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Camera Support
DJI Phantom – Flying Commercially in the UK

To me the Phantom is a tool to which I can attach a camera to take stunning photographs or video from an angle that is totally alien to us. To some and sadly a few of our newspapers the Phantom is a drone, a device which is seen as being used for surveillance, to strip away our privacy. As responsible pilots we need to act in a manner that doesn’t harm this emerging market for aerial video and photography. My fear is that sooner or later a member of the public will be hurt by somebody flying irresponsibly. The press that will follow will put all multirotor pilots in the spotlight in a negative way.

My involvement with multirotors has up to this stage been as a hobbyist. I was introduced by a friend to this technology about 18 months ago and have fallen in love with it. I was involved with building my first rig, went on to buy a Phantom and have almost finished building the larger DJI S800. From this point on my interests are of a commercial nature, I want to provide aerial footage to a niche and specific market. To do this though however brings about what appears on the surface to be another set of complexities.

News
Adobe Accelerates Shift to the Cloud

New Product Innovation to be Delivered Exclusively Through Adobe Creative Cloud LOS, ANGELES — May 6, 2013 — At Adobe MAX, The Creativity Conference, Adobe (Nasdaq:ADBE) today accelerated its shift to the cloud with a major update to Adobe® Creative…

News
Adobe Unveils Major Update to Creative Cloud

Includes Next Generation of “CC” Desktop Applications and Delivers FullyIntegrated Cross-Device Collaboration, Community and Publishing Capabilities LOS, ANGELES — May 6, 2013 — At Adobe MAX, The Creativity Conference, Adobe (Nasdaq:ADBE) today announced a significant update to Adobe® Creative Cloud™,…

News
Powerful New Adobe Photoshop CC Debuts at MAX

Milestone Version of The Industry Standard in DigitalImaging Anchors Major Update to Adobe Creative Cloud LOS, ANGELES — May 6, 2013 — At Adobe MAX, The Creativity Conference, Adobe (Nasdaq:ADBE) today announced Adobe® Photoshop® CC as part of a major…

Show Reports
NAB 2013 Reflections

In Ye Olden Days, every part of the production, storage, postproduction, and transmission chain was built around analog hardware following well-defined standards: 3.58 MHz subcarrier, 13.5 MHz digital sampling; format-specific tape decks, NTSC II encoding and OTA transmission. Moving to HD required replacing all of that with something new.

Now? Sensors and displays are hardware, but the stuff in the middle is a string of ones and zeroes. There aren’t hardware vision mixers any more, just T-handles driving encoders that tell DSPs what proportion of channel A to composite with Channel B. A hard drive doesn’t care if it’s storing 720p, 1080i, 1080p or 2160p, or whether the images refresh at 23.98 Hz, 50Hz, or 59.94Hz. You can wrap anything in a broadcast transport stream; it’s just bits.

Video
Chimera

A Softer Approach to Modern LED Panel Style Lighting. The new LED array lights that are sweeping the industry have a lot going for them. Fundamentally, they’re amazingly efficient turning most of the power applied to them into light rather…

Video
SquareBounce

One of the true joys of NAB happens a bit away from the big aisles and mega-booths from the industry giants. It’s the small innovative entrepreneurial folk who’ve turned a home grown idea into a product, and are trying to…

Video
BlackMagic Design Pt. 1

At NAB 2013, DV Info Net had the opportunity to sit down with BlackMagic Design President of US Operations Dan May for an on-camera chat about the new Cinema Production Camera, the hot new Pocket Camera and issues about BlackMagic…

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