- Audio Panning Issues in Premiere
- Your opinions on Field Mixers under $675.00
- Cheap Shotgun/Boom Mic.
- ART ProMIX vs Audio Buddy as an inexpensive field mixer?
- Canon XH-A1 + Mackie 1202?
- Mini jack heaphone amp for wireless mic
- Audio Sync issues in After Effects
- AT 1800 - two plug-in better than bodypack?
- Azden 200upr cable question
- First Impressions of the NEW Zoom H2 Recorder
- Setting Up Wireless Boom
- Boom Pole?
- very basic help recording better sound/music
- MXL USB Mic Mate
- kite surfing sound
- Beachtek adaptor
- RODE NTG-1 and NTG-2 specs question
- Wireless Lav Mic + Canon XL1
- Credit where credit is due. - Sony.
- Potential sound setup
- "Now Hear This" no longer?
- Which XLR adapter for NTG-2 > HV20?
- PSC Millic any good?
- Radio mics in Russia
- Laptop field recorder or 744T?
- Wireless mics on athletes
- Multitrack recording - with or without a PC?
- Ohms & Headphone
- Hiss, Pop, Bang on XL1
- Mixing levels for Dolby Digital: DVD vs. theatrical
- Sound Device 702 vs. Tascam HD-P2
- Lav mics vs Booms
- Zoom H2
- Need Audio Set-up help
- How do I edit out clipping and distortion?
- Rode NTG-1 vs NTG-2
- 2 mono inputs to left/right stereo channels?
- Stand by for perhaps the world's dumbest timecode question. . .
- Can someone explain this Edirol R-4 Pro timecode puzzle to me?
- Good Shotgun under $500.00?
- Rode svm for Sony hc96
- how to change vocals to monster
- Bloop Boxes / Slates...Help please
- Alright, I give.
- Has anyone compared the Edirol R-4 Pro with the Sound Devices 744T?
- Audio for PAL TV transmission
- Radio Mic from USA to UK
- Sennheiser ew122 vs ew100 vs ew112?
- Rode SM-3 vs SM-5
- sony UWP- and boom?