buy. It's video quality, I keep hearing, is very good. Keep in mind that the lens hood cannot be removed.

For more info about this cam, use the search function on this site.

Mike Eby September 28th, 2003 01:58 PM

Picked one up at BB yesterday for $49 (ouch for what it is). Works great now I am back in business and I can charge batteries on the road.

Mike

Yik Kuen September 28th, 2003 10:51 PM

I like the quality of this cam. I use it for Wedding. It's exceptional highlight handling is superb. It's one of the very rare cam in this price range that can truly resolves 700 lines of resolution.

The unremovable lens hood is not a problem to me. I can still attach a Canon WD58 wide angle lens (with a 52 to 58mm conversion ring) with an additional hood that comes with it.

I don't use the streaming function and it's my main cam for most of my wedding events.

I strongly suggest that you try this cam and judge its video quality, comparing with the rests. I've even come across that a professional videographer commented the quality is close to some 1/2" chipper!

Cons: Moderate battery life and "plastic" feel.

Steven Galvano September 29th, 2003 04:29 PM

What's the deal with the AF??
 
In my experience the Autofocus is either snail slow - or it doesnt work at all
Is this normal?
How have you guys been dealing with it?

-Steve

Steve Mullen September 29th, 2003 08:33 PM

Give it 2-3 seconds. :)

T. Patrick Murray September 29th, 2003 09:53 PM

Editing Package Steve Mullen
 
Hi there- sorry for the basic question, but I gotta ask before I buy-

Is the 100 buck editing package
include the shooting guide and the edititng plug in- or are they sold seperately?

I have a Mac, Final Cut Pro 4 and a need to edit my footage.
What do I need, Steve?

I am ready to buy, and I have many friends who want my review of it-
am I psyched to get it and cut my shots!

T. Patrick Murray

Matthew Phillips September 29th, 2003 10:29 PM

JVC HD Latitude
 
What is the latitude on the JVC JY-HD10U?

Matt

Steve Mullen September 29th, 2003 11:09 PM

You can buy the "4HDV Shooting Guide" by itself. Those who have PCs can get this.

Or, you can buy the whole "4HDV Bundle" which includes the Shooting Guide and Production Guide plus HDVbridge and HDVviaduct plug-ins.

Head to my website to order.


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