- Shotgun upgrade.
- G2 100 feedback
- What does "on hold" mean?
- What's the best audio format to capture in?
- WIND PROTECTION - a low level viewpoint
- Olympus LS-10 -- weak line input??
- Sennheiser EW100 ENG G2
- In-Car audio for racing
- BOOM poles.... a low level perspective
- Need pci to usb (or ieee) adapter for Echo Layla 3G (if such exists)
- Problem with Sound Devices MP2 and V1
- Automatically Reduce BG Audio
- syncing problems with Edirol R4-Pro and XLH1
- I want to make a custom cable for a stereo mic
- azden fmx 42
- New to sound looking for a good basic set up
- Wiring mic...elementary help needed :-(
- Audio Recorder help - Edirol R-44
- Captured audio
- UHF frequencies
- Audio Recorder Question
- Digital Recorder and Video Sync
- How does this crazy setup sound?
- How often do you use wireless on dramatic pieces?
- Internal/External Mic separation
- Aux antenna for wireless
- How is TV show Medium recorded to get that sound?
- Pro line vs consumer line
- Height of microphone ?
- Cardioid vs. Hypercardioid? INDOORS
- Neutrik XLR connectors
- Battery life for AT822
- Rode NTG-2 onboard Phantom issues
- Wiring mic cable...
- compact pouch for SD 302
- compiling AAF to OMF with MSVC
- Ouch!
- Padding line down to mic level
- New Yamaha Pockettrak 2G recorder
- Sonic Fire necessary
- Does an attenuator need a transformer?
- Audio advice for a startup videographer
- Portable Digital Recorder Questions
- Sennheiser G2 Wireless fatal flaw?
- Will the Sound Devices MM1 Headphone Out drive a Small Speaker?
- New portable digital recorders
- Four Wireless Signals?
- The XH A1 audio meter. What does it measure? VU? Peak? VU/Peak?
- Opinions on Audio-Technica AT875 Short Condenser Shotgun Microphone
- Will digital input give me balanced, interference free audio?