- Rechargeable 9 volt batteries in UK
- Stereo for mono sound engineers
- Mixer bag Sound devices 442 and fostex fr-2
- Matching Dialogue TWO Actors
- Quick release for shockmounts?
- Field mixer with optical line out?
- Lots of Mics/1 mixer/1 Cam
- XH-A1 and pre amps
- Feature Film Bit & Sample Rate
- Audio Work Flow
- Sell or Stay?
- What's With This Senheisser Shoe Mount?
- Sound Devices 302 vs. Mixpre
- Wireless Mic, sennheiser ew122p?
- What Should I Buy?
- New Rode NTG-3 Shotgun on a PMW-EX3
- Mic for shooting concert (close to the stage)
- Countryman B6 connector question
- Appalling audio input on Sony A1P
- When to Split Dialogue onto Different Tracks in Post Production?
- Confusion of use
- Sony PCM-d50 versus AT822/AT825 and Rode SVM
- Event Opal Audio Monitors - The details
- A good pair of Wireless Lavs? Lectro 100?
- Outdoor recording
- wireless / outdoor / fishing
- Excellent field sound recorder 1-2 grand
- alternative to Giant Squid mic?
- Get my WAV's off the HHB Portadrive 8 channel??
- EX1 as audio recording device, how´s that working for you?
- Any tips on this situation?
- How to Record A Live Show with Three Vocalists?
- Advices to choise 200$ wireless lavmic
- Should be an easy one...
- Best settings on Sony P150 to capture audio output from sound deck?
- Mid 2008 - What's the scoop on Field recorders?
- Question about recording sound with a Canon XH-A1 + Rode NTG-2
- Interview Audio Clipping
- lav microphones for weddings
- Sony ECM-77 hiss with a Sony PMW-EX1
- 83 min feature - Soundtrack Pro?
- Audio Kit (Upgrading) - Advice Please!
- TECHNICAL ADVICE ON CANON XLR 12dB GAIN UP ?
- Does This Device Exist?
- Recording screams
- Recording levels in Sound Forge etc
- How can one keep from overloading a camcorder mic
- Rolls v Azden
- FR-2 LE - independent XLR input control of LINE IN and PHANTOM?
- Creating Bass,rumbling, etc.. Sounds for movie