Browsing: Production

The art and science of making media.

Lighting
My Experience with Butterflies

The butterflies that I stop and look at are usually very large and made of grid cloth. Here’s what I use overhead in daylight exteriors, and when. Making actors look good outdoors can be really difficult. When possible I try…

Camera Gear
What Alexa and Watercolors Have in Common

Ever wonder how a company’s background and philosophy affects product development? Let me tell you a little something about Arri and Alexa… I’m a geek. I read cinematography, videography and color textbooks for fun. I’m awful at math so I…

Acquisition
Review: Zacuto Z-Finder EVF

Accessories don’t get no respect. Zacuto’s Z-Finder EVF is a perfect example: it’s a dinky little 3.2″, 800×480 LCD monitor in a lumpy plastic case that looks like something RED’s mechanical designers would make if they worked for Fisher-Price. To…

Acquisition
Review: Blackmagic Cinema & Pocket Cinema Cameras

REDs for the rest of us? The $1995 Blackmagic Cinema Camera and $995 Blackmagic Pocket Cinema Camera are interchangeable-lens, single-sensor cameras with raw recording capability, capturing wide-dynamic-range, log-encoded images to CinemaDNG files. They also record ProRes422(HQ) and (for the Cinema…

Lighting
An Interior Lit with Two Lights, Part 2

In my last article I wrote about lighting a dramatic library scene using only two lights. Here’s how I lit a rich, dreamy bar scene using the same two lights. Bay Area dot-coms are big on creature comforts. I shot…

Camera Support
Review: Miller Solo Tripod and Compass 15 Head

When choosing a tripod the range of models available is confusing and baffling. There are so many different tripod weights, payloads and heights to choose from, so it can be difficult. Also while there is such a thing as a good all round tripod (as we shall se in a bit) there is also no such thing as one tripod that will be perfect for every shoot. The most important thing to consider when choosing a tripod is the payload that it will need to carry. This is the total weight of the camera, lens, batteries as well as any support equipment like rods and rails or monitors attached to the camera. Don’t underestimate how heavy this lot can get. You will want a tripod that can comfortably carry the payload you have, you never want to be right on the upper limit.

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