- Splitting One Mic to Two XLR's?
- SONY WRT & WRR 805 UHF Pro Radio/wireless - Anybody tried?
- to mix or not to mix
- Sony HDVs' internal mike for ambient recording in nightclubs
- Alternatives to Sennheiser's blimp
- Music2hues...ever buy from these guys?
- Azden ULX200 system (UPR200)
- Do I really need expensive headphones?
- Is headphone interference normal or.......
- Record level - using SONY ACID
- HELP PLEASE...problem mounting videomic on GS400
- How do I connect my studio monitors to my laptop?
- What is a good way to hide a mic and prevent distortion?
- Please help- shelving eq doubling the volume in my clips!
- difference between mic and line lvl.
- Ruined Audio?
- Adobe Audition quality noise reduction on mac os x
- Secrets of the DXA-8's power needs
- Unbalanced wireless into balanced mixer input??
- sony mini disc??
- Senn G2
- DAT recorder: digital in/out
- please advise w/ mixing dialog recorded w/ lav
- Best shotgun for inexperienced boom-op?
- Desktop Monitor Stands?
- Looking at some mini-mixers for ENG stuff
- Unsure of what to do about mic hiss - Apex 175
- automatic gain control and line level input?
- DVX100a + sennheiser ew100 lav setup question
- what about mixers? little ones.
- wireless for lavs
- Any experience with the Rode NTG-2?
- Cheap wireless levallier mic for Sony HDR-HC1?
- Hot shoe for Sony HDR-HC1?
- Waterproof Microphones or a Hydrophone
- Question about camera noise and mics
- handheld recomm for evolution G2 plug-in transmitter
- Need recommendations for quality boom pole
- Connecting the NTG2 to a 1/8 jack
- EV RE20/RE27 for Voice Over and Narration
- Need a new indoor mic (but it gets complicated)
- MXB1002 - Behringer - what do you think?
- On camera mic for HDR-FX1
- What would you prefer, balanced mic or unbalanced line?
- ECM-HGZ1 as second option mike
- iriver pcm-120; recording capabilities?
- VideoMic + Pro 88w Wireless Lav ... stereo set up
- balanced connection for mini-disk?
- Ultimate field recorder from Sony?
- Surround Sound and Final Cut Express