- Sony V1U and off camera audio
- Sanken CS-2
- breakway cable for DR-100
- Software question....
- MPEG Video - Audio Leveling
- How would you get people to listen as well as look?
- Changing sound of voice
- The Right Mic
- windscreen needed
- In search of hotter audio
- Sennheiser Frequency Finder - iPhone app and website
- FCC band and Wireless Mic
- make recordings from diff mics sound similar and compression question
- Sony UWP-V1 setting help (PLEASE)
- Issues with Samson UM1/77 Mic
- On Location ADR?
- Question about 702T and MP3 for transcription
- Random Oktava vs. Schoeps comparison
- Impossible to see numbers on Lectrosonics channel selector
- Best consumer cam for audio?
- thoughts on the tascam dr-680
- Record from Zoom H4n's Headphone Jack
- Outdoor Long shotgun Mics
- AT 897 with H4n: volume is too low
- Definitely not a sound tec....
- The perils of radiomics
- Rode NT3 OR M3
- Audio Setup Help!
- Using a SD 302 mixer in a Portabrace MXC-33. Possible?
- Shotgun mic recommendations under 500
- What audio equipment for a feature shot on an EX1?
- 60MB UDMA CF & Tascam HDP2?
- Audio Test with the H4n zoom
- Rugged lavalier ?
- Great sound on live news - how?
- Pinknoise Cable H4n Experiment
- foley for the poor
- audio set-up
- Mic for HPX370
- Unislot receiver for HPX370
- Senn G3, interference, florescent ballast?
- ext mic won't work on hv20
- How important is a 'bass cut' on a mic?
- How do I use rode video mic + H4n to record
- BNC to TRS for timecode
- Sanken CS-3E - A magic mic?
- Auto Gain Nightmare
- Commercial for TV
- Hiss and a Roar
- Defeat Plug-in Power