View Full Version : All Things Audio



  1. Timecode survival guide
  2. Rode VideoMic Pad switch
  3. mic advice
  4. Balancing an unbalanced cable
  5. Sennheiser Evolution G2 Series 100 w/l
  6. Change in Wireless Microphone Frequencies
  7. Connecting to Red
  8. Room Tone placement
  9. Rode
  10. Getting rid of an echo
  11. Rechargeable 9 volt batteries in UK
  12. Stereo for mono sound engineers
  13. Mixer bag Sound devices 442 and fostex fr-2
  14. Matching Dialogue TWO Actors
  15. Quick release for shockmounts?
  16. Field mixer with optical line out?
  17. Lots of Mics/1 mixer/1 Cam
  18. XH-A1 and pre amps
  19. Feature Film Bit & Sample Rate
  20. Audio Work Flow
  21. Sell or Stay?
  22. What's With This Senheisser Shoe Mount?
  23. Sound Devices 302 vs. Mixpre
  24. Wireless Mic, sennheiser ew122p?
  25. What Should I Buy?
  26. New Rode NTG-3 Shotgun on a PMW-EX3
  27. Mic for shooting concert (close to the stage)
  28. Countryman B6 connector question
  29. Appalling audio input on Sony A1P
  30. When to Split Dialogue onto Different Tracks in Post Production?
  31. Confusion of use
  32. Sony PCM-d50 versus AT822/AT825 and Rode SVM
  33. Event Opal Audio Monitors - The details
  34. A good pair of Wireless Lavs? Lectro 100?
  35. Outdoor recording
  36. wireless / outdoor / fishing
  37. Excellent field sound recorder 1-2 grand
  38. alternative to Giant Squid mic?
  39. Get my WAV's off the HHB Portadrive 8 channel??
  40. EX1 as audio recording device, how´s that working for you?
  41. Any tips on this situation?
  42. How to Record A Live Show with Three Vocalists?
  43. Advices to choise 200$ wireless lavmic
  44. Should be an easy one...
  45. Best settings on Sony P150 to capture audio output from sound deck?
  46. Mid 2008 - What's the scoop on Field recorders?
  47. Question about recording sound with a Canon XH-A1 + Rode NTG-2
  48. Interview Audio Clipping
  49. lav microphones for weddings
  50. Sony ECM-77 hiss with a Sony PMW-EX1