- Where to rent a decent mircophone in NYC?
- Buying Q's: Sennheiser...Sony...Samson??
- Rode NTG-1, NTG-2 shotgun .wav files are up.
- Film student audio options
- Best way to mix live wedding audio
- Room tone in 5.1 projects
- Graduation/ Year Ender Video - Song Suggestions
- Ready to buy, Help me out!!
- Safe to record camcorder while driving in highway?
- Mkh 416
- DVC30 - How to get around annoying headphone sounds (hisses/noise) using line out?
- Stereo or Mono sound??
- Sweetening an intermittent hum
- Any contestant for the Wendt X2?
- Would this really be the "ultimate" wireless audio kit in this price range?
- iRiver Security Issue
- AT 897 on off switch
- Iriver and corresponding mic
- Sound Card.
- studio 1 xlr-pro ground cable
- hi minidisc once only digital transfer
- Sony Z1 External Microphone.
- The mics I have, useable for what, and my first shoot.
- post production audio - can this be done?
- Audio help for GL2 - Need help buying stuff
- Help With EQing Sound System
- What the heck is Audix?
- XLR inputs on camera vs. Marantz PMD670
- Audio Dub questions
- Rode Mic
- How to mic a parked car
- Looking for an off-camera mixer
- Why would my Sennheiser Evo100 wireless flutter?
- K-Tek boom question
- Help with wireless Microphone!!!
- Latency question when outputting to Firewire audio devices..
- About the K-Tek KSSM's soft bands...
- Shotgun or what?
- Shotgun for voiceover - where to position it?
- Roland DM2100 2.1 monitors
- M-Audio Microphones
- Replacement for small "windscreen" on Evo G2 lav
- Comparing the Presonus Firebox to the M-Audio Firewire 410
- Have to use XLR for the Sennheiser EW100ENG G2?
- High-end microphones Questions
- 16 or 24 bit for dialogue
- Shotgun Mic Suggestions for GL-2
- Having trouble understanding an audio concept
- Who does their own foley work
- Good battery powered ambient microphone