Posted to our forum by DVi member Ian Campbell: I got my DVD copy of “How to Setup, Light, & Shoot Great Looking Interviews” in yesterday’s mail. I’ve now watched the DVD twice, and I made some notes and wrote…
Pete Bauer of Contrail Media explains the basic procedures for working between Adobe CS5.5 applications such as After Effect and Premiere Pro, and then guides you through a sample Dynamic Link exercise moving sequences from one application to another. A quick review of the process is included at the end of Pete’s tutorial. In just about 15 minutes, this video tutorial covers the essential steps you’ll need to know in order to use Adobe Dynamic Link in Adobe Creative Suite 5.5. Pete has also provided a companion tutorial article to this video workshop.
Adobe Dynamic Link is a fantastic feature that allows live interaction between different software applications. It is a really valuable tool that I really can’t imagine being without. Although there are already several really excellent demos on Adobe TV about…
Deadline for Submissions is March 31st When it comes to active learning, nothing beats presenting live in front of fellow classmates. Ridgefield Park, New Jersey (March 14, 2012) – Samsung Techwin America’s Electronic Imaging Division (www.samsungpresenterusa.com), a leader in document…
Several months ago, I made the journey from San Marcos, Texas up to Dallas to convene with a long-time friend and colleague of mine, Stuart Reid. Stuart and I were making the rounds at different creative studios in Dallas, in…
ScopeBox 3 is the latest version of the Mac application that transforms users’ everyday computers into complete video-analysis suites. It is now available for purchase at $99, and as a free update for existing customers.
Featuring Improved Image Quality, a 61-Point High Density Reticular AF, Six fps High-Speed Continuous Shooting and Enhanced HD Video Recording Features LAKE SUCCESS, N.Y., March 2, 2012 On the 25th anniversary of its world-renowned EOS System, Canon U.S.A., Inc., a…
Canon EOS 5D Mark II Digital SLR Cameras Take Moviegoers Deep Into the DaringOperations of Active-Duty U.S. Navy SEALs in Relativity Media’s Act of Valor LAKE SUCCESS, N.Y., February 24, 2012 — In an unprecedented blend of real-life heroism and…
Company behind wildly popular CineSkates Kickstarter campaign launches new suction cup mount ideal for DSLR, GoPro or iPhone AUSTIN, TX 22 Feb. 2012 — Cinetics™ is launching a super strong, versatile suction cup camera mount system, CineSquid™, which allows filmmakers…
In the past half-year, I’ve used FCP-X nearly exclusively for my corporate video editing. In that time, I’ve had to to deliver a wide range of work for a very diverse group of recognizable national clients – often under very tight deadlines. I doubt I could have hit these deadlines while delivering the same quality without FCP-X. That’s based on looking back at what I’ve done, the deadlines, the programs and client requirements and how FCP-X often helped me work faster and more efficiently than I was working before.