- studio 1 xlr-pro ground cable
- hi minidisc once only digital transfer
- Sony Z1 External Microphone.
- The mics I have, useable for what, and my first shoot.
- post production audio - can this be done?
- Audio help for GL2 - Need help buying stuff
- Help With EQing Sound System
- What the heck is Audix?
- XLR inputs on camera vs. Marantz PMD670
- Audio Dub questions
- Rode Mic
- How to mic a parked car
- Looking for an off-camera mixer
- Why would my Sennheiser Evo100 wireless flutter?
- K-Tek boom question
- Help with wireless Microphone!!!
- Latency question when outputting to Firewire audio devices..
- About the K-Tek KSSM's soft bands...
- Shotgun or what?
- Shotgun for voiceover - where to position it?
- Roland DM2100 2.1 monitors
- M-Audio Microphones
- Replacement for small "windscreen" on Evo G2 lav
- Comparing the Presonus Firebox to the M-Audio Firewire 410
- Have to use XLR for the Sennheiser EW100ENG G2?
- High-end microphones Questions
- 16 or 24 bit for dialogue
- Shotgun Mic Suggestions for GL-2
- Having trouble understanding an audio concept
- Who does their own foley work
- Good battery powered ambient microphone
- Sound Help on Concert Video
- Shure e3c in ear plugs for monitoring audio
- Urgent sound FX help...
- Need help setting up a location
- MK41 on a boompole
- Where is my audio hiding?
- Which laptop do you use for audio capture
- shotgun options for trv950
- Quick question about DJ soundboards
- letrosonics cr 187,m187
- CompactFlash recording time : bytes ratio
- xl1s audio help
- Advices needed - Samson UHF Series One
- Can someone recommend software to create music automatically?
- Ultrasone headphones
- Lavalier placement
- boompoles with internal coiled cables
- Question about snaking cable through Gitzo g1553 boompole
- Manual keyframing or Compressor filter?