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RED Digital Cinema: The NAB 2010 Event

Ergonomically, the new EPIC body weighs in at 5 lbs. The prototypes were lightly rigged with LCD, new REDVOLT battery grips, REDMOTE, and CF modules, to show how adaptable the camera is for a range of fast environments. The lightly rigged EPIC looks like a DSLR on steroids. Jim handed the EPIC across the cocktail table to my new RED-using pal Eythan from Atlanta, saying “You want to hold this, don’t you?” and he later told me excitedly that “it was as easy as holding any camcorder.” RED is currently planning Nikon and Canon EF mounts for EPIC, and with these lighter lenses, the camera will have built an excellent documentary and event camera. You can easily build the camera, including in-camera audio inputs, for around 8 or 9 lbs., depending on the lens.

Video
iDC Pro Wheel Assembly

Bruce Dorn from iDC Photo Video describes his new Pro Wheel Assembly for controlling focus on D-SLR cameras at NAB2010. https://vimeo.com/11086792

Post Production
A First Look At Adobe Premiere Pro CS5

Today, Adobe launched – meaning “officially announced” – the much anticipated CS5 version of their Creative Suite. At their NAB booth, they indicated that it will actually be available in about a month. So what’s new? And is it worth opening your wallet to upgrade? Ultimately, of course, you’ll have to answer the second question based on the first. In this article, I’ll be sharing with you what I glimpsed during a fairly brief test drive of a prerelease Windows version of Premiere Pro CS5 that should give you a head start toward that big decision.

Acquisition
Honorarium: a Hybrid 7D / EX1 Short

This has evolved into a long article as I have not only ventured into the technical aspects but into a broader perspective of filmmaking. For me, technical choices are mostly tied to aesthetic decisions. Sometimes aesthetics determine the technical choice and sometimes it’s the other way around. As I started this piece I found myself wading into issues that ultimately pushed this project in a distinctive direction, far outside issues of frame rates, shutter speeds, ISO, and codecs.

News
New products for 2010 from Hoodman USA

All the XDCAM overcranking you want… Three updates give our Hoodman RAW SxSxSDHC adapters all the overcranking you want. Hoodman’s RAW SxSxSDHC alternative memory adapters for Sony EX SxS applications have new controller technology that allow unlimited overcranking. Hoodman’s RAW…

News
Canon’s New XF305 and XF300 Professional Camcorders

Both Models Utilize an MPEG-2 4:2:2 50Mbps Codec for Exceptional High Definition Image Quality, Full NLE Compatibility and an Efficient, Robust Workflow LAKE SUCCESS, N.Y., April 7, 2010 – Canon U.S.A., Inc., a leader in digital imaging, today announces the…

News
Panasonic Announces the AG-HPX370 P2HD Camcorder

A New, State-of-the-Art 2.2-Megapixel 3-Chip U.L.T Imager* Produces Sensitivity and Signal-to-Noise Ratios of Larger Imagers * SECAUCUS, NJ (April 5, 2010) – Panasonic Solutions Company today announced the immediate availability of the new AG-HPX370 P2 HD camcorder, an affordable second-generation,…

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